Storytelling Through Portrait Photography with Meghan Ireland for ages 11 – 14
August 7
@
9:30 am
–
12:00 pm
In this workshop, geared toward youth aged 11-14, discover how to create and compose striking portraits, work with natural light and shadow, and tell a compelling story through your photos. Learn the fundamentals of lighting, how lighting impacts composition and the approach to creating strong frames for your photographs. Explore art direction with colors, props and locations to infuse story, self and symbolism into your work. The use of any camera that reflects your voice is encouraged — equipment may include SLR’s, DSLR’s, point & shoot cameras, instant film or phones.
Immediately following the final class, families for a presentation of the student’s images!
Dates: Monday – Thursday Aug 7 – 10 Times: 9:30 am – 12 pm EST plus artist’s reception immediately following the final classLocation: IN PERSON at the Sandborne House, 15 High Street, Winchester, MA 01890
Level: BeginnerParticipants: maximum: 8Course Cost: $245 members / $295 non-members (the non-member tuition comes with a year regular membership to the museum)
About the Instructor:
Meghan Ireland is a professional, New England-based editorial, fine art and documentary photographer. Her images are a collection of instinctual moments in her life, personal moments that deal with themes related to nostalgia, identity, and an often romanticized look at history and culture.
Meghan graduated from New England School of Photography in 2010, and has since had her work exhibited in local galleries and featured in juried exhibitions around the country. Her photographs have been published in Boston Magazine, Boston Weddings, Aint-Bad Magazine, C 41 Magazine, Eater Boston, The Food Lens and Anti-Bride Magazine.
Meghan is a native of New Hampshire currently living in Massachusetts.
e meghanireland.photo@gmail.com
ig @meghan_ireland
featured image copyright Meghan Ireland 2020
All sales are final on products purchased through the Griffin Museum. Participant cancellation of a program/lecture/class will result in a full refund only if notice of cancellation is given at least 2 weeks before the date of the event.
At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.
This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.
Artistic Purpose/Intent
Artistic Purpose/Intent
Tricia Gahagan
Photography has been paramount in my personal path of healing from disease and
connecting with consciousness. The intention of my work is to overcome the limits of the
mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain
sight. They are intended to be sat with meditatively, eventually revealing greater truths
about the world and about one’s self.
John Chervinsky’s photography is a testament to pensive work without simple answers;
it connects by encouraging discovery and altering perspectives. I see this scholarship
as a potential to continue his legacy and evolve the boundaries of how photography can
explore the human condition.
Growing my artistic skill and voice as an emerging photographer is critical, I see this as
a rare opportunity to strengthen my foundation and transition towards an established
and influential future. I am thirsty to engage viewers and provide a transformative
experience through my work. I have been honing my current project and building a plan
for its complete execution. The incredible Griffin community of mentors and the
generous funds would be instrumental for its development. I deeply recognize the
hallmark moment this could be for the introduction of the work. Thank you for providing
this incredible opportunity for budding visions and artists that know they have something