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Posted on September 10, 2010

Sprawl
Nicholas Robert Mansur
September 10 –
  • The side of a building.
  • A bicycle against o fence.
  • the side of a house.
  • A green lawn with planter.
  • Clouds
  • Clouds
  • Clouds
  • Clouds
  • Clouds
  • Clouds
  • Clouds
  • Clouds
  • Clouds
  • Clouds
  • Clouds
  • Clouds
  • Clouds
  • Clouds
  • Clouds
  • Clouds
  • A diptych of a yard with plants and a yard with stones.
  • Stairs
  • A motocycle in street covered with a tarp.
  • The front of a house with two garbage barrels.
  • A hose.
  • The front of a yellow house with two chairs.
  • The side of a house with a window.
  • A bicycle shadow on a wall.
  • A side of a house.
  • A tree on a lawn with a planter.

 

ARTIST’S STATEMENT

Sometimes I find myself unconsciously walking the same streets over and over again. It is early spring and the birds squawk and whistle as a reminder. I feel as if I am experiencing deja vu, though it is likely I have walked this exact route in the past. My legs are light and weak as if I could collapse or float away at any moment. That is not to be the case; I remain upright and grounded, walking still.

Education
New England School of Photography 2010
Focus in Documentary (Honors) and Fine Art Color (Honors)

North Bennet Street School 2006-08
Furniture Making

Exhibitions New England School Of Photography Graduate Show 2010 Boston, MA
“Paint Pens in Purses” Sadie Hawkins Show, PBR Art Gallery, 2010 Cambridge, MA
F.A.M.E. at Via Matta, 2010 Boston, MA
New England School of Photography, Student Works Gallery, 2008-10 Boston, MA

www.nrmphoto.com

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    • Admission
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    • Handicap Accessability
    • Function Rentals
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  • Exhibitions
    • Griffin Museum Galleries
    • Griffin Museum Satellite Galleries
    • Griffin Museum Virtual Galleries
    • Exhibition Archive
  • Events
    • Online Programs
    • Receptions
    • Focus Awards
  • Learn
    • Education
    • Arthur Griffin Photo Archive
    • Photography Atelier
    • Education Policies
    • Blog
  • Join & Give
    • Become a Member
    • Donate
    • Leave a Legacy
    • Bring Photography to Life! 2020-2021 Annual Appeal Fund
    • When are the member portfolio reviews scheduled?
    • John Chervinsky Emerging Photographer Scholarship
  • Shop
  • Buy Tickets
    • Admission
    • Membership
  • Get Involved
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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

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