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Posted on February 13, 2017

7th Annual Photobook Exhibit (2016)
7th Annual Photobook Exhibit (2016)
March 9 – March 31, 2017
Photobook

 

Davis Orton Gallery and Griffin Museum of Photography

March 9 – March 31, 2017

Reception March 9, 2017 6:30 – 8:30

Visit: http://davisortongallery.com/7th-annual-photobook-catalog/

February 21, 2017 (Winchester, MA) — PHOTOBOOK 2016 is an annual competition open to photographers in the United States and abroad who have self-published a photobook. This competition was offered by Davis Orton Gallery in Hudson NY for the seventh year. The competition results were exhibited at Davis Orton Gallery and thirty-one books are now traveling to the Griffin Museum of Photography. Karen Davis, co-director of the Davis Orton Gallery in Hudson, NY and Paula Tognarelli, executive director and curator of the Griffin Museum of Photography were the jurors for Photobook 2016.

7th Annual Photobook Exhibition 2016 is featured in the Main Gallery at the Griffin Museum March 9 through March 31, 2017. An opening reception with the artists takes place on March 9, 6:30-8:30 p.m.

For the 7th Annual Photobook Exhibition, jurors Karen Davis and Paula Tognarelli chose 20
Photobooks to be exhibited at the Davis Orton Gallery:  The authors are: Angela Jimenez, Diane Cassidy, Ellen Slotnick, Georgia Landman, Graeme Williams, Jeanny Tsai. Jeff Evans, Juergen Buergin, Kyoko Yamamoto, Lawrence Schwartzwald, Lydia Panas, Mark Indig. Martin Desht, Mike Callaghan. Miska Draskoczy, Mo Verlaan, Patricia Barry Levy, Sharon Lee Hart, William Glaser and Yoichi Nagata/

The book artists above plus the following artists will exhibit at the Griffin Museum. The artists are
Andrew Child, David Loble, Linda Morrow, Manda Quevedo, Eric Myrvaagnes, Ruth Lauer Manenti, Stephen J. Albair, William Betcher, William Chan, William Gore and William Fuller for a total of 41 books. The book titles and catalog can be viewed here http://davisortongallery.com/2016-davis-orton-gallery-exhibitions/.

The Best of Show awards were given to Yoichi Nagata, Lawrence Schwartzwald, Jeanny Tsai, and Graeme Williams.
.
There are growing options available for self-publishing a book such as on-demand (blurb, lulu, viovio, iphoto, etc.); small run offset or web printing/publishing firms, binderies. For the
competition if photobooks submitted had been hand-made/bound, they had to be available in multiples of at least 25. Entrants could submit up to three different titles that are self-published photography books of any size, format, or style: hard cover, soft cover, case-wraps, landscape, portrait, square, color, black and white. Submissions were judged on the basis of: cover design, strength of the photography, subject matter of the book, page layouts, editing and sequencing and emotional impact of the overall book. All Submissions had to be original works of authorship
created by the photographer who submitted the book.

“A photobook relies on the image to form visual sentences,” says Paula Tognarelli, executive director and curator of the Griffin Museum of Photography. “A photobook that is produced well can transport us in time and place just as any book produced with the written word.”

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP