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Posted on February 13, 2017

Atelier 25
Atelier 25
March 9 – March 31, 2017
Woman standing
Trees in the dark
Christmas light on a tree in front of building

Bhutanese woman making ara
Water
Person with wolf mask on red sofa

Winter view from drone

PHOTOGRAPHY ATELIER 25 EXHIBITION

February 12, 2017 (Winchester, MA) — The Photography Atelier 25 will present an exhibit of student artwork from March 9th to March 31, 2017. The Atelier is a course for intermediate and advanced photographers offered by the Griffin Museum of Photography. You are invited to come view the photographs at the Griffin Museum, 67 Shore Road, Winchester, MA 01890.

On Thursday, March 9th, the public is invited to attend the artists’ opening night reception from 6:30-8:30 p.m. at the Griffin Museum.

Photography Atelier Instructor and Photographer Meg Birnbaum shared, “The Photography Atelier has such a long and rich history, I’m honored to be leading this workshop for emerging photographers with Amy Rindskopf assisting. The talent among the 12 members of this group show is varied and inspiring — from our relationship with nature to memory, portraits, poetry and architecture — the show is very satisfying feast for the eyes and soul.”

Work by 2017 Photography Atelier 25 members includes:
Amy Rindskopf: Terra Novus, discovers territory unseen by the casual observer. Akari Hosokawa: Silhouette, articulates a Japanese minimalist aesthetic derived from Zen philosophy that too much information prevents us from seeing the essence of objects, ideas and the real beauty behind them. Cynthia Johnson: While You Sleep is a series of landscapes showcasing night photography. Donna Tramontozzi: Regarding Bhutan examines the people of Bhutan as they go about their everyday lives. Gregory Jundanian: The Spoken Word, is meant to be a visual open-mic into the Boston area poetry community. James Hunt: Lost in the Water by James Hunt explores the experience of losing one’s self through immersion during a time of personal struggle. Kevin Ting uses unique methods to capture unseen perspectives. Over Familiar utilizes drones, while Depth Perception uses the technique of stereoscopic photography. Lisa Neville Ambler: Le Quai des brumes brings us back to the days of film noir with the dramatic facial lighting. Mark Levinson: Extracts of the Ordinary reveals curious fragments of commonplace public spaces. Meghan Cronin: La Familia observes the importance of family and the continuation of tradition. David J. Poorvu: After Hours shows us that while many small town business districts are failing, they continue to offer places to live, shop, and conduct the business of everyday life. Tonee
Harbert: Dispatches From Terra Incognita (latin “unknown land”) a project where photographs are like clues from a dream, re-assembled to comprehend a world obscured through distant memory and interpretation.

About the class:
Photography Atelier, in its twenty-first year, is a unique portfolio-making course for emerging to advanced photographers. In addition to guidance and support in the creation of a body of work, the class prepares artists to market, exhibit, and present their work to industry professionals.

Each participant in the Photography Atelier presents a final project in the form of a print portfolio, a photographic book or album, a slide show, or a mixed media presentation. In every Photography Atelier, students hang a gallery exhibition and produce work for their own pages on the Atelier website. To see the photography of present and past Atelier students and teachers, please visit www.photographyatelier.org. Instructor Meg Birnbaum will be happy to discuss the Photography Atelier at the reception on March 9th with anyone interested in joining the class.

The Photography Atelier was conceived by Holly Smith Pedlosky in 1996 and taught by Karen Davis for 7 years. The workshop was previously offered at Radcliffe Seminars, Harvard University and Lesley Seminars and in the Seminar Series in the Arts, The Art Institute of Boston (AIB), both at Lesley University.

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP