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Posted on March 16, 2018

Grace Weston: Art·tri·bu·tion
Grace Weston
April 12 – June 9, 2018
Woman on red couch with limbs akimbo
© Grace Weston, “After Kertesz.” A contemporary re-imagining of Andre Kertesz’s 1926 photograph “Satiric Dancer”.
Woman on couch with babies and laundry
© Grace Weston, “Mother’s Day.” A contemporary re-imagining of Andre Kertesz’s 1926 photograph “Satiric Dancer”.
Old woman and young nude woman standing in front of a tree
© Grace Weston, In homage to Judy Dater’s 1974 photograph of Twinka Thiebaud and Imogen Cunningham.

Man and woman with a knife fighting
© Grace Weston, “Leda and the Swan, No Means No”
Suitcase, bird cage and curtain
© Grace Weston, “Free to Go” in homage to René Magritte
Torso, bird cage, peaks and man on a circle
© Grace Weston, “Circle of Confusion” in homage to René Magritte and Salvador Dali’s landscape/rock forms.

Red hat with wings
© Grace Weston, “Mercury” in homage to René Magritte
Eyeball with glasses
© Grace Weston, “The Overseer” in homage to René Magritte

artrəˈbyo͞oSH(ə)n/
Made up noun by the curator.

Overarching Idea
The action of regarding something (in a photograph) as referencing an art piece, art medium, art form, art style, movement or artist. Made up definition by the curator.

Grace Weston – In our on-line gallery selections from Short Stories/Tall Tales

Artist Statement
In this ongoing series, “Short Stories/Tall Tales,” the artwork addresses anxieties common to adulthood through child-like fantasy scenes. The use of miniature characters, constructed sets and vivid colors allows Weston to play with weighty issues in a lighter way. The selections for Art·tri·bu·tion from Short Stories/Tall Tales either have references to an artist, art piece(s) or art style or movement.

Grace Weston Biography
Grace Weston creates narrative photography in her studio with staged vignettes that combine humor with psychological themes. A 2015 Artist Trust Fellowship Award recipient (Washington), Grace was nominated in both 2014 and 2012 for Portland Art Museum’s Contemporary Northwest Art Awards. In 2012, her work was received with acclaim in her first European solo show at Paci Contemporary in Brescia, Italy. Grace received honorable mentions in the International Kontinent Awards 2013 and Center Forward 2013. She was a finalist in PhotoEspana’s Descubrimientos 2009 and one of the Whatcom Museum (Washington) 2008 Photography Biennial’s “Nine to Watch”. The Oregon Arts Commission honored Grace with an Individual Artist’s Fellowship in 2006. Public collections include those of the Portland Art Museum, University of Oregon, Seattle Public Utilities Portable Artworks Collection, Photographic Center Northwest, Portland Community College, 4 Culture King County, and the City of Seattle. She has exhibited widely in the United States, as well as in Europe and Scandinavia. Her work has been featured in print magazines in Italy, Spain, China, and the Netherlands, as well as on many international online magazines. Grace’s work is included in the book Microworlds, published in 2011 by Laurence King Publishing (UK).

Grace has also been commissioned to create her unique style of staged narrative photography in the editorial world, illustrating writings in “O the Oprah Magazine” and “Discover Magazine”, and creating the cover imagery for CDs, books and several city magazines, including “Portland Monthly”, “Seattle Metropolitan”, and “Pittsburgh Magazine”.  In July 2013, Seattle’s weekly paper The Stranger featured one of her images as the cover.

Gallery representation includes Paci Contemporary (Brescia, Italy), Wall Space Gallery (Santa Barbara, CA), and on-line through Photo-Eye’s Photographer’s Showcase (Santa Fe, NM).

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP