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Posted on February 12, 2018

Davis Orton Gallery 8th Annual Self Published Photobook Show
Various photographers
March 8 – April 1, 2018

Reception March 8, 2018 7:00 - 8:30 PM
Wendi Schneider will have an informal talk at 6:15 on March 8, 2018 on her exhibition in the Griffin Gallery "States of Grace."

Photobooks
Photobooks of 20 Artists selected for exhibition at Davis Orton Gallery and Griffin Museum of Photography
Book in front of slip case
Friday Night Dinners by Nancy Edelstein
Nine copies of a yellow book
A Golden State by Shawn Bush

Car in front of a camp site with camper
© Nancy Baron, “Beautiful Trailer Town”

PHOTOBOOK 2017 is an annual competition open to photographers in the United States and abroad who have self-published a photobook. This competition was offered by Davis Orton Gallery in Hudson NY for the eighth year. The competition results were exhibited at Davis Orton Gallery and forty two books are now traveling to the Griffin Museum of Photography. Karen Davis, co-director of the Davis Orton Gallery in Hudson, NY and Paula Tognarelli, executive director and curator of the Griffin Museum of Photography were the jurors for Photobook 2017.

8th Annual Photobook Exhibition 2017 is featured in the Main Gallery at the Griffin Museum March 8 – April 1, 2018. An opening reception with the artists takes place on March 8, 7 – 8:30 p.m.

An informal gallery talk by Wendi Schneider will take place on March 8 at 6:15 PM

For the 8th Annual Photobook Exhibition, jurors Karen Davis and Paula Tognarelli chose 42 Photobooks to be exhibited at the Griffin Museum are:
Ave Pildas — People on Stars
Bill Westheimer — Momento – Capturing Moments and Memories
Bruce Morton — Forgottonia – The Audience
Catharine Carter — Journey
Charlie     Lemay — Seeing
Deena Feinberg — Finding Myself in the Mornings
Eliot Dudik and Jared Ragland — Or Give Me Death 2016
Ellen Kok — Cadets
Ellen Feldman — We Who March: Photographs and Reflections
on the Women’s March, January 21, 2017
Irene Imfeld — Zone of Transformation: Nature in the High Desert
Jaye Phillips — Clay Fire
Jeff Evans — Seeing Double
— Palindrome
Kay Kenny — Dreamland Speaks: Three Romantic Novels
Lawrence Schwartzwald — Reading New York
Linda Morrow — Blue Mandala
Lydia Harris — The Fool’s Reach
— A View of Collier Heights
Marcy Juran — Saltmarsh Seasons
Mark Farber — North Truro Air Force Station
Mark Peterman — Some Days We Caught Rainbows
— The Things That Affect Our Lives Everyday
Matthew Crowther — The Lonely Hunter
Michael Bogdanffy-Kriegh — Meditations
Mike Callaghan — you are all of this except for
Michael Hunold — All We See
Nancy Edelstein — Friday Night Dinners
Nancy Baron — Beautiful Trailer Town
Nancy Oliveri — Gowanus
Nat Raum — What Are You Looking At?
Negar Latifian — O-AB+B+A-B-O+A+AB-
Patrick Cicalo — L’Image Trouvee
Phillip Buehler — (UN)THINKABLE
Robert Dash — On an Acre Shy of Eternity
Robert Pacheco — People Under My Eyelids
Shawn Bush —  A Golden State
Silke Hase — Traumbilder with Tristan Stull
Tara Wray — Come Again When You Can’t Stay So Long
Thomas Pickarski — Adventures of Otto, a Tiny Toy Dinosaur
William Ash — Tsukiji – Tokyo Fish Market Suite
Walter Phillips — Being at peace, making a pie
Yelena Zhavoronkova — Memories in Red

View Davis Orton Gallery website:

View online catalog

There are growing options available for self-publishing a book such as on-demand (blurb, lulu, viovio, iphoto, etc.); small run offset or web printing/publishing firms, binderies. For the competition if photobooks submitted had been hand-made/bound, they had to be available in multiples of at least 25. Entrants could submit up to three different titles that are self-published photography books of any size, format, or style: hard cover, soft cover, case-wraps, landscape, portrait, square, color, black and white. Submissions were judged on the basis of: cover design, strength of the photography, subject matter of the book, page layouts, editing and sequencing and emotional impact of the overall book. All Submissions had to be original works of authorship created by the photographer who submitted the book.

“A photobook relies on the image to form visual sentences,” says Paula Tognarelli, executive director and curator of the Griffin Museum of Photography. “A photobook that is produced well can transport us in time and place just as any book produced with the written word.”

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP