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Posted on September 18, 2018

R. J. Kern: The Unchosen Ones, Out to Pasture
R. J. Kern
October 18 – December 2, 2018

Reception October 25, 2018 7 - 8:30 PM
R. J. Kern talk October 26, 2018 7 PM

Woman holding a goat by the collar
© R. J. Kern, “Kenzi and Hootie Anoka County Fair, Minnesota, 2016”

Statement
The Unchosen Ones takes place on the sidelines of county fair animal contests in Minnesota in 2016. These county fairs lead up to the Minnesota State Fair, one of the largest and best-attended expositions in the world.

One isn’t born a winner or loser, but a chooser. This theme I explore in this series.

As we look at them, they look back, allowing us to think about how we choose winners and the repercussions for the ones not chosen.

The project consists of over 60 portraits made at 10 Minnesota county fairs in 2016. The photographs showcase the subject facing the camera, allowing the viewer to decide what connects and distinguishes these subjects.

With a vantage point straight onto the figures, the direct stance portrayed develops a typology, showcasing individual styles and characteristics. With a serial and systematic approach, the human condition is exposed in real-time. – R. J. Kern

Statement
Out to Pasture
 serves as a secondary, deeper glimpse of The Unchosen Ones, offering insight into the cultural landscape these animals call “home.”

This work explores how we see animals in a place, how we shape that place, and how it shapes us. The pastoral environment not only serves as backdrop for better understanding the cultural and physical landscape which have shaped this species, but human behavior is often mirrored in response. – R. J. Kern

Bio
R. J. Kern (b. 1978) is an American artist whose work explores ideas of home, ancestry, and a sense of place through the interaction of people, animals, and cultural landscapes.

His work has been exhibited in a number of notable exhibitions, including at the Museum of Modern Art (Tbilisi, Georgia), National Portrait Gallery (London, UK), and the Yixian International Photography Festival (Anhui, China) among others.

Awards and accolades include CENTER 2017 Choice Award Winner, Curator’s Choice (First Place), PDN’s 30 2018, Critical Mass 2018 Top 50, the 2017 TAYLOR WESSING Photographic Portrait Prize (Finalist), and he is the recipient of two Artist Initiative Grants from the Minnesota State Arts Board (2016, 2018).

Kern’s work has been presented in a number of publications, including a feature in National Geographic (November 2017), with his series The Unchosen Ones and Out To Pasture. In 2018, Kern published his first monograph with Kehrer Verlag titled, The Sheep and the Goats, awarded one of  “The Most Beautiful German Books 2018,” by Stiftung Buchkunst.

Public collections holding his work include the Center for Creative Photography, the Griffin Museum of Photography, the Plains Art Museum, the Museum of Fine Arts, Houston, and the Museum of Fine Arts, St. Petersburg. He is represented by the Klompching Gallery in New York and Burnet Fine Art in Minnesota.

He lives and works in Minneapolis, Minnesota.

Website

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP