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Posted on November 8, 2018

Crisis of Experience
J. K. Lavin
December 6 – March 3, 2019

Reception December 6, 2018 7-8:30 PM
Gallery talk on December 6th with J. K. Lavin and Linda Troeller at 6:15 PM

Woman's face
© J. K. Lavin, “May 11, 1980”

Statement
In February 1979 I began taking Polaroid SX70 self-portraits on a daily basis to explore the idea of time as connected to a lunar month, but also to find a way to stay grounded as much of my life was imploding. Months turned into years and I continued the daily documentation of self for eight years, until November 1987.

Spontaneously deciding when and where to take the photo, arbitrarily choosing which exposure and focus to use, allowed me to incorporate elements of randomness and chance in my creative process.Additional self-imposed guidelines prescribed that the camera was always handheld and only one image a day could be created, regardless of the outcome. I was searching for the intuitive.  My interest in the moon began when I wanted to present the Polaroids using a standard measure of time and I chose a variation of a lunar month.

The Polaroid series was a visual journal waiting to be decrypted as if I was looking into a mirror, seeking to understand who I was, who I was becoming, and attempting to make sense of life experiences out of my control. As we all know, the camera never lies, and now revisiting this extensive self-documentation I begin to understand what is revealed.

Women throughout history have found journals a sympathetic medium. I was looking to define myself at a time when the feminist revolution had already won many new freedoms and choices for women.  I realize now that I was exploring the politics of identity–and not just gender identity– and deciphering who I was in relation to photography.  The reconsideration of this project, now with the patina of time, allows for a deeper understanding of self and a legacy of the Polaroid medium that can never be replicated. – J.K. Lavin

Bio
J. K. Lavin is a fine art photographer living and working in Venice, California. Recurring themes in her work are memory, self-portraiture and marking the passage of time. Duration is an important dimension of her practice, as well as experimentation with randomness and chance.

After moving to Los Angeles, J. K. Lavin received a Master’s Degree of Art in Photography from California State University at Fullerton, CA. She also studied photography at The Visual Studies Workshop in Rochester, New York and The Center of the Eye in Aspen, Colorado. Currently Crisis of Experience, photographs from her Polaroid SX70 self-portrait series, is on view as a solo exhibition at the Griffin Museum of Photography, Winchester, MA. Crisis of Experience have received several prestigious awards.

J. K. Lavin has had one-person exhibitions at Spot Photoworks, Los Angeles, CA and at Orange Coast College, Costa Mesa, CA. Recently her work has been exhibited at San Francisco Camerawork Gallery in San Francisco, SE Center for Photography in Greenville, SC, The Center for Fine Art Photography in CO, Blue Sky Gallery in Portland, OR, Building Bridges Art Exchange in Santa Monica, CA and Fotofever 2015 and 2017 in Paris, FR.

Website

Mark Feeney Boston Globe Review

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP