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Posted on October 1, 2014

Unnatural Wonders
Peter Croteau
– January 8, 2015

A reception is November 20, 2014 at 6:30-8:00 p.m.

A brown dirt pile
Peter Croteau
A salt pile
Peter Croteau

Born in Boston, Massachusetts in 1988 and moving many times through various tract house suburbs, Peter Croteau understands the differences and similarities in the landscape across the United States. He considers himself to be an explorer of mundane spaces looking to transform the everyday into something otherworldly through the use of 8×10 and 4×5 view cameras.

Peter Croteau’s Unnatural Wonders will be featured in the Griffin Museum’s Atelier Gallery at the Stoneham Theatre in Stoneham, MA, October 21 – January 8, 2015. It runs parallel to the theater’s productions of “The Addams Family Musical”, “Meet Me in St. Louis“, “New York Voices” and “Loretta Laroche.”

A reception is November 20, 2014 at 6:30-8:00 p.m.

Peter Croteau creates drosscapes. These are the in-between waste spaces in the landscape. They are formed as a result of sprawl and are in a constant state of flux between use and disuse. “Peter Croteau fashions mountains out of everyday mound hills like clay and salt piles and construction fill,” says Paula Tognarelli, executive director and curator of the Griffin Museum of Photography. “His landscapes are not what they appear to be at first glance. Through perspective and exacting optics, he manufactures a gallery of unnatural wonders.”

“I explore these mundane spaces using the camera as an apparatus that can reframe and order the world,” says Croteau. “I set up a dualistic relationship between earth and sky in order to reference painterly representations of the sublime.”

Peter Croteau received his MFA in Photography from Rhode Island School of Design in 2012 and his BS in Photography from Drexel University in 2010. He currently lives and works out of Providence, RI.

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP