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Posted on October 2, 2013

Time Spent that Might Otherwise Be Forgotten
Diane Meyer
– December 8, 2013

Opening reception Oct 10, 2013, 7 - 8:30 PM
Gallery talk Jane Fulton Alt 6:15
Gallery talk Adam Magyar

A woman with a child and a bicycle with stitches
Diane Meyer
Berlin Wall stitches
Diane Meyer

Diane Meyer is interested in “the failures of photography in preserving experience and personal history.”

Meyer uses embroidery on original photographs to form a pixilated representation of the underlying image. She states, “The embroidery acts as a barrier to the image, allowing the viewer to see only a pixilated version of what’s behind it.”

Meyer photographed in Berlin, in the city center as well as the outskirts on the former path of the Berlin wall. She focused mainly on the locations with no visible traces of the actual wall, interested in the psychological weight of these sites. The embroidery is an important part of her process, “his aspect of the sewing emphasizes the unnatural boundaries created by the wall itself. The sewing, which is soft, provides a literal contrast to the concrete of the wall and a metaphorical contrast to its symbolism.”

Other images are based on family photographs. Meyer says, “I am interested in the disjunction between lived experience and photographic representation. As large areas of the photographs are concealed by the embroidery, small, seemingly trivial details emerge, while the larger picture and context become erased.”

“By having the embroidery take the visual structure of digital pixilation, a further connection is made between the human brain trying to retrieve information and digital storage.”

Also incorporating embroidery, “The tactile, hand-embroidered overlay not only relates to the digital aesthetic, but also hints at the growing trend of photos remaining primarily digital—stored on cell phones and hard drives, but rarely printed out into a tangible object. The images are based on photographs taken at various points in my life and arranged by location.”

Meyer has a Masters of Fine Arts from The University of California and a Bachelor’s Degree focusing in photography from the Tisch School of the Arts at New York University. She has received numerous awards including the CFA Faculty College Fellowship and International Fellowship Award from Silver Eye Center for Photography.

Meyer has exhibited at the Silver Eye Center for Photography, Pittsburgh, PA, University of Notre Dame, IN, Street Arts Center in Santa Monica, CA and A.I.R Gallery in New York City. Public art installations have been featured in Los Angeles, CA, The Jamaica Center for Art and Learning in Queens, New York and Lower Manhattan Cultural Council’s Residency in the Woolworth Building.

Prior to the public reception, at 6:15 p.m., Jane Fulton Alt will give a non-formal gallery talk about her series, The Burn, featured in the Atelier Gallery of the Griffin Museum of Photography.

Meyer’s work is included in the collections of the Newark Public Library and Samuel Dorsky Museum of Art at SUNY New Paltz, Center for Photography at Woodstock. Photographs are also included in numerous private collections across the United States.

A catalog of  her  work is  available in the  Griffin Bookstore.

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP