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Posted on March 19, 2013

Desert Nights
Lance Keimig
– May 6, 2013

Opening reception April 25, 2013 6 – 8 PM

Also Night Photography Workshop with Lance Keimig April 26, 27 and 28 2013

A shack in front of mountains at night
© Lance Keimig Photograph
A trailer with a Betty Boop decal at night
© Lance Keimig Photography

Lance Keimig, who is known for his night photography, says he is “most at ease after the sun has set, free to explore the solitary wonder of this hidden world.”

A series of his images, Desert Nights, is featured at the Griffin Museum at Digital Silver Imaging, 9 Brighton St., Belmont, MA, March 28 through May 6. A reception and informal talk with the artist is April 25, 6-8 p.m.

"Most people experience the desert as a barren and empty wasteland from the comfort of their air-conditioned cars," Keimig says. "Cruising along at 75, it’s easy to miss the subtlety and beauty of the quiet landscapes between the national parks of the American West.
"I’m drawn to the desert by the fierceness of the landscape, and the unique culture of the people who live there."

He adds that in the desert “the evidence of humanity’s tenuous existence there is slowly absorbed back into the Earth, and I’ve long been compelled to photograph it while it lasts. The night provides cover for my photographic explorations, cover from the blistering heat and the hard light of the midday sun."

Keimig, a Massachusetts-based photographer, is best know for nocturnal images which are often made at the juncture of built and natural environments.

His book, Night Photography – Finding Your Way in the Dark, was published by Focal Press in August 2010 and has been translated into six languages.

Keimig is curator of Darkness, Darkness, a traveling exhibit of night photography that opened in 2008 at Harvard University’s Three Columns Gallery, where he was curator from 2005 to 2010.

He has taught at the New England School of Photography in Boston since 2000, and has also taught at the School of the Museum of Fine Arts in Boston, The Photographic Resource Center at Boston University, The Houston Center for Photography. He leads independent workshops and is a frequent speaker and workshop instructor for photographic events around the country.

His photographs are held in numerous collections including The Art Complex Museum in Duxbury, MA, The Boston Athenaeum, The Boston Public Library, The Grace Museum in Abilene, TX, State Street Bank, Fidelity Investments, Paramount Partners, Hitachi, Rayovac, and 3 Com.

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP