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Posted on August 22, 2016

Photography Atelier 24
See below for participants
September 8 – October 2, 2016

On Thursday, September 8th, the public is invited to attend the artists’ opening night reception from 6:30-8:30 p.m.

Birds and rock
Vivian Poey
Person holding something up in offering
Maria A Verrier
Kudzo
Conrad Gees

The Photography Atelier 24 will present an exhibit of student artwork from September 8th to October 2nd, 2016. The Atelier is a course for intermediate and advanced photographers offered by the Griffin Museum of Photography. You are invited to come view the photographs at the Griffin Museum, 67 Shore Road, Winchester, Massachusetts 01890.

On Thursday, September 8th, the public is invited to attend the artists’ opening night reception from 6:30-8:30 p.m. at the Griffin Museum.

Photography Atelier Instructor and Photographer Meg Birnbaum shared, “The Photography Atelier has such a long and rich history, I’m honored to be leading this workshop for emerging photographers with Amy Rindskopf assisting. The talent among the 16 members of this group show is varied and inspiring — from our relationship with nature to sports, portraits, ephemera and still lifes — the show is very satisfying feast for the eyes and soul.”

Work by 2016 Atelier 24 members includes:

Amy Rindskopf: Reflected, portraits of an alternate self; Charan Devereaux: Union Square at Work, photographs from Somerville’s oldest commercial district; Conrad Gees: Bosque Mágico de la Habana: Images taken in Havana’s Forest a metaphor for Cuba today; Cynthia Johnston: Altars, a retrospective exploration of family memories utilizing still life studies; David Poorvu: People in Motion, images of athletes in action; Dennis Geller: Studios: Seeing inside the spaces in which art is created; Edward Boches: The Skateboarder’s Canvas:  Capturing the curves, shadows, angles and inclines of an urban skate park; Joel Howe: Nature Scrolls, landscape experiments with light, shadow, and movement; Kay Corry Aubrey: A Walk along the Swift River on Father’s Day 2016, magical images of rainbow trout; Leah Abrahams: Cubism Revisited,  images re-creating classical Cubist portraiture in photography; Maria A. Verrier: Birds of Sorrow, a visual narrative that explores the universal emotions of grief and the struggle to find meaning in death; Mark Thayer: Defining Wealth, the delicacy of nature finds a foothold in the material world; Meghan Cronin: Wonderful Water, satisfying curiosity with the visualization of every day objects in aqueous environments; Tony Attardo: Collectively Full Circle Images capturing bicycle refurbishment for low income children and teens; Vivian Poey: Trajectories (or where I stand): represents a family history of place, migration and exile; Will Daniels: In Louisiana, images captured while reconnecting with my father in an unfamiliar land.

About the class:

Photography Atelier, in its twentieth year, is a unique portfolio-making course for emerging to advanced photographers. In addition to guidance and support in the creation of a body of work, the class prepares artists to market, exhibit, and present their work to industry professionals.

Each participant in the Atelier presents a final project in the form of a print portfolio, a photographic book or album, a slide show, or a mixed media presentation. In every Atelier, students hang a gallery exhibition and produce work for their own pages on the Atelier website. To see the photography of present and past Atelier students and teachers, please visit www.photographyatelier.org.  Instructor Meg Birnbaum will be happy to discuss the Photography Atelier at the reception on September 8th with anyone interested in joining the class.

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP