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Posted on October 20, 2019

Primary Source
67 Various Photographers
October 20 – September 12, 2020

New Schedule for Virtual Reception for August 23, 2020 5PM - 6 PM on Zoom
sign up via the reception event page.

A cab driver passes a large wall mural of a women
© Bill Chapman
subway train and passengers
© Joy Bush
Man at window with reflection of outside
© Susan Lirakis

Building
© Gioia Kuss
People sitting on a street with Uncle Sam walking by
© Erin Carey
People waling by a mural of people walking
© Judith Montminy

Man with wild, curly hair looking at a woman with wild, crazy hair
© Mara Zaslove
People cheering, watching
© Edward Boches
Boy in front of pictures of boys
© Kev Filmore

People watching
© Tony Schwartz
People marching
© Dawn Colsia
Young child walking with man holding her hand
© Charlyn Zlotnik

People walking and other people looking at them
© Mildred Alpern
Man whose face is covered in smoke
© Alex Djorjevic
Woman eating cotton candy with clouds that look like cotton candy
© Sally Bousquet

Young woman in bathing cap and goggles
© James Lattanzio
Man with turban and yellow powder on his forehead
© Richard Dweck
Man next to a window that shows his reflection
© Katherine Richmond

People standing on a dock in a pool
© Neelakantan Sunder
Man sitting in a room with many things
© Michal Greenboim
Man cooking an egg
© Allison Dinner

group of women
© Carole Glauber
water relecting the shadowns of people standing next to it
© Leslie Jean-Bart
Rock and person
© Ruth Nelson

Seashells and a note
© Davida Carta
Wall with green board falling off it
© Mike Zeis
Boy with superman cape on writing on a blackboard
© Jamie Johnson

Handwritten note
© Jane Paradise
Group of women around a dead woman
© Carson Barnes
Dead man with hand putting flowers on him
© Diane Fenster

Orthodox Jews
© Marcia Lloyd
water and sand
©Sara Silks
Ceiling
© Anne-Laure Autin

trees
© David Anderson
handwritten note
© Yvette Meltzer
Cabin in the woods
© Joanne Zeis

two woman in boots
© Lee Cott
Deer in front of a modern building
© Yoko Ishi
two men and superwoman waiting on a bench
© Inna Valin

Man standing on a platform in front of silos
© Bruce Magnuson
Trees
© Scott Gordon
Clown riding a sheep
© Dianne Yudelson

Man holding a baby shooting a gun in the air
© Annie Claflin
Man in a car in a parade followed by a steer
© Sandy Hill
Two hearts made in the snow by tires
© Olga Merrill

People in a pickup truck with American flag and Confederate flag
© Sally Chapman
Person standing with another person behind looking under a car hood
© Silke Hase
Two women looking a a car sinking into the ocean
© Joni Lohr

Man looking at a ship passing
© Roger Archibald
Group of people watching huge waves come in
© Ken Kartes
Huge waves coming in towards houses
© Law Hamilton

Animals in pitch dark
© Sunjoo Lee
Volcano
© Vicky Stromee
Water coming into rocks
© Valerie Burke

Field of sunflowers
© Amy Kanka Valadarsky
Trees
© Vicki Margulies
Trees
© Marcy Juran

Person holding a snake and wearing a snake tee shirt
© Meg Birnbaum
Person holding a fishing rod with fish in the background
© Jan Arrigo
Hands hold a picture of a woman holding a bowl of pasta
© Donna Tramontozzi

Dove statues on a black bag
© Steven Gentile
Abstract
© Zachary Stephens
Hospital bands lined up
© Nancy Nichols

Stone path
© Karen.Bell
Ear buds
© Bree Lamb
boy playing video game wearing tshirt that says illusion
© Lauren Grabelle

Blue abstract
© Sam Scoggins

Primary Sources are documents that were created by witnesses or first recorders of events. We’ve come to expect that photographs are reliable and reveal the truth about moments in time. It has been said that photographs do not lie, however we all know they can. But so can a written record. A photograph can be altered through manual and digital means. The validity of a photo can also be changed to communicate a photographer’s point of view rather than the reality of the situation. A subject in a photograph may have alternative motives for being photographed. Photographs taken for marketing purposes are meant to influence public opinion and behavior rather than truth-tell.

This exhibition was meant to depict the photograph as document or as proof to phenomena or  happenings. The photographer was meant to be seen as witness. I asked the submitters to interpret that instruction fluidly. Was I only  interested in documentary photography? That was one way to answer this call. I asked them, however, to use their imaginations to come up with answers to my query. It is your responsibility, dear viewer, to determine fact or fiction in these 67 primary source materials.

The 67 photo chroniclers are:
Mildred Alpern
David Anderson
Roger Archibald
Jan Arrigo
Anne-Laure Autin
Carson Barnes
Karen Bell
Meg Birnbaum
Edward Boches
Sally Bousquet
Valerie Burke
Joy Bush
Erin Carey
Davida Carta
Bill Chapman
Sally Chapman
Annie Claflin
Dawn Colsia
Lee Cott
Allison Dinner
Alex Djordjevic
Richard Dweck
Diane Fenster
Kev Filmore
Carole Glauber
Steven Gentile
Scott Gordon
Lauren Grabelle
Michal Greenboim
Law Hamilton
Silke Hase
Sandy Hill
Yoko Ishii
Leslie Jean-Bart
Jamie Johnson
Marcy Juran
Amy Kanka Valadarsky
Ken Kartes
Gioia Kuss
Bree Lamb
James Lattanzio
Sunjoo Lee
Susan Lirakis
Marcia Lloyd
Joni Lohr
Bruce Magnuson
Vicki Margulies
Olga Merrill
Yvette Meltzer
Judith Montminy
Ruth Nelson
Nancy Nichols
Jane Paradise
Katherine Richmond
Tony Schwartz
Sam Scoggins
Sara Silks
Zachary Stephens
Vicky Stromee
Neelakantan Sunder
Donna  Tramontozzi
Inna Valin
Dianne Yudelson
Mara Zaslove
Joanne Zeis
Mike Zeis
Charlyn Zlotnik

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP