Description
Allowed to Grow Old: Portraits of Elderly Animals from Farm Sanctuaries
Signed Book
Photographs and essays by Isa Leshko
The museum will be closed January 13 – 16th to install Nuclear Family, featuring the work of Mengwen Cao, Jess Dugan, Yorgos Efthymiadis, Matthew Finley, Matthew Leifheit, Kevin Bennet Moore, Laurence Philomene and Anne Vetter. Join us for our Opening Reception on Thursday January 23rd at 6pm
$40.00
Available!
Allowed to Grow Old: Portraits of Elderly Animals from Farm Sanctuaries
Signed Book
Photographs and essays by Isa Leshko
There’s nothing quite like a relationship with an aged pet—a dog or cat who has been at our side for years, forming an ineffable bond. Pampered pets, however, are a rarity among animals who have been domesticated. Farm animals, for example, are usually slaughtered before their first birthday. We never stop to think about it, but the typical images we see of cows, chickens, pigs, and the like are of young animals. What would we see if they were allowed to grow old?
Isa Leshko shows us, brilliantly, with this collection of portraits. To create these portraits, she spent hours with her subjects, gaining their trust and putting them at ease. The resulting images reveal the unique personality of each animal. It’s impossible to look away from the animals in these images as they unforgettably meet our gaze, simultaneously calm and challenging. In these photographs we see the cumulative effects of the hardships of industrialized farm life, but also the healing that time can bring, and the dignity that can emerge when farm animals are allowed to age on their own terms.
Each portrait is accompanied by a brief biographical note about its subject, and the book is rounded out with essays that explore the history of animal photography, the place of beauty in activist art, and much more. Open this book to any page. Meet Teresa, a thirteen-year-old Yorkshire Pig, or Melvin, an eleven-year-old Angora Goat, or Tom, a seven-year-old Broad Breasted White Turkey. You’ll never forget them.
At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.
This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.
Artistic Purpose/Intent
Tricia Gahagan
Photography has been paramount in my personal path of healing from disease and
connecting with consciousness. The intention of my work is to overcome the limits of the
mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain
sight. They are intended to be sat with meditatively, eventually revealing greater truths
about the world and about one’s self.
John Chervinsky’s photography is a testament to pensive work without simple answers;
it connects by encouraging discovery and altering perspectives. I see this scholarship
as a potential to continue his legacy and evolve the boundaries of how photography can
explore the human condition.
Growing my artistic skill and voice as an emerging photographer is critical, I see this as
a rare opportunity to strengthen my foundation and transition towards an established
and influential future. I am thirsty to engage viewers and provide a transformative
experience through my work. I have been honing my current project and building a plan
for its complete execution. The incredible Griffin community of mentors and the
generous funds would be instrumental for its development. I deeply recognize the
hallmark moment this could be for the introduction of the work. Thank you for providing
this incredible opportunity for budding visions and artists that know they have something
greater to share with the world.