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Posted on December 22, 2016

"Legacy. Migration. Memory." Beyond the Forest
Loli Kantor
January 12 – March 5, 2017

Reception January 14, 7 – 8:30

Framed photos lined up in front of a window
Loli Kantor

On January 12, 2016, the Griffin Museum opens with “Beyond the Forest,” an exhibition of photographs by Loli Kantor. This exhibition is shown under the overarching idea of “Legacy. Migration. Memory.”. Two solo exhibits by Loli Kantor and Rosemarie Zens will be featured in the Main Gallery of the Griffin Museum of Photography in Winchester, MA. Rosemarie Zens’ body of work is called “The Sea Remembers.”

Larry Volk, in the Atelier Gallery at the Griffin, will exhibit “A Story of Rose’s” and Priya Kambli, will exhibit “Kitchen Gods” in the Griffin Gallery. These two artists are also exhibiting work under the “Legacy, Migration. Memory.” umbrella.

“Beyond the Forest” and “The Sea Remembers” will showcase at the Griffin Museum of Photography in Winchester, MA from January 12 – March 5, 2017. An opening reception takes place on Saturday, January 14, 2017, 7 – 8:30 p.m.

Paula Tognarelli, executive director of the Griffin Museum of Photography, says of the exhibitions, “The backdrop of family history and its memories inform identity. Through photographs the artists of “Legacy. Migration. Memory.” share familial resettlement stories. Customs, culture and the individual journeys vary but at heart, the passage to the present is all rooted in legacy.”

In “Beyond the Forest,” Loli Kantor explores personal and cultural memory. As the daughter of holocaust survivors, Kantor visited Poland and Ukraine from 2004 until 2012. Kantor says that she “documents the lives of the disappearing population of Holocaust survivors and the reemergence of Jewish life beginning to slowly transform some of the communities in Poland and Ukraine today.” Loli lost both of her parents by the time she was fourteen.

Kantor uses a variety of photographic processes to tell her story. She says that in “using color photographs to examine home life, religion and tradition, Jewish lives and rituals emerge as vibrant and colorful representations of struggle, identity, and strength.” Kantor also says she “uses black and white prints to reveal another layer in one’s consciousness about Jewish presence and absence there.” Her small intimate works in palladium “show little stories, similar to snap shots, referring back to a timeless look at a people and a culture. They also create a private space in which she could process the emotional impacts that this world unveiled to me.”

Born in Paris, France and raised in Tel Aviv, Israel, Kantor emigrated to the U.S. in 1984 and lives in Fort Worth Texas. Kantor’s work has won numerous awards, including Critical Mass top 50, PhotoNOLA Reviewers choice award and Lishui award of excellence for her solo exhibition in Lishui, China. Her photographs are in private and museum collections including the Museum of Fine Arts, Houston; The Harry Ransom Center at the University of Texas at Austin; Lishui Museum of Photography in China and Lviv National Museum in Ukraine, among others.
Kantor’s monograph “Beyond The Forest: Jewish Presence in Eastern Europe, 2004-2012”, was published by the University of Texas Press in 2014. The book is available in our gift shop and online.

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP