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Corona | L. Aviva Diamond

Posted on May 26, 2020

Viewing the natural world and its tiny universes can lead to galactic ideas and visions. L. Aviva Diamond captures light and movement in visions that seem galactic in scale, yet look at small surroundings. Her connection to the landscape crafts celestial visions. Her image Light Stream N.2 is featured in our Corona online exhibition. We wanted to know more about this image and her work, so we asked her a few questions.

How does light play in your work?

ld light stream 2

Light Stream 2 N.18  © L. Aviva Diamond

My recent work is all about light and about the ambiguous primordial territory where light becomes water becomes air. Or where water becomes air becomes light. I love the blurring of boundaries between earth and sky, wave and galaxy, individual and universal, creation and destruction. One of the things that makes me really happy is when people look at pieces from this series and see aspects of their own belief systems and personal mythologies mixed in with the elemental energies…and when they see and feel something different each time they look.

Your artist statement says your work “encompasses both the outer world of street photography and nature photography and inner perceptions of a cosmos consisting of energy, light and movement”.  Your Light Stream image embodies that narrative. How did the series come about?

LD light stream 1

Light Stream 2 N. 11 © L. Aviva Diamond

I’ve been working on the Light Stream and Wave Nebulae series for about five years, but these pieces are all informed by 35 years of meditative practice. I was sitting on the sand in Newport Beach one afternoon meditating and gazing at the ocean when I suddenly saw stars and nebulae in the glints of light on crashing waves. Not long after that, I was at a retreat in Oregon and had similar experiences with the rushing streams there. It was as though the entire universe was encompassed in the play of light, water and air. So I began going deeper, shooting more, and developing ways to work with the images – painting with light and shadow in Photoshop to make the visual experience as close as possible to what I felt in my heart.

ld wave nebulae

Wave Nebulae N.16 © L. Aviva Diamond

This process led me to a different way of seeing and a visual quest for the sacred in everyday life. I discovered that if I looked deeply enough, really delving beneath the surface, I started seeing the universe in almost everything – in a wave, bubbles in a stream, corrosion on a car hood, the broken arm of a cactus, my clogged kitchen sink. The vastness of the universe is contained in each of its parts; universal becomes cellular and vice-versa. The joy lies in the ambiguity and the reverberation. And the holiness lies in the light…or in the interplay between light and dark. It’s jazz – the music of the spheres – and a quest to distill the essence and mystery of light.

Light Stream comes from water reflections, while your series Celestial Rust also looks at the universe through a hardscape of metals. How do you find your cosmos? At what point do you know a texture goes from small idea to all encompassing universe?

ld rust 1

Celestial Rust N.1 © L. Aviva Diamond

Most of my more recent series are all connected – and all about seeing the cosmic in microcosm. A friend and I were walking back from an art show and saw a car with lots of rust and corroded paint. But it wasn’t just a car. Looking at the hood was like seeing NASA photos – galaxies and showers of stars, the universe in a badly-needed paint job. That’s how the Celestial Rust series started. But the mysteries lie just under the surface in EVERYTHING. Another series, Tiny Immensity, began with a leaf covered with dew. If you really look, though, the leaf contains the tree it came from…and the moon and stars. Scientists tell us that we are literally stardust, that the atomic material in our bodies can be traced to stars that exploded billions of years ago, that all biological life is truly connected, that we are linked to all the atoms in the universe. It’s mindblowing. But if you look deeply enough, you get hints. Recently, my disposal broke, and the sink was totally clogged. But the murky water also contained a woman washing her hair with stars.

 

In this time of Corona, how do you find light in your day?
ld light stream 3

Light Stream 3 N.9 © L. Aviva Diamond

Like most of us in the time of Covid-19, I ride the rollercoaster between hope and despair. I have a couple of risk factors and live in an area where people haven’t been wearing masks, so I’ve been inside since early March.

Everything feels so much more precious now that we realize how uncertain life has become. Time online with friends is a treasure. Musicians are livestreaming day and night, and both their music and their generosity are stunning. Friends are offering Zoom meditations, art support groups and jazz classes. In a time of so much darkness, people are shining with kindness and generosity. Yes, there are folks whose short-sightedness and selfishness knock me to my knees, but there are so many more people who are finding ways to help and to bring communities together. And that’s where the light lies. In a time of scarcity, we treasure what we have. We finally see its true value. The other day, I was slicing a carrot and became transfixed. I only had my old iPhone 6s, but I grabbed a few shots because in those carrot slices you can see the universe.
What is next for you creatively? What are you working on?This time is changing all of us in ways we still don’t understand, and I don’t know yet how all this will play out in my life – let alone my work.

ld leaf

Tiny Immensity N. 3 – Night Tree/Wet Leaf © L. Aviva Diamond

But I will continue to reach for the sacred in everyday life and will attempt to share what I find. All of us have moments of heightened consciousness. For some people they come while playing an instrument or while praying, walking in the woods, watching their child sleep or looking at the night sky. I want to make images that share and maybe even trigger those experiences – the times when we see beneath the surface of the world and feel the energies that form and unite us all.

 

About L.Aviva Diamond

In her solo exhibition “Light Stream,” abstract nature photographer L. Aviva Diamond plunges the viewer into water’s mystical essence. This is art as a form of meditation and reverence, transmitting the spiritual aspects of water. Diamond uses large-scale images to create an immersive experience of the ambiguous, shifting, elemental forces of the cosmos. Her work melds the natural external world with the inner realms of dream, myth and symbol. The boundaries between earth and sky, wave and galaxy, become blurred. Universal becomes cellular; water and light merge into simultaneous creation and destruction – the swirling energies of a shifting universe.

ld

Light Stream 3 N.7 © L. Aviva Diamond

Aviva Diamond began taking photos as a teenager, inspired by the works of Minor White and Paul Klee. She spent many years as a journalist, reporting and shooting for The Miami Herald, winning a local Emmy in St. Louis, and becoming a network correspondent for ABC News. She later established a successful corporate media training business. In 2014, Diamond joined the Los Angeles Art Association and began exhibiting her work. Her art has been included in shows at the Griffin Museum of Photography, the Palm Springs Art Museum, Annenberg Space for Photography, Neutra Institute Gallery, The Center for Fine Art Photography, the Latino Art Museum and various Southern California galleries.

To see more of  Aviva Diamond‘s work log onto her website.

Filed Under: Online Exhibitions

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

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