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Posted on June 29, 2020

Song for my Father: A Daughter’s (W)Reckoning
Melanie Walker
July 18 – August 30, 2020
building
© Melanie Walker, “627”
Man holding a brick
© Melanie Walker, “Brick Man”
chair in front of curtain
© Melanie Walker, “Chair Curtain”

couch
© Melanie Walker, “Couch'”
tables and chairs
© Melanie Walker, “Dinette”
cabinet
© Melanie Walker, “Homage to Talbot”

chair
© Melanie Walker, “Interference”
stove in kitchen
© Melanie Walker, “Kitchen”
living room
© Melanie Walker, “LA Times Living Room”

bride and groom
© Melanie Walker, “Margaret’s Wedding”
glass
© Melanie Walker, “Shards”
man
© Melanie Walker, “Wrinkle in Time”

Statement
Over the last 21 years I have had the privilege of organizing, inventorying and placing my father’s archive. Todd Walker was a pioneering photographic artist who began self-publishing artist books in 1965, was at the leading edge of historical photographic processes in the 1960’s and began printing his photographs as ink on paper (which is now how most images are printed) in 1970. In 1981 he began to explore digital photography long before photoshop existed, teaching himself machine language. He was my mentor, role model and encouraged me to dance at the edges of photography, just outside of my comfort zone.

These images have been in the making for over 50 years, representing a posthumous collaboration with my father and an investigation of the materiality and impermanence of the photographic object. The film emulsion has been subjected to fluctuations in temperature and moisture now barely clinging to the base it’s transparent substrate.

Before my father left commercial photography in 1970 to become an artist and professor, he was a highly successful free-lance advertising photographer in Los Angeles and worked for many notable clients. Frequently a child model in these constructed photographic ‘realities’, I grew up with a healthy skepticism of the images utilized in advertising. My father was at moral odds with advertising work, knowing that the images he was making were to be used for corporate gain and lies. Many of these early commercial negatives done in a rush, were nothing that he was particularly proud of and were not cared for properly. The images I include in this exhibition are some of what I have discovered in my detective work coming to terms with the loss of my father. These distressed negatives bear witness to the interaction of time, heat, and moisture as they transform into resemblances of reality. They serve as a critique of the marketing construct that was named The American Dream and bear witness to a history reconsidered.  – MW

Bio
Melanie Walker has been a practicing artist for over 50 years. Her expertise is in the area of alternative photographic processes, digital and mixed media as well as large scale immersive photographic installations as well as public art. She attended San Francisco State University for a Bachelor’s degree in Art and Florida State University for an MFA. She has received a number of awards including an NEA Visual Arts Fellowship, Colorado Council on the Arts Fellowship, Polaroid Materials Grants and an Aaron Siskind Award. She has  taught at a number of universities including San Francisco State University, SUNY Albany, Alfred University and the University of Kentucky, Lexington. She currently teaches in the Media Arts Area at the University of Colorado Boulder and has work in over 100 collections including LACMA, Center fro Creative Photography, Princeton Art Museum and San Francisco Museum of Art.

CV
GALLERY REPRESENTATION

Walker Fine Art, Denver, CO

Tilt Gallery, Scottsdale, AZ

 

SELECTED AWARDS

Judith Rothschild Foundation Grant, 2003

Colorado Council for the Arts Visual Arts Fellowship, 1996

National Endowment for the Arts – Photography Fellowship, 1995

Aaron Siskind Foundation Fellowship, 1992

Al Smith Fellowship in New Genres, 1992

Southern Arts Federation Sculpture Fellowship, 1991

NEA Inter-Arts Grant, Administered by New Langton Arts, San Francisco, Calif., 1989

Polaroid Materials Grant, 1987 and 1988

 

SELECTED PERMANENT COLLECTIONS

SMITHSONIAN MUSEUM OF AMERICAN ART, Washington, DC

PRINCETON ART MUSEUM, Aaron Siskind Archive, Princeton, NJ

LOS ANGELES COUNTY MUSEUM OF ART, Los Angeles, Calif.

FRIENDS OF PHOTOGRAPHY, San Francisco, Calif.

CENTER FOR CREATIVE PHOTOGRAPHY, Tucson, Arizona.

POLAROID CORPORATION, Cambridge, Massachusetts

CHRYSLER MUSEUM OF ART, Norfolk, Virginia

SAN FRANCISCO MUSEUM OF ART, San Francisco, Calif.

PETERSBURG MUSEUM OF ART, St. Petersburg, Florida

GRAHAM NASH COLLECTION. Los Angeles, Calif.

 

SELECTED COMMISSIONS:

Information can be found at www.airworks-studio.com

 

SELECTED EXHIBITIONS:

2020: Ghost Forest, Walker Fine Art, Denver, CO

Leaves of Absence, Denver Botanical Gardens, Denver, CO

2019: GRACE: Gender, Race & Identity, Lawrence Miller Gallery, NYC

PROGRESSION, dnj Gallery, Santa Monica, CA

Imago Lisboa, Lisbon, Portugal

Diffusion, SE Center for Photography, Greenville, SC

2018: Tilt Gallery, Walker & Walker, Scottsdale, CA

Depth of Field, Center for Photographic Arts, Carmel, CA

Double Vision, Anderson Ranch Art Center, Snowmass Village, CO

Murmuration, VAE, Raleigh, NC

2017:ReMix, Sync Gallery, Denver, CO (Best in show)

Positive Manipulation, Rembrandt’s Yard, Boulder, CO (Best in show)

The Big Picture, Month of Photography Denver, Public Art Project, Denver, CO

Summer, Southeast Center for Photography, Molina, GA

2016: Fine Art Center for Photography, One person show, Ft. Collins, CO

2013: HOUSEWORKS – Western Colorado Center for Visual Arts, Grand Junction, CO

Invitational – 5×7 – dnj Gallery, Santa Monica, CA

PhotoPlace Gallery – International Juried Exhibition, Middlebury, VT.

LAND Exhibition – Invitational exhibition organized through Boulder Museum of Contemporary Art, Boulder,CO

Republic Plaza curated invitational exhibition in conjunction with the Denver Month of Photography, Denver, CO

Denver Month of Photography juried exhibition – work was exhibited in Paris, France

Snap to Grid, Los Angeles Center for Digital Arts, Los Angeles, CA

2012: Museum of Outdoor Arts, Englewood, CO

dnj Gallery, Santa Monica, CA

Snap to Grid, LACDA, Los Angeles, CA

Invitational Group Exhibition – Stag & Deer, Cork, Ireland

Alternatives 2012 – Invitational Group Exhibition – New Zealand

Invitational Group Exhibition – Republic Plaza, Denver, CO

Invitational Group Exhibition – Airborne, Otis School of Art, LA, CA

iWorld! – Colorado Photographic Art Center, Lakewood, CO

iWorld! 2 – Denver Public Library Denver, CO

The Printed Surface – Aims Community College, Greeley, CO

The Veil – Gardner Gallery, Bartlett Center for the Visual Arts, Stillwater, OK

Tbilisi History Museum (Karvasla) Tbilisi, Georgia (Russia)

5×7 – dnj Gallery – Santa Monica, CA

2011: Grand Junction Arts Center-Grand Junction, CO

Haskell Gallery, Jacksonville International Airport-Jacksonville, Florida.

2010:

El Espiritu de las hermanas,Mante, Mexico

Polaroid en Peril, Mus¿e de l’Elys¿e, Lausanne – Switzerland

Selections From the Polaroid Collection, Espace Van Gogh, Arles, FRANCE

FLIGHT, Gallery 115, University of Central Missouri Gallery of Art and Design,Warrensburg, MO

2009:The Human Canvas-Center for Fine Art Photography, Ft. Collins, CO

Print Walls Gallery-University of Wisconsin, Madison, WI

Alexey VonSchlippe Gallery-University of Connecticut, Avery Point, Conn.

Indiana University East Galleries, Richmond, Indiana

Drury Univerisity, Springfield, MO

2008: Soho Photo – Alternative Photography Exhibition (2ND Place Award) New York, NY

Pocatontas Meets Hello Kitty  Richard F. Brush Art Gallery, St. Lawrence University, Canton, New York.

OUT OF TUCSON – International Invitational – Galerie Lichtblick, Koln,    Germany

BLINK Gallery – Boulder, CO

Revisioning the Middle East – Evergreen State University, Ellensburg, WA

The Veil: Visible & Invisible Spaces Dairy Center for the Arts, Boulder, CO

Visible & Invisible Spaces-University of Arkansas, Fayetteville, AR

Visible & Invisible Spaces-University of Wisconsin, Milwaukee, WI

2007: WEATHER REPORT – Artists on Climate Change – Boulder Museum of Contemporary Art & National Center for Atmospheric Research, Boulder, Colorado

2006: Khalil Sakikini Center, Ramallah, Palestine

International Center of Bethlehem, Bethlehem, Palestine

Central Arizona College Gallery, Coolidge, AZ

Soho Photo – Alternative Photography Exhibition, New York, NY

Transformations – Space 301, Mobile. Alabama

El Mirador Gallery, Tucson, AZ

Wilde Meyer Gallery, Tucson, AZ

University of North Florida Galllery, Jacksonville, FL

Memorial Hall Gallery – Chadron State College , Chadron, NE

2005: The Corcoran College of Art & Design, Washington, DC

Orfali Gallery, Amman, Jordan

Sisson Gallery, Henry Ford Community College, Dearborn, MI

Broken Telephone, Galerma de Arte Fotografico Melitsn Rodriguez., Instituto de Artes, Medellin, Colombia

View Melanie Walker’s Website.

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP