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Posted on October 13, 2020

Sylvester Manor
Gary Beeber
November 6 – February 12, 2021

Virtual Talk/Reception November 17, 2020 at 7 PM EST
Exhibition extended to February 12, 2021

picket gate
© Gary Beeber, “Gate to Nowhere”
shed
© Gary Beeber, “Shed”

Statement
I am always drawn to subjects I find to be incongruous, and have often been told that I see things that other people don’t pay attention to.  As I’m taking pictures I think a lot about the passage of time and how things evolve over the decades.  What happened to the people who lived in these places and what were they experiencing?   The images I capture speak to me in a variety of ways, fulfilling an insatiable curiosity about the world and everything in it.

​Through the viewfinder the world is in color, but I imagine what I see in monotone.  I work with color as well, but feel that black and white gives my work a gravitas that can’t be achieved with color.  Black and white is solid, timeless.  I have studied the work of the great Parisian photographer Eugene Atget (1857-1927) and especially like his use of color (or non-color) that came from his printing process. It took me a long time to develop a similar palette, and I use it with my own ideas.

​As I photograph, I make adjustments with the composition and perspective.  I also make changes based on how I forsee the printed image.  I’ve used a lot of cameras over the years but have come to prefer digital because I like the quality and the immediate results.  Perhaps this is because when I started getting serious about photography digital cameras didn’t exist.  I used computers early on but they were primitive by today’s standards.

​I like to come back to themes.  I’ve been working on the “Passages” and “Sylvester Manor” series for several years.  For me, it’s exciting to see how places and things change over time and sometimes disappear altogether.  I prefer quiet places where I can spend time thinking about each subject without interruption, but sometimes that’s not possible.  Some places I know about and some places I find by accident. I think I’m most successful with what I find by chance.

Bio
Gary Beeber is an award-winning American photographer/filmmaker who has exhibited in galleries and museums throughout the United States and Europe.  His documentary films have screened at over 85 film festivals.  Solo (photography) exhibitions include two at Generous Miracles Gallery (NYC), two at the Griffin Museum of Photography, and upcoming exhibitions at PRAXIS Photo Arts Center, and the Rhode Island Center for Photographic Arts.  Beeber’s work has also been included in juried exhibitions throughout the world. Among Fortune 500 companies who collect his work are Pfizer Pharmaceutical, Goldman Sachs and Chase Bank.

View Gary Beeber’s Website

Purchase Gary Beeber’s  book.

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP