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Posted on May 29, 2021

Blue Morphs
Stefanie Timmermann
July 15 – August 29, 2021

Reception July 15, 2021 7 PM

crying morph
Stefanie Timmermann, “Youth”, 2019

Statement
Started during my artist-in-residence in upstate New York in July 2019, these series build on my experiments of layering cyanotype techniques with overprinting and inks to reveal a deeper meaning. Working intuitively, I add acrylic paints and brush marks to achieve a rich tapestry that hovers between figurative form and fluid abstract shapes. Thus, the photographs transform into complex organic life forms not unlike the ever-shifting appearance of the Blue Morpho butterfly that inspired the name of this body of work.

An exploration of form, line and color, these meditations in cyanotype and acrylic are foremost about a melding of deliberate photography and expressive painterly gestures. During the pandemic-enforced solitude of 2020, however, the intent of the series morphed as well, to focus increasingly on my environmental and societal concerns, while maintaining the style and technique of the series. Contemplating each fresh cyanotype, a shape might remind me of a specific problem; I would then interact with the piece as if to write an essay with paint and pen.

Bio
I’m a photographer with a background in science and a love for conceptual work.

Environmental and social issues became a focus of my photographic practice during an artist-in-residence at Stone Quarry Hill Art Park in Cazenovia, NY. My series ‘Gaia,’ which takes on environmental destruction, was completed later that same year and was exhibited in ReachArts Gallery, Swampscott, MA.

During the summer of 2020, I continued to investigate how to personally engage with important social issues. My photos of local decisive events surrounding political and pandemic flashpoints led to a window installation (‘Facts of Life’, GALA – Galleries at Lynn Arts – in downtown Lynn, MA). Between December 2020 and March 2021, I worked on and was solely responsible for a process art installation called ‘Metamorphosis XX’ (also at GALA). This full-room immersive installation focused on harnessing and celebrating mental resilience and strength in the face of the pandemic.

I have previously had solo exhibits in 2017 at ReachArts Gallery, Swampscott, MA (2017), and at Marblehead Arts Association in Marblehead, MA (2019). My work has been featured in The Daily Item newspaper (Lynn, MA), Marblehead Wicked Local newspaper, 01907 The Magazine (Swampscott lifestyle magazine), Photofan (French photography magazine) and several other publications. I am currently a board member of the local non-profit Galleries at Lynn Arts and I am in my second year of leading a group on Creative Photography for the Greater Lynn Photographic Association. – ST

 

 

View Stefanie’s website.

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP