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Posted on April 3, 2011

Living Arrangements
Sarah Malakoff
June 29 – August 29, 2011

Reception June 29

An interior of a blue and green walled room with a wood stove.
An interior room with a couch with a stag on a blanket on a couch

June 20, 2011 (Winchester, MA)__Sarah Malakoff creates large scale color photographs that are examinations of the home and its psychologically charged, uncanny spaces and objects.

A series of her photographs, Living Arrangements, is featured in the Atelier Gallery of the Griffin Museum June 29 through August 29. An opening reception is June 29, 7-8:30 p.m.

“My photographs are examinations of the home as both a refuge from and at times a recreation of nature,’’ Malakoff says. “In my images, architecture and furnishings appear as uncanny symbols of culture, family, and relationships to the outside world.’’

Intentionally excluding human occupants from her photographs, Malakoff says her subjects “spark curious speculation of their own. The private and personal are expressed in part by objects and signifiers which are displayed versus those which are hidden; what is allowed inside and what is kept out.’’ For example, she says, “doors and windows both frame exterior views and keep the elements at bay. Land, weather, and wildlife are ever present on the other side of the wall, even as they are brought safely inside in the form of pattern, simulation, and domesticated animals.’’ Malakoff says her photographs “speak to notions of comfort, class, and style, as well as universal attempts to control and transcend our environment.’’  There are tensions, and humor, between absence and presence, old and new, real and surreal, permanent and transient, genuine and artificial.

“The desire to resolve these tensions drives viewers to create their own narratives and imagine possible inhabitants,’’ Malakoff says.

A native of Andover, MA, Malakoff received a bachelor’s degree from Smith College in 1994 and a master’s in fine arts from the School of the Museum of Fine Arts in 1997.

She has had many solo exhibitions and her work is included in the collections of The deCordova Museum, Simmons College, Smith College Museum of Art, and Fidelity Investments. She lives in Boston and teaches at UMASS Dartmouth. She just received a Mass Cultural Council’s photography fellowship in May 2011.

The opening reception is June 29, 7-8:30 p.m. The public is welcome. Prior to the reception, at 6:15 p.m., Malakoff presents a talk for Griffin Museum members on her exhibit, Living Arrangements.

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP