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Illuminating the Archive of Arthur Griffin: Photographs 1935 – 1955  A series in six parts by Madison Marone, Exhibitions Assistant, Griffin Museum of Photography

 

kids in fountain

© Arthur Griffin – Playing in the South End, Boston Massachusetts

Arthur Griffin is remembered as a successful photographer for the Boston Globe and a New England photojournalist for Life and Time magazines. Griffin was a pioneer in the use of color film, providing the first color photos to appear in the Saturday Evening Post. His work captures the essence and vibrancy of mid-20th century New England.https://griffinmuseum.org/wp-admin/edit.php?post_type=page

Griffin’s legacy lives on through the Griffin Museum of Photography. As an Exhibitions Assistant at the museum, I’ve created this series to highlight and provide context for his work so viewers may experience it in new and exciting ways. Illuminating the Archive of Arthur Griffin: Photographs 1935-1955, looks at New England’s cultural heritage, traditions, and aesthetic through the lens of Griffin’s lesser-known work. This six-part exhibition explores how photography enhances our relationship with and understanding of the past. Each exhibit features historical, sociological, and creative interpretations of photographs from the museum’s collection.

 

AGA - winter scenePart I – Winter Traditions – “The Griffin is the embodiment of founder Arthur Griffin’s passion — to promote an appreciation of photographic art and a broader understanding of its visual, emotional, and social impact. Arthur’s goal was to share with visitors his enthusiasm for a medium that is diverse, imaginative, and informative.” -The Griffin Museum of Photography

 

aga photo j bette davis

 

Part II – The Art of Photojournalism – “When looking at different photographers who have all these different ways of doing it, you can see how they exist in the world. You get a little sense of who they are and how they’re thinking. What’s going on in this person’s head? I want to know more.” Emily Kask, photojournalist

 

audience of onePart III – Boston Arts & Entertainment – This installment focuses on Boston’s arts and entertainment sector documented through Griffin’s photos. It is divided into three sections: music, fine arts, and theater. In the first section, we will be exploring the history of the two major orchestras in Boston: the Boston Symphony Orchestra and the Boston Pops. The second section covers the public’s interaction with the Museum of Fine Arts. The final section looks at the theater and live performances throughout the city. I’ve included video clips throughout this exhibit to provide additional context and bring each section to life.

fisherman w net

 

Part IV – New England & the Sea – “From the arrival of the Pilgrims in Plymouth in 1620 to the present, the coasts of New England have been the site of defensive forts and the home base for commerce, fishing, whaling, and shipbuilding industries. Maritime history and industry are on display in every state.” -Visit New England

 

aga sunset

 

 

Part V – Landscape Photography – “Use a little imagination and create something that will not be just a record of a beautiful place. The extra effort and thought will result in something with some of you in it. Something you and only you created.” -Arthur Griffin

 

 

 

aga summer

Part VI – Celebrating Summer – “I know New England like the feel of my camera. I have been over her highways and up the back of dirt roads, cow paths and country lanes, and have walked the shores of many harbors, inlets and creeks… My ambition, simply stated, has been to bring happiness through my pictures, to feel that the world was a bit better off for my having done what I did.” -Arthur Griffin

 

Special thanks to the Boston Public Library for digitizing a large portion of the Arthur Griffin Archive so it may be accessible to the public. If you would like to view more photos and library material, visit the opens in a new windowBoston Public Library for the Digital Commonwealth and the opens in a new windowDigital Public Library of America.


Madison Marone is an Exhibition Assistant at the Griffin Museum of Photography and a graduate student pursuing her MSc in museum studies at the University of Glasgow. She holds a BA in film studies and sociology from the University of Vermont. Her interests include early to mid-20th-century art history, film theory, and exhibit design.


All images on this webpage © copyright 2021 by the Griffin Museum of Photography. All rights reserved.  No part of this webpage may be reproduced in any manner whatsoever without written permission of the museum except in the case of brief quotations from the written material with citation.

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP