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Atelier 31 | Meet the Artist – Anne Piessens

Posted on March 30, 2020

Artists are compelled to create. Painters, sculptors, mixed media artists and photographers all reach to express their vision with their hands and tools. Photography is unique, functioning as noun and verb in taking (creating) a photograph and producing an object, the photographic print. Anne Piessens uses the photographic print as a base to enhance her creative vision.  Her series, Meliorations, has moved from visual to tactile, with Piessens marking the prints with thread, inks and puncture holes. Photographs are precious objects, and with Anne Piessens touch of her hand, now a singular and unique piece to view and experience.

yellow birds

Great Marsh

We are excited to have Anne join fellow Atelier artists Diane Cheren Nygren and William Morse for an online conversation happening April 9th at 7pm. You can find tickets for the event here.

 

feather

Flightless

About Meliorations

There is a large body of evidence about the healing power of nature – physical, emotional, and spiritual. Whenever cracks creep through me, time spent in nature helps to patch them.

This series represents my wishful thinking about how to heal nature in return. Like many people, I am horrified by the damage we are collectively inflicting on our natural environment. My photos conjure precipitation during the California wildfire season, restore local songbirds, and strengthen a local barrier island. Each image is an apology to a landscape I love.

reeds

Plum Island (Detail)

 

Which of these images was the impetus for this series? How did it inform how you completed the series?

The full photo is a panorama, shot at Plum Island in Newburyport MA — a barrier beach that is rapidly eroding due to human activity and rising sea levels. I visited on a gray damp day on the heels of a Nor’easter. One end of the beach was cordoned off to protect crumbling cliff dunes. On the other end, vacation homes were being buttressed with trucked-in boulders. It felt like a senseless effort to buy time before the houses slide into the sea.

After printing the panorama, I felt compelled to somehow restore stability to this fragile landscape. Using embroidery thread, I sewed a line of pilings just off shore.

 

plum island

Plum Island II

This became the first in a series of multimedia pieces aimed at restoring landscapes that have suffered the consequences of human activity. In addition to thread, the series incorporates screen-printing, calligraphy inks and pinholes.
wildfire

Wildfire Season

How was the Atelier experience for you?

The Atelier class was hugely valuable. It exposed me to other photographers’ art and put me on a deadline to create a body of images. Meg Birnbaum is very skilled at asking questions, providing direction, and gently pushing students to edit their work. The class was exactly the jump-start I needed. I loved that each student had different talents and ideas, but together we became a supportive community.
Whats next creatively for you?
What’s next? I’ll keep working on the Meliorations series. I’m trying to learn printmaking techniques like drypoint and monotype so I can incorporate more layers onto my photographic prints. I want to get better at lighting my photos. At this point it’s all about expanding the toolkit! And I’m planning to sign up for the Atelier class again in the fall.

 

About Anne Piessens –

abstract

Runoff

Anne Piessens is a Boston-based fine art photographer whose work explores nature’s distinctive forms, as well as our relationship to the landscapes around us.

Her newest series, Meliorations, imagines ways to undo the damage that humans have inflicted on the natural world, and incorporates different media such as drawing inks and embroidery thread. Past projects include Things that Look Like Other Things, a tongue-in-cheek search for meaning in nature’s found objects, and In the Middle of Something, a portrait series about the tween years.

Anne Piessens studied photography with college instructors Emmet Gowin and Steve Fitch. After a hiatus, she began shooting and exhibiting in 2017. Her work has been shown at Concord Art and The Cambridge Art Association, MA; The SE Center for Photography, SC; Praxis Photo Arts Center, MN; and Photo Place Gallery, VT.

Find Anne Piessens

on the web

on Instagram @artane1

Filed Under: Atelier, Portfolio Reviews

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP