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Atelier 31 | Meet the Artist – Cynthia Johnston

Posted on March 27, 2020

Visually defining a vast country like the United States is complicated. Region to region, state to state, town to town. Every area has its quirks, and no two places are the same. Photographer Cynthia Johnston and her series “Somewhere in the Middle” explores the idea of the road less traveled, following along the backroads of America. After thirty years of living on the East Coast, Johnston started a road trip, marking off 20,000 miles, exploring the ideas of who we are and how we live. A visual diary, these images ask more questions that provide answers. With humor, grace and quiet observation, Johnston shows us her vision.

 

State Highway Saviour

State Highway Saviour

 

Carhenge

Carhenge

From her artist statement –  Somewhere in the Middle

After graduation from university, I left the Midwest to pursue employment on the East Coast. With time, I adapted to the Northeast but maintained connections to the culture and people “back home”. Until the election of 2016, I thought I knew the Midwest, and thus, myself.

But “post-Trump”, I felt so out of touch with the place enshrined in my heart. Upon retrospection, I realized that it had been decades since I traveled extensively in the US. There were many states to which I had never ventured; several in which I was fearful to travel. I started to see the outlines of my personal bubble and identity dissonance.

During the last two years, I have wound my way through 20,000 miles of small towns dotting state highways and rural routes in the traditionally defined Midwestern states. The scenes presented in this work are viewed through the eyes of a prodigal daughter who is gradually re-discovering her former home; a place that is, by turns, filled with quiet beauty, sorrow and history.

 

We asked Cynthia about her experience in the Atelier program –

Big Bucks

My work in Atelier 31 is a continuation of the project, “Somewhere in the Middle”, which started in Atelier 28 (Spring 2018).  The seed for my project was planted in the Atelier 28 artist conversation assignment where the student selects an artist whose work and style interests them.  Walker Evans was the artist that inspired me to explore through landscapes, architecture and vernacular.  His large body of work seemed to stem from a tireless sense of curiosity, two qualities to which I related. As the course progressed, an opportunity to take a much-longed-for road trip to the Midwest opened up.  This region was of special interest to me since I hail from Wisconsin. Additionally, the Midwest region had played such a surprising role in the election of Donald Trump.  I felt I had fallen out of touch with this region and now I had the time and tools to explore the region through photography. Through this work I strive to convey the sense of surprise I often encounter during my travels.

Plus One

This is perhaps the first photo my project that I felt did that. ” Plus One”

I also seek to turn regional stereotypes on their heads.  Mostly, I am expressing my own surprise at what I find. I have continued the project, adding another 15,000 miles to my odometer. I hope to have a book by the time I am done exploring but we shall see.

I am really happy to have found the atelier course.  The exercises, the critiques, and community of students has been invaluable in breaking down my fears about creating.  I learned a lot about the creation process and don’t get nearly as discouraged as I once did.  False starts will happen and are part of the process along with refinement and trying various approaches until one works.

I can’t say enough about Meg’s encouragement and acceptance of many styles and approaches to photography.  Meg and Amy create a special environment that allows experimentation along with a high caliber of image-making.

 

old billboard frame western landscape photoAbout Cynthia Johnston – 

Cynthia Johnston is a fine arts photographer with an interest in work which examines personal identity and cultural identification. Her two current projects are “Somewhere in the Middle” and “Altars”.

After working in biotechnology for twenty years, she left her job to live in Montréal where she found a creative home. Since moving back to New England, she has taken numerous courses at the New England School of Photography as well as the Griffin Museum of Photography.

Johnston’s work been exhibited internationally and is included in corporate and private collections in the US, Canada, Germany and Spain. She has recently exhibited work at the Center for Photographic Art, the Alexandria Museum of Art and the Griffin Museum of Photography.

Follow Cynthia’s creative travels –

on the web at cynthiajohnstonphotography

on Instagram @cynthiajohnstonphoto,

FB page: Cynthia Johnston Photography

Filed Under: Blog, Atelier

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP