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Atelier 31 | Meet the Artist – Jeanne Widmer

Posted on April 1, 2020

Now more than ever, we are witnessing a surge in documentary photography. So much of our life changes so quickly, that without the visual document of transformation, we fail to notice what is happening around us. We are left to wonder when that change occurred and ask ourselves, what did we miss? Jeanne Widmer noticed the changes in her local village, and started documenting the change, resulting in her Atelier portfolio, Ode to a Town Village.

 

five and ten cent store

Hollingsworth 5 & 10

About the series –

building

Cushing Village Development

Ode to a Town Village was inspired almost three years ago when I first started taking pictures of a sprawling three- and four story–development in a relatively small, mostly single-story village in Belmont. While the demolished area was in serious need of upgrading, the massive scale, snail-like progress, and disruption of the construction over four years and still unfinished has seriously hurt the many small businesses struggling to stay afloat in the area.

In 2005 a developer proposed to town officials that they level two blocks of underused storefronts in Cushing Square, one of Belmont’s three town villages, to construct four oversized buildings for 100 upscale apartments, office space, and commercial use, ironically called Belmont Village. By 2013 the Planning Board approved the final design of a development which has crowded neighborhood homes, blocked parking, sidewalks and streets, and driven out some of the area’s remaining intimate small businesses. Nearly three years ago I began photographing the snail-like progress of this construction. Stalled by lawsuits and finances as in a Dickens novel, the endless construction of these massive box-like buildings with their incongruous and pretentious architectural facades has forever altered the experience of most townspeople. This series is my attempt to capture the clash of history and cultures, the dimensions, textures and mood, and the simple poetic dignity and warmth of an intimate community, which might forever be lost.

clothing outlet

Zia Clothing Outlet

The series was more difficult than I had originally anticipated. The construction is across the street from the stores, making the angle of contrasting sizes and architectural styles nearly impossible to capture without an aerial view. Finding the right lighting was another issue: the compelling photographic details of the small businesses were more visible in the evening, while the construction at the same hour was too hidden and appeared almost romantic, especially since it sat in near darkness. I settled on a single black and white photo of one of the three buildings taken at slightly after mid day to capture the vivid lighting highlighting the details of the building. In the exhibit it is significantly larger than the other photos

We asked Jeanne to talk about her Atelier experience –
jewelry in window

Karenna Maraj Jewelry Collection

What do you hope we as viewers take away from viewing your work?

While development and change have been going on since the beginning of time, there is no question that some are steps forward and others less so. What I hope viewers can appreciate in this series is the simple dignity, warmth and beauty that such small businesses bring to a community even while relentless “progress”—sometimes harsh and colorless–continues its resolute push forward despite the consequences.

 

How the Atelier has helped you hone your vision as an artist?

The Atelier has given me an opportunity to explore subjects and themes not always comfortable or easy. Under the regular guidance of a skilled and talented photographer/instructor as well as the feedback from talented class members, I have been encouraged to grow and expand my repertoire, no matter how difficult.

city street

Cushing Square

 

Tell us what is next for you creatively.

While I was hoping to develop my interest in photographing people, with the virus I may now seek to stretch myself in other ways. I am deeply grateful to Griffin’s Atelier experience to continue this exploration, no matter where it takes me.

 

 

About Jeanne Widmer – 

Growing up in Rhode Island shaped Jeanne Widmer’s attraction to worn urban locations and friendly, neighborhood businesses. An educator, counselor and writer, Widmer, from Belmont, Massachusetts, has studied photography at the Arlington Center for the Arts, the Griffin Museum and the New England School of Photography. Besides many group exhibits, she has had two solo exhibits, one which captured the vibrancy, color and dark expectancy of a single screen movie theater and another which highlighted the subtle drama and dignity of an historic, working class group of businesses. She exhibited with the Atelier 29th class at the Griffin Museum of Photography focusing on portraits.

Find her online on Instagram @WidmerJeanne

Filed Under: Atelier, Portfolio Reviews

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP