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Atelier 33 | Amy Eilertsen

Posted on March 22, 2021

In today’s highlight of the Atelier 33 exhibition, we interviewed Amy Eilertsen about her series Memento Vivere: A Study of Life. Amy’s collection of images puts an interesting spin on seventeenth century masters paintings. Scenes of her domestic fowl have become sweet memories, and reminders to live.

chicken on book with flowers

© Amy Eilertsen – Apocalypse

Why did Dutch masters’ paintings become such a great inspiration to you? How has this project helped you preserve the memories of your beloved animals?

I studied art history for a few years in college and fell in love with the Dutch masters because of the depth of color and shadow, the rendering of complex and the exotic still life. Historically, during the time the still lifes were rendered, Europe was recovering from the decimation of the Black Plague, and the upper middle class became infatuated with the exotic foods that they were now able to purchase. It was a time of plenty- and a celebration of beauty. Several of the animal actors featured in this series have passed away and I love the memories that I have captured in these images. 

What do you hope we as viewers take away from viewing your work?

I hope that viewers will be taken in by the painterly tones and classic composition of the works, and be intrigued by the appearance of the fowl.  The meta message of this project is “remember that you are alive” and I hope that the viewers sense the secondary message regarding animal cruelty. 

duck in basket on table with flowers and fruit

© Amy Eilertsen – Mads 2

Tell us what is next for you creatively.

I am in the cusp of deciding among a few projects- and will continue collaborating with my feathered friends.

To see the full collection of Memento Vivere: A Study of Life, visit the Atelier website.

Filed Under: Blog, Atelier, Uncategorized Tagged With: Artist Talk, Photographers on Photography, atelier 33

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP