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Atelier 33 | Jeanne Widmer

Posted on March 10, 2021

Jeanne Widmer created her series Dejaview as a part of the Atelier 33 exhibition, currently showing in the Griffin Main Gallery until March 26, 2021. Jeanne’s collection shows the common occurrence of precious, natural spaces being encroached on by and destroyed by man-made structures. To learn more about Dejaview, we asked Jeanne some questions.

building, trees, and pavement

© Jeanne Widmer – how did the shore become paved

Which of these images was the impetus for this series? How did it inform how you completed the series?

When I started shooting for this series, I focused on those first two images–“Rose Colored Facade” and “Triplets”– trying to capture the geometric aspects of the brick buildings and manicured trees in dramatic light. It was early fall with full foliage, and after a summer drought. But then before dawn one rainy morning in October I explored an access road on the other side of what I came to see as the wetland and I was struck by the carelessness of the development– broken trees, ripped out foliage, and pavement. So #3 “How Did the Shore Become Paved” became the impetus for further photo exploration. I studied maps of the city and discovered the relatively small area was an established (and supposedly protected) wetland. All of the subsequent photos were an effort to dramatize that reality.

How has your photography changed since the beginning of the COVID-19 pandemic? Has the Atelier been a motivator to persevere through these trying times?

Last spring my behavior was relatively similar: being careful, socializing little, and walking daily. Then I found myself shooting on my daily walks, finding distance photography somewhat mundane at the time, and began experimenting with abstract macros, which I really enjoyed. That became my Atelier 32 project and I really feel it would not have happened without the Pandemic ironically. This past fall, inspired by a Landscaping class with Bill Franson, I began arbitrarily taking photos at the office park. When the Atelier 33 began, I continued to expand my exploration. The Atelier definitely was a great motivator and supporter.

building and water

© Jeanne Widmer – creeping upon the waters

How do people’s attitudes versus their actions towards nature influence the way you represent nature in your work?

Especially throughout this pandemic, how many photos of sunsets, sunrises or grassy knolls have others sent you? Many more than usual has been my experience, always accompanied with how peaceful it is to be in those locations at this turbulent time. We all love nature. But our environment has been harmed by people’s carelessness over and over when it comes to commercial development or money to be made. That duality is a major problem of our age.

 

What do you hope we as viewers take away from viewing your work?

I entitled this series “Dejaview” because we have seen this happen everywhere. Shortly after looking at my photos last fall, a photographer friend of mine told me she visited a shopping mall and noted a wetland which abutted the parking lot. She said she would not have noticed it before seeing my photos. I hope people become more aware of new developments and, especially if they have any connection to city or town government decision makers (I am a Town Meeting Member and we vote on zoning), they will stress the need to preserve our precious environment.

fallen trees over water

© Jeanne Widmer – low-flooded plains between weary arms

Tell us what is next for you creatively.

I have returned to photographing people in the pandemic. I am not sure where it will take me but it has been fun. Both my masters and doctoral degrees have centered around understanding individuals and motivations and the complex and subtle emotions that underlie our experiences. Those are playing a big part in this project.

You can see Jeanne Widmer’s full Dejaview collection on the Atelier website.

Filed Under: Atelier, Blog Tagged With: Artist Talk, Photographers on Photography, atelier 33

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP