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Atelier 33 | Jim Turner

Posted on March 8, 2021

Jim Turner‘s collection Seeing in Threes is on display in the Griffin Main Gallery as a part of the Atelier 33 exhibition, open until March 26, 2021. We wanted to learn more about Jim’s innovative and insightful way of representing nature, so we asked him a few questions.

JT - daffodils

© Jim Turner – Daffodils

Which of these images was the impetus for this series? How did it inform how you completed the series?

One of the exercises we did in the early part of the Atelier was a “conversation” with another artist where we explored someone else’s artistic approach then created our own work as inspired by theirs. I chose Brigitte Carnochan as my artist to explore. I have always admired her work and I share her appreciation of the beauty of the natural world and of the intricate patterns and detail found in nature. One of the things she talks about is slowing the viewer down so that they can appreciate the beauty in an image in more detail. A method she has used to accomplish this is to divide images into triptychs so the viewer can appreciate each panel on its own in addition to as a part of a cohesive whole. As I applied this idea to some of my own photographs I was immediately struck by how much I felt that certain images were significantly enhanced by converting them into triptychs. Two of these early attempts, “Daffodils” and “Maple Leaves” were the impetus to make a series of botanical triptychs my project for the Atelier.

JT - maple leaves

© Jim Turner – Maple Leaves

How has your photography changed since the beginning of the COVID-19 pandemic? Has the Atelier been a motivator to persevere through these trying times?

Unfortunately, like most of us, my options for photography have been very limited since the beginning of the pandemic. I seldom go much further than our own backyard or local gardens. The Atelier was a lifesaver, it kept me focused and allowed me to interact regularly with other like-minded and supportive photographers.

What do you hope we as viewers take away from viewing your work?

I hope that viewers will be surprised and pleased, as I am, by the hidden beauty in what we often regard as everyday things.

JT - tree branches

© Jim Turner – Ancient Tree

Tell us what is next for you creatively.

I would like to continue to expand my series of botanical triptychs while I’m waiting for the inspiration for my next project.

To see more of Jim Turner’s work, visit his Instagram, @Jim_Turner_Photos.

Filed Under: Uncategorized, Blog, Atelier Tagged With: Artist Talk, Photographers on Photography, atelier 33

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP