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Atelier 33 | Julia Arstorp

Posted on March 3, 2021

In this highlight of the Atelier 33 exhibition, we interviewed Julia Arstorp about her collection Invisible Threads, on display in the Griffin Main Gallery until March 26, 2021. This series captures the deeply personal moments shared between the artist and her daughter while revisiting memories from her family’s past.

woman w fur

© Julia Arstorp – Windswept

Which of these images was the impetus for this series? How did it inform how you completed the series?

I would say it’s the image of my daughter wearing a fur coat that belonged to my mother from the early 60’s. I very much feel this project was a collaborative effort with my daughter. I love how that photograph has the imprint of three generations and results in such a joyful image.

How has your photography changed since the beginning of the COVID-19 pandemic? Has the Atelier been a motivator to persevere through these trying times?

Before COVID I never took self portraits but with social distancing I had to
place myself in front of the camera which, at first, was uncomfortable.
Ultimately, I found that it added to the project and brought me a different
perspective on my work. I also found that focusing on a project about
family history helped to anchor me during these stressful times. And yes,
the Atelier was a key motivator to keep me on track.

JA - 3 rings

© Julia Arstorp – 3 Rings

How has your Atelier work helped you to keep the family tradition alive of passing down stories to each generation?

I grew up on stories told by my grandmother and mother. And while clearing out my mother’s house, we found boxes that held pieces of my family history – everything form scrapbooks and letters to my great grandfathers spectacles and my great grandmothers wedding dress. This project allowed me the time to work on a body of work about these family memories and stories and, equally important, share the process with my daughter.

JA - picture of margaret

© Julia Arstorp – Cousin Margaret

I hope my work speaks to the connections and identity we find through childhood memories and family stories. The blending of past and present that helps us see we’re part of an ongoing story. 

Tell us what is next for you creatively.

I really see myself as both a photographer and a printer. I’ll continue working on new prints – mostly platinum palladium and cyanotype. I’ll also continue documenting the neighborhood and small knit community my family has lived in these past 30 years and continue focusing on family stories.

Visit Julia Arstorp’s website and check out her Instagram, @JuliaArstorp to see more of her work.

Filed Under: Blog, Atelier, Uncategorized Tagged With: Photographers on Photography, atelier 33, Photography Atelier

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP