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Atelier 33 | Sandy Gotlib

Posted on March 12, 2021

In this highlight of the Atelier 33 exhibition, we’ll look at Sandy Gotlib‘s ongoing collection, Framingham Farms. Sandy’s current work, showing in the Griffin Main Gallery until March 26, 2021, belongs to a year-long project documenting the surviving farms of Framingham, Massachusetts. To hear more about Sandy’s work, we asked him some questions.

greenhouse in field

© Sandy Gotlib – Greenhouse #5

Which of these images was the impetus for this series? How did it inform how you completed the series?

While my intent was to continue to document an entire year – a full agricultural cycle – on the farms,  initially I found myself drawn to these plastic-sheathed, light-filled  greenhouses which grounds the series of images on display.

 

 

How has your photography changed since the beginning of the COVID-19 pandemic? Has the Atelier been a motivator through these trying times?

I found that the restrictions imposed by COVID and the effects on my own motivation to work caused me to set aside photography in the early months of the pandemic. The Atelier was a huge help in providing structure and motivation to get my practice re-started.

inside a greenhouse

© Sandy Gotlib – Greenhouse #3

What do you hope we as viewers take away from viewing your work?

I hope that viewers take away the realization that there is beauty and wonder to be found in these humble lands and simple structures and that one does need to go far to find it. Additionally, I hope to provide another view of the place that I live for those who only know Framingham as a city of shopping malls and industry.

Why was it important for you to preserve these farms photographically? 

While some of these farms are “protected space” others are constantly under the threat of development; once developed, the space is gone forever and while I’d like to think that they will ultimately be physically preserved at the very least I’m wanting to preserve them photographically.

dead flowers

© Sandy Gotlib – Gone to Seed

Tell us what is next for you creatively.

I am planning to continue this project and document the farms (or a farm) through a full year agricultural cycle. At the same time I plan to continue to work on another long-term project that documents the many aspects of  “life on the Framingham Common.”

To see Sandy Gotlib’s work and follow along as he completes Framingham Farms, check out his website and his Instagram, @SandyG_Photo.

Filed Under: Uncategorized, Blog, Atelier Tagged With: atelier 33, Artist Talk, Photographers on Photography

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP