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Atelier 33 | Terry Bleser

Posted on March 20, 2021

Terry Bleser‘s collection Searching for a Sense of Home, part of the Atelier 33 exhibition, is on display in the Griffin Main Gallery until March 26, 2021. Terry’s series explores the idea of trying to find comfort in a new place through understanding one’s relationship with the land. We asked the artist some questions to hear more about her collection.

forest with trees and grass

© Terry Bleser – Fairyland

Which of these images was the impetus for this series? How did it inform how you completed the series?

The image called Fairyland was one of the initial photographs in the series. The marshes often present as thorny bristly places that resist exploration, but this small circle of green grasses surrounded by trees was an invitation to conjure up the fairies to play. It made me think about our age old conflicting feelings about nature.

 

How has your photography changed since the beginning of the COVID-19 pandemic? Has the Atelier been a motivator to persevere through these trying times?

stairs in grass

© Terry Bleser – Solitude Bridge

After 25 years of living outside of Boston I relocated farther south in
Maryland. This was a month before COVID-19 began its spread around the country. It made seeking out new friends and finding all the usual
essentials of daily life difficult. Landscape photography gave me the joy of exploring the area and getting to experience at least one aspect of this
new place. The Atelier was a wonderful opportunity to connect with other photographers and continue to grow in my art.

Has photographing your new home in this context changed your perception of what “home” can mean?

When I arrived here I focussed on moving in and arranging a comfortable nest. Not able to socialize with people, I started exploring the front porches and lawns of the neighborhood to glean a sense of the community from the way they presented themselves through their houses and landscaping. But I longed for a different kind of connection. I realized that in my old home place there were natural areas that I frequented and became familiar with. That gave me a broader sense of home that extended beyond the house and city to the natural world. It was a larger sense of place on the planet that I missed. So I began to explore with my camera, looking for a place.

House behind trees

© Terry Bleser – Home

What do you hope we as viewers take away from viewing your work?

I would hope that we as a species could be more mindful in our treatment of the land. Wetlands have often in the past been considered pest ridden, mucky, thorny, impenetrable places that need to be drained and filled in. But the marshes are more complicated than that. They protect us and provide resources for industries.

 

 

Tell us what is next for you creatively.

I have found two places that I want to get to know well, to spend time developing an awareness of the lives that transpire there. I will carry my camera there and spend some time watching and learning.

Visit Terry Bleser’s website to see more of her work.

Filed Under: Blog, Atelier Tagged With: Artist Talk, Photographers on Photography, atelier 33

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP