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Corona | Meg Birnbaum

Posted on May 30, 2020

oil on street

Oil Slick, © Meg Birnbaum

Meg Birnbaum, featured in our online Corona exhibition, is a master of playing with light and life. The Griffin featured Meg’s series The Sisters of the Commonwealth in 2014. Her images seek out to highlight the quiet moments in the day, and remind us to stop, take a deep breath and wonder about the world we inhabit. Her image, Lights in the Sky, exemplifies this vision. We asked Meg about this image, and about how she finds light in her day.

 

 

How does light play in your work?
I love natural light and prefer the golden hours. This photograph is a window reflection but I thought they could be fairy lights or daytime fireflies.

 

mb currant     mb fence

images above – Fence & Opal Currant © Meg Birnbaum

 

Lights in the Sky is one of my favorite images in the show. How did you create such a great photograph?

lights reflected on window of sky

Lights in Sky, © Meg Birnbaum

 

It was a lucky moment. I was finishing lunch in a restaurant and when I stood up to leave I saw that the retro lighting reflected magically in the window.

 

In this time of Corona, how do you find light in your day?

Mostly I find light in helping things grow, students or garden flowers. Also friends and family and dogs as role models – they always wake up optimistic.

 

What is next for you creatively? What are you working on?

mb moon sleep

Moon and Sleep © Meg Birnbaum

I’m playing with loosely recreating the allegorical paintings by Simeon Solomon, an almost forgotten painter from 1850 or so.  His career was destroyed by the scandal of being arrested twice for soliciting sex in a men’s public bathroom. He died alone, an alcoholic in a house for the desitute. I love his work and it is easy to see through it to what he was really wishing for had it been another time in history.

About Meg Birnbaum – 

Meg Birnbaum lives and works in the Boston area. She is a photographer, graphic designer, and educator.

Her most recent solo exhibition was at The Stonewall Museum and Archives, Fort Lauderdale in 2019. She has been featured with solo exhibitions at Gallery Tanto Tempo in Kobe, Japan, Corden Potts Gallery, San Francisco, The Lishui International Photography Festival, China, the Museum of Art Pompeo Boggio, Buenos Aires during the biennial Encuentros Abiertos-Festival de la Luz, the Griffin Museum of Photography, Massachusetts, Flash Forward Festival, Boston, Davis/Orton Gallery, NY, and Panopticon Gallery, Boston.

Meg teaches portfolio building classes at the Griffin Museum of Photography. She a member of the Griffin exhibition committee and designs their catalogs, signage and website. Her work is held in the permanent collection of the Museum of Fine Art, Houston, the Lishui Museum of Photography in China, the Meditech Corporation, and private collections.

To see more of Meg Birnbaum‘s work log onto her website. Follow her creativity on Instagram

Filed Under: Online Exhibitions Tagged With: color, Corona Exhibition, instagram

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP