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Erica Frisk | Wolves of the East

Posted on October 15, 2024

In today’s Griffin State of Mind we speak to Erica Frisk about her project documenting the wolf sanctuary, Wolf Hollow’s in Ipswich, Masachusetts. The photographs were recently exhibited in the 2024 edition of our public outdoor exhibition, Vision(ary): Portraits of Communities, Cultures and Environments. An interview with the artist follows.

©Erica Frisk. All images courtesy the artist.

While pursuing her undergraduate degrees in photography and art history at Massachusetts College of Art & Design, Erica Frisk traveled to Guatemala to study Mayan art and architecture with researchers and historians in the field. This immersive experience sparked her love of travel and learning about unique cultures and history. After earning her BFA, she continued to travel through Central and South America, creating visual storytelling projects. Her photographs have been exhibited in solo and group art exhibitions throughout the US as well as in online & print publications. Her photographic work was also featured in the PBS Documentary: American Portrait (I Work) with a focus on labor unions. Frisk’s most recent projects explore local storytelling in New England as well as Iceland & Croatia. She has been working with youth in traditional school settings, as well as arts-based community and museum programs in Boston for over 10 years. Erica Frisk is a National Geographic Certified Instructor who aims to teach students about the world in innovative and interdisciplinary ways while cultivating the Explorer Mindset.

Website: www.ericafrisk.com

Instagram: @ericafriskphoto

©Erica Frisk

What initially drew you to Wolf’s Hollow to document the story of wolves in the Northeastern United States?

As both an artist and educator, I’ve always been drawn to opportunities to combine visuals and learning, especially if it involves engaging with something in our own communities. 

I’ve led two National Geographic Photo Workshops in Yellowstone National Park for high school students where we observed and photographed wildlife in their natural habitat. The students and I observed a pack of wolves from a far while learning about their reintroduction into the park.  I was inspired by that experience to begin this project to further explore and share the significance of wolf conservation and the beauty of these remarkable creatures.

My connection with Zee Soffren, the Wolf Hollow’s owner, initially drew me in. Having known Zee for a few years and visited the sanctuary multiple times, I felt compelled to capture Wolf Hollow through my lens. The sanctuary’s unwavering dedication to educating the public and their compassionate care of these amazing creatures is truly inspiring. Wolf Hollow not only provides a safe haven for wolves but also fosters a deeper understanding of our environmental responsibilities.

©Erica Frisk. These skull replicas showcase the different attributes and sizes of the North American Grey Wolf vs. the American Stafford Terrier vs. Coyote. In the background are real skulls of both a Wolf and a Coyote.
©Erica Frisk. The fur of a North American Grey Wolf is unique in that it has layers that change with the seasons. This pelt was collected from a former pack member at Wolf Hollow that passed on. 

Could you describe the sanctuary for us?

Wolf Hollow is a small sanctuary surrounded by fields with a backdrop of forests in the far distance. The sanctuary itself has many fences running along the front as well as in the surrounding areas as these are the wolf enclosures. It is well protected and showcases thoughtful use of the land to give enough space for each of the wolf packs. As you walk through the entrance, you have a meeting spot with education materials where the tours typically begin followed by a board walk to the enclosures. Through the fences, you’re able to see each of the wolves inside their enclosures before sitting in a covered area for the educational discussion often given by Zee Soffron along with a question and answer section of the tour.

©Erica Frisk. The property surrounding Wolf Hollow in Ipswich, Massachusetts. This place was once known as the Agawam territory inhabited by the Pawtucket native peoples. 
©Erica Frisk

What’s the first step you take to immerse yourself in the environment and prepare for a day of photographing these animals?

I usually arrive early and scout different scenes in each location that I am photographing. I didn’t only want to capture just the Wolf sanctuary, but also the landscape around it which gives us a greater sense of place. Ipswich is a coastal town with many wetlands as well as fields and forests. I was trying to imagine what life would be like for these wolves if they lived in this area.

Back at Wolf Hollow, Zee walked me around the sanctuary and gave me the opportunity for the wolves to get used to my presence. Wolves are very sensitive to new individuals and smell. So we wanted the wolves to get used to me moving around near the enclosures. Once that was established, I could begin photographing more up close than a typical visitor. 

©Erica Frisk. Viana works at Wolf Hollow and has built a trusting relationship with many of the wolves. She shares a belly scratch and pets with Akela and Qantaqa. 

What sparked your interest in exploring the significance of wolf sanctuaries, particularly their role in preserving biodiversity?

What sparked my interest with this type of work began with a deep fascination for wildlife and a growing awareness of the environmental challenges they face. Wolves, as apex predators, play a crucial role in maintaining the balance of their ecosystems. By studying and documenting sanctuaries like Wolf Hollow, I aim to highlight their importance not just as safe havens for these animals but as key players in conservation efforts. These sanctuaries help educate the public, foster a greater appreciation for wildlife, and contribute to broader initiatives to protect and restore natural habitats. Understanding the pivotal role of wolves in their ecosystems can inspire collective action to preserve biodiversity and ensure a healthier environment for all species. 

©Erica Frisk. Linnea is the oldest wolf at Wolf Hollow at 12.5 years of age. She was originally born in Wolf Creek Habitat in Indiana and brought to Wolf Hollow in May of 2011 with her siblings, Grendel, Nevaeh, Arrow and Argus.
 ©Erica Frisk. Linnea has her own enclosure due to the loss of her mate and her age. She is weary of visitors to Wolf Hollow and mostly keeps to herself.

What could you tell us about the impact of their absence of wolves in the Northeast and sanctuaries in general?

The absence of wolves in the Northeast has had significant ecological impacts. Their removal from the Northeast  and the rest of the US has led to an overpopulation of deer and other herbivores, which in turn caused extensive damage to vegetation and disrupted the entire food chain. This imbalance affects not just plant life but also other animal species dependent on healthy habitats.

Sanctuaries like Wolf Hollow help address these issues by offering a refuge for wolves that have been injured,  and educating the public about their importance. They serve as living examples of how these animals contribute to ecological stability. By raising awareness and fostering a deeper understanding of wolves, sanctuaries support broader conservation efforts aimed at restoring these predators to their natural habitats. Additionally, sanctuaries play a crucial role in researching and advocating for the reintroduction of wolves into areas where they have been absent, which can ultimately help restore ecological health and resilience.

©Erica Frisk. Zee Soffron is the Facility and Program Director at Wolf Hollow, and son to the Co- Founders Joni and Paul. He carries on the legacy and goals of his parents, making Wolf Hollow what it is today, a thriving education center.

What is something that has deeply moved you about conservation efforts and human-wildlife interactions?

At sanctuary I wanted to capture portraits of each of the wolves as well as the people that engage with them each day. What is unique about Wolf Hollow is that the Zee and his team are physically present in the habitats with the animals and have developed relationships with each of the wolves. 

Because they are able to be with the wolves in their enclosures, they’re able to demonstrate many of the behaviors and physical attributes of the wolves. As visitors, they’re able to learn about the different wolf species as well as how they behave in their environments and with each other. Zee is able to create a immersive experience for the viewers while at the same time educating them on conservation and wolves as a part of a greater ecosystem. 

©Erica Frisk. Zee Soffron, son of Paul Soffron, the founder, stands next to Togo, one of the young Arctic Wolves who resides on the property with his adoptive mother, Qantaqa.

Finally, how has Wolf Hollow’s mission of rewilding deepened your understanding of conservation efforts?

Rewilding, as exemplified by the mission of Wolf Hollow, has profoundly deepened my understanding of conservation efforts. I see how it highlights the importance of restoring natural processes and habitats to reestablish ecological balance and biodiversity. I’ve observed how Wolf Hollow’s commitment to this concept underscored the interconnectedness of all species. This approach demonstrates that effective conservation goes beyond protecting individual species – it involves a holistic effort to revive entire ecosystems and foster a greater appreciation and respect for nature. This is deeply impactful to see happening and to be able to communicate and share with a wider audience through my photographs.

As our day at Wolf Hollow concludes, could you share a memorable encounter or discovery that has impacted your perspective on the importance of preserving wolf populations and their ecosystems?

While photographing the wolves at Wolf Hollow, I had a memorable experience with Akela, the alpha male. He approached me and positioned himself between me and the rest of the pack, a gesture Zee explained as his way of asserting dominance and “protecting his pack” from the unfamiliar presence of a visitor. 

©Erica Frisk. Akela stands watch over the group as they meander about during the discussion. He keeps a watchful eye on all visitors with calm composure. Akela’s winter fur has grown in and he is ready for colder days ahead. 

As the photographer, this unexpected encounter offered me a unique opportunity to capture Akela up close. I was able to observe his facial expressions, the subtle movements of his ears, and the texture of his winter coat, which was in the process of shedding—a rare sight that would be difficult to encounter in the wild. Seeing Akela up close was both powerful and moving – not only his presence, but also the depth of his gaze. For me, this encounter underscored the profound power and elegance of wolves as they command both respect and admiration. 

It was truly an amazing experience photographing these wolves, ultimately creating a visual narrative that highlights their essential place in our ecosystem. My hope is that these images can inspire greater support for efforts to protect their natural habitats and ensure their continued survival. The work that Wolf Hollow does underscores the interconnectedness of our ecosystem, reminding us all of the vital role each of us plays in nurturing and protecting our natural world. 

©Erica Frisk. Akela, the alpha in the pack as he walks past behind his mate, Qantaqa, both are North American Grey Wolves. Behind him are Skadi and Vilkas, two Arctic Wolf siblings. 


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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

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hallmark moment this could be for the introduction of the work. Thank you for providing

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