In this workshop, you will be guided through the conception, creation, and completion of your photobook (via a print-on-demand (POD) self-publishing platform.) You will also receive information on other options for publishing your book. In preparing for this course, you will determine the subject of your photobook and identify some of the images you expect to... [Read More]
The Griffin Museum of Photography is proud to host artists Bryan Whitney, Brett Windham and Cynthia Katz for an online artist talk in celebration of their participation in the exhibition Elemental Blues: Contemporary Cyanotypes. The show, featuring six artists exploring the creative possibilities of cyanotype, is on view at our Lafayette City Center Satellite Gallery... [Read More]
All sales are final on products purchased through the Griffin Museum. Participant cancellation of a program/lecture/class will result in a full refund only if notice of cancellation is given at least 2 weeks before the date of the event.
At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.
This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.
Artistic Purpose/Intent
Artistic Purpose/Intent
Tricia Gahagan
Photography has been paramount in my personal path of healing from disease and
connecting with consciousness. The intention of my work is to overcome the limits of the
mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain
sight. They are intended to be sat with meditatively, eventually revealing greater truths
about the world and about one’s self.
John Chervinsky’s photography is a testament to pensive work without simple answers;
it connects by encouraging discovery and altering perspectives. I see this scholarship
as a potential to continue his legacy and evolve the boundaries of how photography can
explore the human condition.
Growing my artistic skill and voice as an emerging photographer is critical, I see this as
a rare opportunity to strengthen my foundation and transition towards an established
and influential future. I am thirsty to engage viewers and provide a transformative
experience through my work. I have been honing my current project and building a plan
for its complete execution. The incredible Griffin community of mentors and the
generous funds would be instrumental for its development. I deeply recognize the
hallmark moment this could be for the introduction of the work. Thank you for providing
this incredible opportunity for budding visions and artists that know they have something