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Griffin Museum Fact Sheet

THE MUSEUM

Opened in 1992, the Griffin Museum is the embodiment of founder Arthur Griffin’s passion.
Through our many exhibitions, programs, and lectures, we strive to encourage a broader
understanding and appreciation of the visual, emotional, and social impact of photographic art.
Exhibitions from well-known photographers, to those emerging on the scene, explore important
themes and thought-provoking ideas. All of the exhibitions and programs are designed to
encourage the passionate exploration of the art of photography.

The Griffin Museum houses three galleries dedicated solely to the exhibition of photographic
arts: the Main Gallery; the Atelier Gallery; and the Griffin Gallery. And four satellite galleries
established in the last few years:

  • Atelier Gallery at the Greater Boston Stage Company formerly the Stoneham Theatre (Stoneham, MA)
  • The Griffin Museum at SoWa (in Boston’s South End)
  • The Griffin Museum at Lafayette City Center Passageway (Boston Downtown Crossing)
  • The Griffin Museum at WinCAM (at Winchester Community Access and Media)

Each year, the Griffin Museum presents the Focus Awards. Created in 2006, the annual awards
recognize individuals who have made critical contributions to the promotion of photography and
are one of the few to recognize the work of those who have been instrumental in building
greater awareness of the photographic arts in the general public.

ARTHUR GRIFFIN

Arthur Griffin was born in Lawrence, Massachusetts on September 12, 1903. Originally trained
to be an illustrator, in 1929 he picked up his first camera—a second-hand folding Brownie—and
thus began a passion that would last a lifetime. By the mid-1930’s, Arthur Griffin had become
the exclusive photographer for the newly created Boston Globe Rotogravure Magazine and the
New England photojournalist for Life and Time magazines. He went on to become a pioneer in
the use of color film and provided the first color photographs to appear in the Saturday Evening
Post—a two-page layout on New England.

STAFF

  • Paula Tognarelli, Executive Director and Curator
  • Crista Dix, Associate Director
  • Elizabeth Dorian, Gallery Monitor
  • Susan D’Arcy Fuller, Program Manager

67 Shore Road, Winchester, MA 01890
781-729-1158

photos@griffinmuseum.org
www.griffinmuseum.org

MEDIA CONTACTS

Paula Tognarelli
Executive Director
paula@griffinmuseum.org
Crista Dix
Associate Director
crista@griffinmuseum.org

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    • Receptions
    • Travel
    • PHOTOBOOK FOCUS
    • Focus Awards
  • Education
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    • NEPR 2025
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  • Join & Give
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      • John Chervinsky Emerging Photographer Scholarship
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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP