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Focus Awards Archive by Year

Rising Star – 2020

woman with arms folded

Arnika Dawkins, Photo credit: Allen Cooley

Arnika Dawkins

Arnika Dawkins is the owner of her eponymous fine art photography gallery established in Atlanta in 2012. The gallerist shows work by talented emerging and mid-career artists with a specialization in showing fine art photography by African Americans and images of people from the African Diaspora. Her passion is connecting collectors to photography that is significant, inspiring, and provocative. As a fine art photographer and avid collector herself, she is a valuable resource to collectors and artists alike. She is passionate about the medium, having obtained a Master of Arts in Digital Photography from the Savannah College of Art and Design.


adawkinsgallery.com
Presented by: Deborah Willis

Deborah Willis, Ph.D, is University Professor and Chair of the Department of Photography & Imaging at the Tisch School of the Arts at New York University and has an affiliated appointment with the College of Arts and Sciences, Department of Social & Cultural Analysis, Africana Studies, where she teaches courses on Photography & Imaging, iconicity, and cultural histories visualizing the black body, women, and gender. Her research examines photography’s multifaceted histories, visual culture, the photographic history of Slavery and Emancipation; contemporary women photographers and beauty. She received the John D. and Catherine T. MacArthur Fellowship and a John Simon Guggenheim Fellowship. Willis is the author of Posing Beauty: African American Images from the 1890s to the Present; and co-author of The Black Female Body A Photographic History; Envisioning Emancipation: Black Americans and the End of Slavery; and Michelle Obama: The First Lady in Photographs (both titles a NAACP Image Award Winner). Professor Willis’s curated exhibitions include: “In Pursuit of Beauty” at Express Newark; “Let Your Motto Be Resistance: African American Portraits” at the International Center of Photography and “Reframing Beauty: Intimate Moments” at Indiana University. Since 2006 she has co-organized thematic conferences exploring imaging the black body in the West such as the conference titled Black Portraiture[s] which was held in Johannesburg in 2016. She has appeared and consulted on media projects including documentary films such as Through A Lens Darkly and Question Bridge: Black Males, a transmedia project, which received the ICP Infinity Award 2015, and American Photography, PBS Documentary.

Photo credit: Alice Proujansky

Lifetime – 2020

man in front of photographs

Robert Klein photo at AIPAD © Julienne Schaer

Robert Klein

Robert Klein is the owner and director of the Robert Klein Gallery in Boston. The gallery, established in 1980, specializes in the market for fine photographs. Robert Klein was the president of the Association of International Photography Art Dealers (AIPAD) from 1995 – 2008 and a board member of AIPAD from 1985 – 1995. As president of AIPAD, Klein initiated long range plans to position AIPAD into the mainstream of the art market. The Robert Klein Gallery has had an international presence for over 40 years and services an international clientele. Klein received his MBA from Babson College. He attended Hobart College and received his BA from Wilkes University


www.robertkleingallery.com
Presented by: Stan Trecker

Stan Trecker will present the Focus Award to Robert Klein. In his career Stan Trecker served as President of the Art Institute of Boston and Montserrat College. He also served as Dean of the Art Institute of Boston upon its merger with Lesley University in 1998. Upon his retirement, after the completion of the new home of the Lesley College of Art and Design in Porter Square, Cambridge in 2017, Stan Trecker serves as Dean Emeritus at Lesley University.

Stan Trecker earned a Masters of Fine Arts degree in photography from the School of the Art Institute of Chicago in 1978, after earning a Masters in Business Administration and a brief career in the financial services industry.  He was the Executive Director of the Photographic Resource Center (PRC) from 1980 to 1991, assuming that role following its founding by Chris Enos in 1977.  During that time, the PRC constructed its new home on the campus of Boston University.  He also served on the Founding Board of the Griffin Museum of Photography and was a  National Board member of the of the Society for Photographic Education.   Photo Credit: Lesley University

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Video Channel 2014

Focus Awards 2014 (Part 1) from Justin Ziebell on Vimeo.

Archive by Year

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Archive by Award

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MENU
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    • Griffin Museum Satellite Galleries
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    • Exhibition Archive
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    • Online Programs
    • Receptions
    • Focus Awards
  • Learn
    • Education
    • Arthur Griffin Photo Archive
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    • Blog
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    • Become a Member
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    • Bring Photography to Life! 2020-2021 Annual Appeal Fund
    • When are the member portfolio reviews scheduled?
    • John Chervinsky Emerging Photographer Scholarship
  • Shop
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    • Get in Touch

Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

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