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Satellite

THE POWER OF THREE | Arno Rafael Minkkinen Master Class Exhibition

Posted on April 25, 2023

THE POWER OF THREE


Make it different. Keep it the same. It just takes three pictures to start and confirm a pathway.  There are
no winners: no bronze, silver, or gold medals. They’re all equal and yet all different. With a pathway the
next pictures are always a surprise. Sameness provides consistency; difference the accumulation that
creates chronology. The power of three can also operate with projects over time. It’s the way the
audiences we never meet get to know our work, reaching them with something new in every picture and
every new project while still being the same photographer. It’s the way we see the world that becomes
the unifier, the pathway marker. In this exhibition, seven pathways are presented with seven texts by me.
– Arno Rafael Minkkinen

_____________________________________________________________________________

We look forward to seeing you on Thursday May 25th for a celebration with the artists at Griffin @ WinCam

The Griffin @ WinCam is located in Winchester, at 32 Swanton Road, Winchester, MA 01890

The WinCam Gallery hours are Monday: 11am – 7pmTuesday: 11am – 7pm Wednesday: 11am – 7pm Thursday: 1pm – 9pm Friday: 1pm – 7pm Saturday: 10am – 3pm select Saturdays. Call for availability. (781) 721-2050

Learn more about the artists included in the Power of Three

Leah Abrahams –

 

LEAH ABRAHAMS – THE MISSING PIECE OF THE PUZZLE
Like a long-lost missing piece of a puzzle that suddenly pops up from under a carpet, the photographs of Leah Abrahams defy classification. Subject matter entails everything from everywhere all at once, as this year’s Oscar winner would have it. Or they could be like treasures—an isolated spoon, a teacup with the wrong sauce—from a hide-away thrift shop in Leesburg, Florida, a town filled with eclectic images around every corner, just about any random town where  everything is brand new will do. Pathway? You bet. If consistency is the goal, eclecticism meets it head on because every picture will always be different and never the same. The consistency of difference becomes the Power of Three to create the pathway. If you’re always late, you’re on time kind of thing. Predictability is the formula. Repetition without repetition. Same but different. Only for that to be of interest, every image needs to grab us with its own power, be it beauty, ugliness, point of view, or whatever attribute it strikes us with. It takes a certain amount of daring and risk taking to create such islands and stand by them, trust them as Leah Abrahams does with confidence and grace.

For eclecticism to take place, discovery, and invention both play a part. The Pacific Ocean was always there; it just needed to be discovered. Invention reassembles what is known and uses it to create the new. The eclectic work of
Abrahams sits on the fulcrum of that constantly oscillating invention-discovery see-saw (see=invent; saw= discover). It assumes the past, the present, and the future are but part of life’s drive-through. And then there is that puzzle piece, so impossible to know what extends from it. Where it fits in? Where do I fit in? So, what better way to organize a response to the existential nature of one’s
universe than creating a body of work that celebrates it all?
© Arno Rafael Minkkinen, 2023

 

… [Read More]

Stephanie Shih | Open Flowers Bear Fruit

Posted on April 3, 2023

The Eurocentric tradition of still life has a long history of appropriating elements from cultures that it considered “exotic” while maintaining  authoritative artistic dominance on the practice. In response, Open Flowers Bear Fruit (Asian American Still Life) is an on-going project that claims space in this venerated tradition for Asian American cultural experiences, directly from an Asian American perspective. The project creates an overdue dialogue between the symbology of Eurocentric still life with that of Asian diaspora traditions.

On a personal level, the series features home comfort foods from my upbringing as a Taiwanese-Chinese American—foods that are derided as “strange” in the U.S. but hold quotidian significance in Chinese culture. At the same time, the series questions the ideals of the nostalgic “All-American” experience as a daughter of immigrants, asking to what extent immigrant experiences can dovetail with notions of Americanness. On a community level, I partner with Asian American small business owners throughout the series, foregrounding their food practices that make up the now multicultural culinary landscape that pervades California. These partnerships have allowed me to present perspectives and lived experiences from the numerous cultures that feed the otherwise monolithic label of “Asian American.”

About Stephanie Shih –

Stephanie Shih is a visual still life artist, known for her painterly use of shadow applied to playful perspectives on food. Shih started making photographs with her dad’s half-frame camera on childhood road trips, but only took up photography seriously later in life while in graduate school. At the time, she moonlighted as a caterer, and translating the experience of food to the visual image has been a driving through line of her work ever since.

As a second generation Taiwanese-Chinese American, Shih explores themes of cultural dynamics—belonging,alienation, appropriation, celebration—through her still life photographs. Shih’s photography has been featured in print outlets including Elle Girl Korea, 7×7, and Gastronomica, and online on Gourmet Live,, Saveur, Fine Cooking, and Buzzfeed.

Shih is from the San Francisco Bay Area and currently lives in Los Angeles. When not in the studio or kitchen creating, she is a professor at University of Southern California.

The Griffin @ WinCam is located in Winchester, at 32 Swanton Road, Winchester, MA 01890

The WinCam Gallery hours are Monday: 11am – 7pmTuesday: 11am – 7pm Wednesday: 11am – 7pm Thursday: 1pm – 9pm Friday: 1pm – 7pm Saturday: 10am – 3pm select Saturdays. Call for availability. (781) 721-2050

Lisa Ryan | Becoming Light

Posted on March 1, 2023

I like to explore the world at night. Night lighting with its mix of sources and colors, makes the commonplace magical. There is often a peace and serenity in the dark: An opportunity to see and experience things differently.
I add lighting to my images. Sometimes I add flourishes of light or draw in elements. Sometimes the subjects are so dark that I need to light them, for the camera to capture them. Sometimes the light itself becomes the subject.
These images are from a project titled “Becoming Light”. They show transformation from stillness to motion, from dark to light, from body to energy.
Light painting has a performance element to it; in that respect it is like dance. Gesture and awareness of body in space are important. My movements and my lighting bring different elements to life, painting the picture.

About the Artist –

Lisa Ryan is a night photographer and light painter.  The influence of her fine arts education can be seen in her use of light to draw and paint. Working with various light tools she incorporates gestures and movement. In addition to lighting landscapes at night, she creates scenes, including clothing the figure and creating night gardens from light.

Ryan’s photographs have been exhibited in shows presented by the Griffin Museum of Photography, Winchester MA, the Center for Photographic Art, Carmel CA and in many juried exhibits throughout the US.  She has curated group exhibits of night photography at the Front Street Gallery, Scituate MA and at the Art Complex Museum, Duxbury MA.

Her images have been featured in print and digital publications including NASA’s APOD, “RechargeTheArts”, a juried group exhibition on Instagram, Fraction Magazine, and The Literate Image.

Ryan has been co-organizer of the Greater Boston Night Photographers Meetup since 2014.

Nine Conversations

Posted on February 1, 2023

Photography has always been a powerful medium for evoking an emotional response in the viewer -whether awe, revulsion, sadness, or joy. By framing the context and using light, shadow, focus and depth of field and visual imagination, the viewer is invited into the world of the artist. The juxtaposition of shapes and lines, the use or absence of color, the dimensionality of a piece, all contribute to creating a moment that can resonate deep within the viewer’s psyche. There is alchemy in both the creation of imagery and in the intimate engagement with a stranger who now views the work. No more interpretation is required; simply stop, notice and engage in self-inquiry. Like a modern-day Rorschach, each of the nine bodies of work begins a conversation of meaning between artist and viewer. As you transit this hallway, pause for a moment to enjoy that brief exchange and take it with you into your day.

The works of nine talented artists are included in this exhibition: Julia Arstorp, Anne Berry, Cathy Cone, Sandra Klein, Joan Lobis Brown, Marcy Palmer, Sara Silks, Vicky Stromee and Dawn Watson all present images to tell stories, ask questions and engage us in visual richness.

The Griffin @ Lafayette City Center Passageway is located at 2 Ave de Lafayette in Downtown Crossing, Boston. The passageway connects Macy’s, the Lafayette Tower offices and the Hyatt Regency, Boston.

Reception for the artists – July 15th, 2023

Artist talks –
September 6th, 2023: Sandra Klein, Anne Berry, Dawn Watson
September 13th, 2023: Marcy Palmer, Cathy Cone, Sara Silks
September 20th,2023: Vicky Stromee, Joan Lobis Brown, Julia Arstorp

Expanding The Pantheon : Women R Beautiful

Posted on January 12, 2023

The Griffin Museum is excited to bring Ruben Natal San Miguel to Lafayette City Center to celebrate his magnum opus, Women R Beautiful. This solo exhibition featuring the portraits of women Natal San Miguel crosses paths with are stunning. Frank and honest, the women are confident, self aware and direct with their gaze into the lens. This exhibition is featured during Women’s History Month, and we are excited to showcase the diversity and breadth of the female gaze and shared experience of portraiture at its most pure.

RUBEN NATAL-SAN MIGUEL is an architect, fine art photographer, curator, creative director and critic. His stature in the photo world has earned him awards, features in major media, countless exhibitions and collaborations with photo icons such as Magnum Photographer Susan Meiselas. Gallery shows include: Asya Geisberg, SoHo Photo, Rush Arts, Finch & Ada, Kris Graves Projects, Fuchs Projects, WhiteBox Gallery, Station Independent Projects Gallery, LMAK Gallery,  Postmasters Gallery  Rome  & NYC  and others. His work has been featured in numerous institutions: The New York Public Library, Schomburg Center for Research in Black Culture, Griffin Museum of Photography, Museum of Fine Arts Boston, African American Museum of Philadelphia, The Makeshift Museum in Los Angeles, University of Washington, El Museo del Barrio and Phillips Auction House and Aperture Foundation. 

International art fair representation includes: Outsider Art Fair, SCOPE, PULSE, Art Chicago, Zona Maco, Mexico, Lima Photo, Peru and Photo LA. and Filter Photo Festival in Chicago Ill.  His photography has been published in a long list of publications, highlights: New York Magazine, The New York Times, The Huffington Post, Time OUT, Aperture, Daily News, OUT, American Photo, ARTFORUM, VICE, Musee, ARTnet and The New Yorker, PBS and NPR. In 2016, Ruben’s Marcy’s Playground was selected for both the Billboard Collective and website for Apple. His photographs are in the permanent collections of El Museo Del Barrio in NYC, The Center for Photography at Woodstock, NY, The Contemporary Collection of the Mint Museum Charlotte, North Carolina, The Bronx  Museum for the Arts, School of Visual Arts, NYC, The Fitchburg Museum of Art, Massachusetts, The North Carolina Museum of Art at Raleigh, NC., The Minneapolis Institute of Art, The Leslie Lohman Museum of Art, The Studio Museum of Harlem and The Museum of The City of NY, The Provincetown Art Museum, The Frances Lehman Loeb Art Museum Center at Vassar College and The Museum of Fine Arts , Boston, MA. 

The Griffin @ Lafayette City Center Passageway is located at 2 Ave de Lafayette in Downtown Crossing, Boston. The passageway connects Macy’s, the Lafayette Tower offices and the Hyatt Regency, Boston.

Bonnie Newman | First Light

Posted on December 8, 2022

First Light

 I have always found solace and a spiritual connection in nature.

Twelve years ago, as I was entering retirement, I had the good fortune to buy a small cottage on Cape Cod with large windows overlooking a simple pond.   About that same time, I discovered photography, and have probably recorded several thousand photos just of this pond alone. 

I usually rise with the light and greet the pond.  The morning sky and the view continually change, and I take photos from my window, my dock, or my kayak.

As I began to “live more in this landscape”, I looked deeper in order to share the connection I felt.  I began to reimagine the landscape–moving from taking one photo to blending multiple exposures, and seeing the landscape as transparent, fragile— and magical.   

These photos are a celebration of my pond in the morning light.

Bonnie Newman is a photographer, outdoor enthusiast and avid traveler. With her camera, she experiences and captures the splendor of nature, compelling moments, and new environments. 

Newman finds inspiration in nature, whether an expansive landscape or a detail that catches her eye. She sees abstraction everywhere and is attracted to shapes, transparency, distortion and fragmentation. Her recent landscape work utilizes the techniques of transparency and reflection, double exposure, and intentional camera movement to reveal her singular vision of a scene. The resulting images vacillate between serene and edgy, offering a flight from reality combined with a hint of mystery.

Newman’s photographs have been exhibited in a solo show at the Cary Public Library in Lexington MA.  She has also exhibited at the Griffin Museum of Photography and juried in to group exhibitions at the Cambridge Art Association, Arlington Center for the Arts, Plymouth Center for the Arts, and Gallery Twist in Lexington.  

She photographs for the Brewster Conservation Trust and the Town of Lexington Conservation Department, and her photos are on display at Brewster (MA) Town Hall, and the Lexington (MA) Visitor’s Center and in private collections.

Newman has taken photography courses with Emily Belz at the Arlington Center for the Arts, Griffin Museum of Photography, and the DeCordova Museum. (2015-2020).  She participated in the Atelier 33 at the Griffin, has taken online workshops with Valda Bailey and Doug Chinnery, and  workshops on Cape Cod with Steven Koppel and Julia Cumes .

Newman lives in Lexington and Brewster MA.

WinCam is located in Winchester, at 32 Swanton Road, Winchester, MA 01890

The WinCam Gallery hours are Monday: 11am – 7pmTuesday: 11am – 7pm Wednesday: 11am – 7pm Thursday: 1pm – 9pm Friday: 1pm – 7pm Saturday: 10am – 3pm select Saturdays. Call for availability. (781) 721-2050

My Favorite Things | Still Life

Posted on November 8, 2022

In history and art, the still life image is ubiquitous and synonymous with masterworks of art. A collection of objects, filled with meaning, beauty, life and transition. This collection of images looks at how we value our things, how we engage with our objects, craft them into art.

Stephanie Shih’s Asian American Still Life and Matt Siber Collective Consciousness look at the way we imbue preconceived notions of what the object holds, and how we re-envision that object in a new context.

We see objects of importance through family lines with the works of Parrish Dobson and Beth Galton. Yorgos Efthymiadis looks at how a singular object can obtain mythic proportion in both personal and public persona. Rebecca Horne’s constructions defy dimension, organic and structural textures at odds but also symbiotic. Stefanie Klavens series How We Live looks at our surroundings, and Vicente Cayuela‘s Juvenilia explores the way we gravitate to objects at any age, especially as we grow in an emotional and intellectual context. Jo Ann Chaus uses object as introspection. Her use of images and object create entire personas we as viewers can indulge in, question and dream of the possibilities of who we are and who we want to be.

Crafting a typology, Jennifer Booher shows us Beachcombing, while Marcy Juran‘s Humble Beauty takes a closer look at what is often discarded or missed in simple organic form.

The eleven artists who share their work with us look at the myriad ways of showcasing objects of importance. In a world of clutter, we find beauty, in a landscape of objects we see a microcosm of identity, statements of personality and ultimately open to interpretation the items we hold close. In each photograph, each visual construction and unique still life animates ideas, invent connections, shares ideas and showcases a depth of understanding of the photographer illuminating their subject.

The Griffin @ Lafayette City Center Passageway is located at 2 Ave de Lafayette in Downtown Crossing, Boston. The passageway connects Macy’s, the Lafayette Tower offices and the Hyatt Regency, Boston. Hours are open between 9am and 9pm. Saturday and Sunday access is limited by entry through Macy’s and the Hyatt Regency.

Lyn Swett Miller | Compost in Community

Posted on August 21, 2022

When I dump compost into the bin behind our garage, avocado peels, orange rinds and eggshells mix and mingle, creating textured and colorful tapestries. How can food waste be so beautiful? I am in awe of the kaleidoscope of nitrogen and carbon rich materials that nourish the soil and the soul.
While a single bucket of compost can feel inconsequential, when I keep showing up, this weekly ‘chore’ impacts not just the waste stream and my inner climate activist, but also my sense of personal equilibrium in uncertain times. The images are square, like the bin itself. There are no hierarchies. Each one reveals a necessary reciprocity and balance between the diverse materials as well as between
me and the natural world.
Over the course of twelve years, I’ve processed three tons of my family’s food waste, one bucket-full at a time as well as ten tons from a local cafe. In the process, compost became my muse and metaphor, inspiring me to explore the detritus of our lives. Objects, like a vintage Shakespeare and my mother-in-law’s thesaurus found new meaning when mixed with food scraps, inspiring questions about not just food waste and consumption, but also about privilege and the power of narrative.
I live in Hanover, NH where I have spent the past fifteen years trying to figure out what it takes for a suburban family of four to live sustainably. In response to profound climate grief, practical actions like composting gave me a sense of purpose. I am a founding member of the Sustainable Hanover Committee and have found a voice for my activism through photography.
As the climate reaches a tipping point, composting enriches the soil and these images educate, inspire and provide meditations on the power of regeneration, transformation and renewal.

About Lyn Swett Miller

I am an emerging climate photographer happiest mucking around with the detritus of life. While investigating compost, landfills and other aspects of our material world, I create visual meditations on the power of regeneration, transformation and renewal.

For the past two decades, I have been exploring what it takes for a suburban family of four to live sustainably. While my early work focused on documenting the beauty and power of all those actions on climate ‘to do’ lists, I now explore the dynamic relationship between myself and the material world. “Subjects” are no longer “taken,” but are instead collaborators with whom I learn to cultivate kinship

Compost is my muse and metaphor and is where I go to make sense of the world. Photography enables me to share the beauty I see in our waste and the possibilities for joy embodied in the apparent mess. My work offers deeply personal narratives that inspire conversation about consumption and our relationships to people, place and possessions.

My hope is that this work inspires you to reframe how you think about the climate crisis. Perhaps the images of compost on this site will make you smile and see that there is joy in re-imagining our relationships to just about everything.

WinCam is located in Winchester, at 32 Swanton Road, Winchester, MA 01890

The WinCam Gallery hours are Monday: 11am – 7pmTuesday: 11am – 7pm Wednesday: 11am – 7pm Thursday: 1pm – 9pm Friday: 1pm – 7pm Saturday: 10am – 3pm select Saturdays. Call for availability. (781) 721-2050

Photography Atelier 36

Posted on August 17, 2022

We are pleased to present the portfolios of the Photography Atelier 36 creative artists.

Photography Atelier is a portfolio and project building course for emerging to advanced photographers taught by Elizabeth Buckley. Participants engage in supportive critical discussions of each other’s work and leave with a better understanding of the industry and an ability to edit and sequence their own work.

Instruction in the Atelier includes visual presentations based around an assignment which is designed to encourage experimentation in both subject matter and approach. Students learn the basics of how to approach industry professionals to show their work and how to prepare for a national or regional portfolio review. There is discussion of marketing materials, do-it-yourself websites, DIY book publishing and the importance of social media. Students learn the critical art of writing an artist’s statement and bio.

The students here were part of our Spring 2022 program and we are thrilled to see their work on the walls of the Lafayette City Center Passageway.

Scot Langdon – Finding Home

Ann Peters – In the Shadows

Anne Piessens  – Origin Stories

Vanessa R Thompson – The Spoils

Michael Rodriguez Torrent – Short Stories

Sean Sullivan – Eighty-Sixed

Heather Walsh – Breathwork

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP