• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar
  • Skip to footer

Griffin Museum of Photography

  • Log In
  • Contact
  • Search
  • Log In
  • Search
  • Contact
  • Visit
    • Hours
    • Admission
    • Directions
    • Handicap Accessability
    • FAQs
  • Exhibitions
    • Exhibitions | Current, Upcoming, Archives
    • Calls for Entry
  • Events
    • In Person
    • Virtual
    • Receptions
    • Travel
    • PHOTOBOOK FOCUS
    • Focus Awards
  • Education
    • Programs
    • Professional Development Series
    • Photography Atelier
    • Education Policies
    • NEPR 2025
    • Member Portfolio Reviews
    • Arthur Griffin Photo Archive
    • Griffin State of Mind
  • Join & Give
    • Membership
      • Become a Member
      • Membership Portal
      • Log In
    • Donate
      • Give Now
      • Griffin Futures Fund
      • Leave a Legacy
      • John Chervinsky Emerging Photographer Scholarship
  • About
    • Meet Our Staff
    • Griffin Museum Board of Directors
    • About the Griffin
    • Get in Touch
  • Rent Us
  • Shop
    • Online Store
    • Admission
    • Membership
  • Blog
  • Visit
    • Hours
    • Admission
    • Directions
    • Handicap Accessability
    • FAQs
  • Exhibitions
    • Exhibitions | Current, Upcoming, Archives
    • Calls for Entry
  • Events
    • In Person
    • Virtual
    • Receptions
    • Travel
    • PHOTOBOOK FOCUS
    • Focus Awards
  • Education
    • Programs
    • Professional Development Series
    • Photography Atelier
    • Education Policies
    • NEPR 2025
    • Member Portfolio Reviews
    • Arthur Griffin Photo Archive
    • Griffin State of Mind
  • Join & Give
    • Membership
      • Become a Member
      • Membership Portal
      • Log In
    • Donate
      • Give Now
      • Griffin Futures Fund
      • Leave a Legacy
      • John Chervinsky Emerging Photographer Scholarship
  • About
    • Meet Our Staff
    • Griffin Museum Board of Directors
    • About the Griffin
    • Get in Touch
  • Rent Us
  • Shop
    • Online Store
    • Admission
    • Membership
  • Blog

Virtual

Marsha Wilcox | Ancient Light

Posted on June 2, 2023

My father used a sextant for celestial navigation on aircraft carriers in the Navy and on family sailing trips.  He taught me to see the constellation pictures, stellar landmarks, and stories in the stars.  I’ve loved looking at the night sky all my life.  As a child I would lie on the grass, or on a snowbank, and look up into the darkness and wonder what was out there; willing myself with all my might to visit the cosmos – hearing the siren song that has called humanity to look to the heavens since the dawn of time.

World issues, politics, relationships, and even my daily routine, fall into perspective against the awesome spectacles in our own galaxy and the universe beyond.  I am small and insignificant yet privileged to see and share these wonders.

Using my telescope as a lens, I capture the ancient light of things that are unimaginably old, unfathomably distant, and incomprehensibly vast. They are at the same time delicate and extremely violent; still, and yet constantly changing.  Being born, living, and dying at a cadence as slow as they are vast, stars, nebulae, and galaxies echo the terrestrial creation we see around us. 

Long exposure photography is the only way we can experience these awe-inspiring celestial scenes.  Each final photograph is constructed from individual images captured over many tens of hours.  It’s not unusual for the final photograph to contain 100 or more frames.  In these images, there is art in the science, and science in the art.

About Marsha Wilcox

The intricate beauty in the universe around us, from a droplet on an autumnal branch to the awe-inspiring patterns and colors in nebulae and galaxies fascinate me.

A course in Night Photography introduced me to the nuances of light and color after the sun sets.  In addition to urban landscapes, we photographed the grand Milky Way.  The allure of looking deeper into the night sky called me.  Using telescopes, dedicated astronomy cameras, and specialized filters, I am able to image ancient light, things unseen with the naked eye.

On clear, calm, nights when the moon is dim, I wheel my telescope out to image the universe.  It’s not unusual for neighbors to stop by; it is a privilege to share the night sky with them. 

A retired epidemiologist, I also hold an MPS in Digital Photography from the School of Visual Arts in New York.  I usually image the night sky outside of Boston in the company of three wonderful Golden Retrievers.

To see more of Marsha Wilcox‘s work, see her website.

Rakesh Sikder | Night Work

Posted on April 20, 2023

Despite the opportunities urban life offers, it is still chaotic. The constant cacophony of construction work and pestering pollution are sure to drive away one’s peace of mind. 

I live in a warm region where night weather is comparably pleasant. Besides, the apartment buildings here are congested leaving little to no space for roaming around freely. For me, the only solace left was on the roof at night. Therefore, I used to walk on our roof after sunset. Amidst the din and bustle of city life, that little quiet time was a cherished moment for me. 

Once, for a photo assignment, I shot long exposures of the dark surroundings from our roof. My photography mentor, Meg Birnbaum liked it so much that I decided to explore this idea further and thus, went to all the rooftops of my city that I could avail. The theme of horticulture in a limited space is one of the takeaways from this project. 

To the best of my recollections, I have never seen nightscapes of my city from such a vantage point. As I intend to focus on the calmness, barely two or three figures appear here looming in a seemingly noiresque manner. The final vision portrayed here is undoubtedly a lot more different than reality as it is an overpopulated area. Moreover, our eyes will not discern the amount of light in a second that is projected here in a single frame as human eyes process 60 frames per second. On the contrary, these frames were exposed to light for up to 30 seconds.

About the Artist –

Rakesh Sikder was born and brought up in Khulna, a remote city of Bangladesh. The majority of his works were made in and around that city. Both Sebastião Salgado and Bangladeshi photographer Nasir Ali Mamun’s monochromatic world has had such a profound impact on Sikder that his early works were mostly in monochrome. Sikder learned to embrace color and assemble a coherent photo project under Boston based photography teacher Meg Birnbaum’s mentorship.

His photos were exhibited and included in the Judge’s Pick section in national photographic contests ‘Encaging the Exposure: Season 1’ in 2018 and ‘Breakthrough: A Carnival for Efficient Works’ in 2020 respectively. Shutterhub, a UK based photography organization published his work in their yearbook for which he also received a Griffin Museum of Photography YEARBOOK AWARD 2021. In the same year, a selection of his early black and white photos were published in a local magazine Dead Metaphor. His work was displayed for three months at a Griffin Museum satellite gallery, USA in 2022 as a part of the curated exhibition ‘Vantage Point’, making it his first overseas appearance.

Previous Executive Director and Curator of Griffin Museum of Photography, Paula Tognarelli saw Sikder’s “photograph as a trompe-l’oeil illusion that invokes quiet and contemplation.” She also added that she “could live with this photograph for hours.” In Czech Photography Masterclass n.7, Prague based Art Director and Photographer, Bara Prasilova opined that Sikder’s “photo has amazing composition, amazing colors, I think that everything was captured at the right moment no matter if this photograph was a result of just coincidence or it was a result of just total concentration of the photographer and patient waiting for the right moment. The photo is just perfect.”

A note from Meg Birnbaum, Mentor – It has been a pleasure to work with Rakesh to further his vision. His dedication to his craft is evident in the outcome and vision of the project we worked on together. I believe that Rakesh has a good eye and strong graphic sensibilities. I can’t wait to see what he does next. 

29th Annual Members Exhibition | Online

Posted on April 1, 2023

We are pleased to highlight members of our creative community. Of the 1250 images from over 250 creative artists we selected 60 prints for the walls in Winchester, and highlight another 60 artist works here. The theme for submissions was “Under the Mask”, looking introspectively at the last three years and how we sustained ourselves as artists under the circumstances that we have endured. How do we clarify our thoughts in a visual medium? There were many great images, it was hard to narrow the field to 60. This exhibition is a portrait of who we are, where we connect, and how we move forward from here. Thank you to everyone who shared their work and their creative souls with us.

The artists highlighted in this online are –

Karen Baker, Sheri Lynn Behr, Meg Birnbaum, Adrien Bisson, John Blom, Robin Boger, Lynne Breitfeller, Joan Lobis Brown, Joy Bush, Ronald Butler, Richard Chow, Donna Dangott, Parrish Dobson, Sally Ann Field, Kev Filmore, Paul Goldberg, Liam Hayes, Elizabeth Hopkins, Judi Iranyi, Kay Kenny, Tira Khan, Frasier King, Sandra Klein, Carolyn Knorr, Neil Kramer, Julia Kuskin, Margaret Lampert, Elizabeth Libert, Sile Marrinan, Randy Matusow, Laila Nahar, Colin O’Hearn, Allison Plass, Ric Pontes, David Quinn, Robin Radin, Angela Ramsey, Astrid Reischwitz, John Rich, Nancy Roberts, Susan Rosenberg Jones, Gordon Saperia, Rebecca Sexton-Larson, Carla Shapiro, Paula Shur, Anastasia Sierra, Sara Silks, Emi Sisk, Janet Smith, Skip Smith, David Sokosh, Robert Sulkin, JP Terlizzi, Donna Tramontozzi, Jacqueline Walters, Mark Warner, Becky Wilkes, Lincoln Williams, Torrance York and Yelena Zhavoronkova

Yukimi Akiba | Timeless Knot

Posted on March 1, 2023

The Griffin Museum is pleased to introduce Yukimi Akiba showcasing her unique work Timeless Knot.

Timeless Knot is the first project after Yukimi stepped away from self-portraits using Polaroids. Focusing on unknown women (in vintage postcards) who lived and died in the past, and using countless French Knot stitches that looks like blooming colorful threads. 

Akiba takes time to “talk” with all the creatures in the vintage photographs, and carefully stitch and revive them, stitch by stitch, with a great amount of respect towards the portrait sitter, the original print and us as viewers of the work.

Yukimi Akiba lives in Japan, working with mixed media and embroidery as her main medium. She created a series of Polaroid self-portraits, Creative ‘Self’ Destruction, from 2019-2021. Her work played an important role as a way to reconstruct what she lost in her life due to illness and trauma, which led to her current style that allows her to relate herself to others and reality.

Since spring 2019 Yukimi Akiba has thrown herself into her creative/emotional world but isolated herself from people and the real world instead. For Yukimi, art played an important role as therapy for illness, a way of not physically harming herself or others, a way of rebuilding what she had lost in her life by trauma, and now it helps relate her and the realities.

To see more of Yukimi’s work, log onto her website. You can find her on Instagram @ykm_12.44_

Ruben Natal San Miguel | Downtown Crossing

Posted on March 1, 2023

Boston’s colonial leaders once called Downtown Boston home, and the district’s residents traded on the wharves and in shops leading from the waterfront.  The seat of government was the Old State House at the head of State Street.  The main freshwater source for the area gave Spring Lane its name.
Although you wouldn’t know it today, as recently as 20 years ago, Downtown Crossing was hardly an attraction at all. It was a place occupied almost entirely by shoppers and office workers. The neighborhood was busy during the day, but went silent at night. Now, emerging retail giants, new restaurants and revived forms of entertainment keep visitors busy deep into the night. 

Neighborhoods throughout Boston all have their own distinct demographics. But Downtown Crossing prides itself on being a place that has a little bit of everything for everyone. “When you’re taking Washington Street and you go all the way down into different neighborhoods, there are different demographics. But, specifically talking about Downtown Crossing, it really is a crossing of lots of cultures. Just a few blocks away along Washington Street, Chinatown is experiencing similar changes to Downtown Crossing. 

In Early 1982 , I moved to Boston from Manhattan, NYC to attend college. Back then, the city was mostly diverse during the semester calendar of the year when students like me (called back then foreign students) would be there during the college semesters and when college was over most would leave town for job opportunities elsewhere. The city was mostly known for its lack of diversity, lack of inclusiveness and racial tensions. 
I worked there briefly after college and then like most relocated back to NYC where 31 years later still reside. 
Recently I was invited by Crista Dix, Executive Director of the Griffin Museum to show my photographic series Expanding The Pantheon : Women R Beautiful at The Griffin @ Lafayette City Center Gallery in Downtown Crossing Boston. 
I was also asked if could do what I call and had done in several other museums a ” Wall Portrait Session ” on which will asked passersby subjects to have their portrait taken and document the current demographics of the area. 
This happened Saturday May 13, 2023 from 2-4 PM right in front of Macy’s (which in the past was formerly Jordan Marsh). 
I was so pleasantly surprised by how diverse and inclusive the city has become. Everywhere I went around the city, from my Uber driver, to delivery, to retail employers, hotel managers etc, etc, minorities and members of the LBGTQ+ community were present, confident and more than anything being seen!
I was so thrilled to document such a strong shift in demographics so evident and present and how everyone interacted so well with each other. I witnessed and documented a newer, inclusive and diverse city. 
The wall selected for the portrait session was this wonderful wallpaper simulating stage drapery. It was tiny but just perfect ! The final effect to me seemed like a vintage photo booth, where people go in to have that perfect moment of togetherness 


This whole digital archive was donated by me to The Griffin Museum. My way to give back to the city who formed me as the professional, individual and human that I am today.

RUBEN NATAL-SAN MIGUEL is an architect, fine art photographer, curator, creative director and critic. His stature in the photo world has earned him awards, features in major media, countless exhibitions and collaborations with photo icons such as Magnum Photographer Susan Meiselas. Gallery shows include: Asya Geisberg, SoHo Photo, Rush Arts, Finch & Ada, Kris Graves Projects, Fuchs Projects, WhiteBox Gallery, Station Independent Projects Gallery, LMAK Gallery,  Postmasters Gallery  Rome  & NYC  and others. His work has been featured in numerous institutions: The New York Public Library, Schomburg Center for Research in Black Culture, Griffin Museum of Photography, Museum of Fine Arts Boston, African American Museum of Philadelphia, The Makeshift Museum in Los Angeles, University of Washington, El Museo del Barrio and Phillips Auction House and Aperture Foundation.

Jessa Fairbrother | Conversations with My Mother

Posted on March 1, 2023

This is my story of severance.

It explores the relationship I had with my mother and my own inability to become one. It is a photographic performance of being cut from the role of daughter while at the same time denied a maternal role to shape my future.

We had been tentatively making work together using a single disposable camera, taking photographs of our own lives. I would take one and send the camera to her in the post; she would do the same. We tried to communicate through this process.

Not long after my fertility began to unravel. I was unable to concentrate on my story because it was then we both found out she was going to die.

I dismantled my existing life to relocate and care for her, my second parent dying of cancer. In the immediate moment I was concerned with the gesture to record her as she was but felt the photograph’s inability to do this. I photographed myself responding to the surroundings, to negotiating space. Once or twice I asked my mother to photograph me, echoing the way we had used a camera only a few months before. I tried to make sense of things that had no sense except sadness.

I jostled with several personas during this period – wife, daughter, sister, artist. I gained new roles and became Carer. I became child-less…. or child-free. We strived to understand and love each other more completely; we looked at each other seeking resemblance, resentment, entanglement and reliance. I became Orphan. An orphan.

I put on her chemotherapy wig afterwards – it was the only thing that smelled of her. I burned, buried and embellished photographs of us. I performed my grief and began to stitch. I cried a lot for her. I cried for my loss of feeling the hug of her body, her touch, her laugh. I cried in sorrow at the abrupt suspension of future narratives, for the mother I would not hold again and for the child who would never hold me.

About Jessa Fairbrother –

Jessa Fairbrother is an award winning artist with a practice focussed on feelings and the body, using photography, performance, and stitch. Initially training as an actor (1990s) and completing an MA (Photographic Studies, University of Westminster 2010) underpins her knowledge of how artwork and audience collide. Her expanded use of stitch is underpinned by training in historical hand-embroidery at the Royal School of Needlework through a QEST scholarship received in 2019.

Solo exhibitions include The Photographers’ Gallery, London (The Print Sales Gallery, 2019, who represent her as an artist), and Birmingham City University (2017). In 2020 she was commissioned by Wellcome Collection, illustrating work for their Digital Stories section, and again in 2022.

‘Conversations with my mother’ (2012-16), her study of maternal grief, has been noted for significant contribution to understanding mourning with scholarship by art historian Jennifer Mundy published in Tate Papers (2020) and conference presentation at The Freud Museum, London (2018). A substantial amount of this work was exhibited at Bristol Museum and Art Gallery in 2021, presented as intervention in the main collection for Bristol Photograph Festival.  The artist-book of this work is held in UK / US collections (Tate Britain,  V&A, Yale Centre for British Art, Museum of Fine Art, Houston). Her work is also included in the extensive survey Body (2019) by curator and art historian Nathalie Herschdorfer.

Receiving a-n bursaries in 2016 / 2020, a 2020 Arts Council England (ACE) Emergency Grant, and most recently a Developing Your Creative Practice grant (2021), also from ACE, have supported ongoing research on her long-term work a Fencing Manual for Women.

Other notable mentions include shortlisting for Jerwood Open Makers (2017) and winner of the GRAIN portfolio prize (2017).

Jessa is based in Bristol, UK

Renewal Rhapsody : Spring in Black and White

Posted on February 21, 2023

“Renewal Rhapsody: Spring in Black and White” is an online exhibition showcasing the stunning black and white photography of Arthur Griffin. With a focus on the arrival of spring, this collection of 15 photographs captures the essence of renewal and rebirth. Griffin’s masterful use of light and contrast, combined with the timelessness of black and white photography, creates a sense of nostalgia and wonder that draws the viewer in.

Each photograph is a celebration of the beauty and magic of spring, from the delicate petals of a flower to the playful energy of animals awakening from their winter slumber. Griffin’s keen eye for detail and his ability to capture the essence of his subjects are evident in every image, making this collection a true testament to his skill as a photographer.

We invite you to take a journey through “Renewal Rhapsody: Spring in Black and White” and experience the wonder of spring through Griffin’s lens. Whether you are a fan of nature photography, black and white photography, or simply appreciate the beauty of spring, this exhibition is sure to captivate and inspire.

Xiaonan Guo is an artist, photographer, and a writer. Photography has been her constant passion because it encapsulates the fleeting moments of beauty, ugliness, perplexity, and conflict. She believes photography is a poetic language that speaks vehemently across time and space. Xiaonan graduated from Mount Holyoke College in 2022 majored in Art History and minored in Studio Art. Currently, Xiaonan is working at The Griffin Museum of Photography, where she is assisting with upcoming exhibitions and preserving the invaluable Arthur Griffin photography archive.

Special thanks to the Boston Public Library for digitizing a large portion of the Arthur Griffin Archive so it may be accessible to the public. If you would like to view more photos and library material, visit the Boston Public Library for the Digital Commonwealth and the Digital Public Library of America.

All images on this webpage © copyright 2023 by the Griffin Museum of Photography. All rights reserved.  No part of this webpage may be reproduced in any manner whatsoever without written permission of the museum except in the case of brief quotations from the written material with citation.

Best Friends Forever | Curated by Claire Fadness

Posted on February 13, 2023

Historically, vernacular photography has shown us glimpses into the lives and relationships of everyday people. Since film is used for this type of photography, fleeting moments that would otherwise be lost or exist only in hazy memory, are given permanence.

In contemporary times people have chosen to document through digital means using phones or tablets. While those kinds of images may look really good, they can lack a certain authenticity because digital photos can be endlessly retaken until the moment becomes more of a staged photo shoot. Recently, among Gen Z, there has been a trend to buy disposable or older film cameras. Using these types of cameras tends to make the taking of pictures less serious and keeps the moment fun and loose. This allows us to see intimate moments between friends.

This collection of photographs is of contemporary images featuring different Gen Z friend groups everywhere. The pictures were taken spontaneously among friends and family capturing candid, genuine moments of joy. It is important to note these images are born out of the friendships and closeness between the photographer and the subject. The photographer is more than just a documenter of what is occurring, they are also a participant. 

The title of this show is not only about the lasting relationships of the subjects, but also the permanent format of physical film photography.

BFF’s – Claire Fadness, Caroline Karakey, Isha Khanzode, Rachel Kosta, Bix Lowsley-Williams, Alice Pendergast and Aidan Wiese

This exhibition curated by Claire Fadness, a student of Connecticut College, and summer 2022 intern for the Griffin Museum in our Administration program.

Claire Fadness is a student at Connecticut College, majoring in Art and Art History with a certificate program in Museum Studies. She first became interested in photography through an art history class her sophomore year of college. Especially inspired by vernacular photography, Claire was prompted to buy her own point and shoot film camera. Her favorite thing to capture are candid moments with loved ones. All of her friends will tell you how irritated she becomes when taking a picture and everyone begins to pose. 

This particular group of photographers were chosen after an open call through Claire’s instagram. The audience reached was a group of young adults whom Claire had various connections with. However, it was initially prompted by looking at the photos taken by her and her friends. The photos chosen have an emphasis on group dynamics and friendship. 

New Visions is a curatorial project that highlights the creativity of the Griffin Museum Curatorial Internship Program. Throughout their time at the museum, each student develops a thesis statement or curatorial vision, connects with artists, selects images, writes texts and produces an online exhibition finding new ways to express their creativity through a curatorial practice.

New England Portfolio Review (NEPR) May 2023

Posted on February 12, 2023

We are so pleased to highlight the work of the attendees of the New England Portfolio Review, happening on May 6-7th, 2023.

Artists participating are –

Adrien Bisson, Amanda Tinker, Amisha Kashyap, Amy Durocher, Amy Giese, Anastasia Sierra, Anjola Toro, Ann Hermes, Anna Litvak-Hinenzon, Beth Lilly, Caren Winnall, CB Adams, Daniel Remer, David Ricci, David Sokosh, Diana Nicholette Jeon, Donna Tramontozzi, Elisabeth Smolarz, Elizabeth Wiese, Ellen Harasimowicz, Elsa Marie Keefe, Eric Graig, Fehmida Chipty, Francine Sherman, Fruma Markowitz, Hannah Altman, Hannah Latham, Howard Lewis, Ileana Hernandez, Ivana George, Jamie Hankin, Jennifer Thoreson, Joetta Maue, John Roy, Jonathan Bourla, Joseph Lieber, Judith Donath, Judyta Grudzien, Kay Kenny, Lana Caplan, Laura Blacklow, Laura Ferraguto, Lauren Shaw, Laurie Peek, Lawrence Manning, Lisa McCarty, Liz Albert, Lou Peralta, Marc Goldring, Marcy Juran, Margo Cooper, Marsha Wilcox, Michael Corthell, Michael Young, Mitch Eckert, Pam Connolly, Robin Bell, Robin Boger, Sal Tuccitto, Sam Comen, Stephen Starkman, Stephanie Shih, Susan Keiser, Tina Tryforos, Tokie Rome-Taylor, Torrance York, Vanessa r Thompson, Vaune Trachtman, Victoria Gewirz, Wen-Hang Lin, William Betcher, and Xuan-Hui Ng.

With Scholarship attendees –

Bai Song, Cas Haddad, Devan Jeffery, Drew Leventhal, Gabriella Azurdia, Jee Su Kim, Kannetha Brown, Rachel Cardillo, Saul Barrera, and Trent Bozeman

An online catalog for the New England Portfolio Reviews has been created and is available here.

Singular Vision

Posted on February 9, 2023

We celebrate the unique and individual narratives from twenty two New England schools with Singular Vision. These incredible students give us a vision of the medium that provides great promise for photography. Whatever creative path they decide to follow, their vision is one we look forward to. Thank you to all the teachers who inspire these students with their creativity and ability to support them with the tools to express their creativity.

We have highlighted three students here with recognition of first, second and third place, and each school had one student artist receive an honorable mention.

First Place – Miffy Wang – Governor’s Academy

Second Place – Amina Benlail – Winsor School

Third Place – Laura Botnaru – Marblehead

The schools and students shown here – Honorable Mentions and Award Winners are highlighted with *

Arlington High School – Educator – David Moore – Students – *Giselle Sical-Mayen, Daniel Hazen, Moshe Goff, Daneili Felscuti, Alex Moran

Bedford High School – Educator – Larry Sheinfield & Sean Hagan – Students – Marlowe Tilne, Joseph Kponou, Emily Zeltser, Shannon Sullivan, *Ameera Saba

Boston Arts Academy – Educator – Guy Michel Telemaque- Students – Jade Miranda, Denver Simmons, Milianys Polanco, *Xavier James, Nadine Vincent

Brimmer and May – Educator – Blake Fitch – Students – *Nolan Suraci, Oliver Baggett, Edrik Quezada, Zachary Adler, Thomas Gheewalla

Buckingham Browne & Nichols School – Educator – Andrew Warren – Students – Emmy Lev, *Rahina Abubakar, Caroline White, Keira Hagerty, Mika Higgins

Cambridge Rindge & Latin School – Educators – Debi Milligan, Cindy Weisbart , Amanda Kilton

Students – Hailey McLaughlin, Natalia Livon-Navarro, Stella Guest, Lucy Taylor, Clara Delfumeri, *Isaac Wheatley, Elisa Bechthold, *Ella Lehrich, Erwin Kardaktzke, Adelina Escamilla-Salomon, Ronan Mullner, Zephyr Newman, Alfrid Naziha

Concord Carlisle High School – Educator – Greg Coan – Student – Lila Parker (Image No.1)

Dana Hall School – Educator – MaryAnn McQuillan – Students – Amy Meuse, Sicheng Wang, Eloise Svedlund, Miranda Meuse, *Stella Yan

Framingham High School – Educator – Scott Alberg – Students – Hayley Muniz Santiago, Sam Lamont, Meghan McCluskey, *Dylan Harris

The Governor’s Academy – Educator – David Oxton – Students – (1st Place) Miffy Wang, Eliza Gibbs, Bear Brooks, Matt Collina, *Brian Zheng

Lexington High School – Educator – Samantha Lowe – Students – Ana Avila Garcia, *Lotem Loeb, William Kilgore, Kyle Taylor, Nora Manasas

Marblehead High School – Educator – Leah Bordieri – Students – Siena Day, (3rd Place) Laura Botnaru, Saylor Caruso, *Andrea Potvin, Samantha Roman

Milton Academy – Educator – Scot Nobles – Students – Blake Ankner, *Jack Weil, Michaela Ocko, Alex Cesaretti, Natalie Williamson

Norwood High School – Educator – Saquora Lowe-McLaurin – Students – Lise Marie, Yash Shah, Lilila Hatch, Avi Yossef, *Anna Buttton

Pingree School – Educator – Debora VanderMolen – Students – Alex Yablin, Helena Crate, *Jack Moulison, Riley McClure, Helen Coughlin

Reading Memorial High School – Educator – Kathleen Dailey – Students – Jackie Cole, Rose Clark, Hannah Rigney, *Jonathan Nazarro, Mina Willander, Emily Bass

The Rivers School – Educator – Sophie Lane – Students – Kate Paquette, Sindisiwe Khumalo, Taylor Ehler, *Maylea Harris, Madison Ngai

Somerset Berkley Regional High School – Educator – Virginia Troutman – Student – *Henry James, Leandra Paul, Alex Crook, Sam Grew, Hayden Teasdale

Walnut Hill School for the Arts – Educator – Holly Worthington – Students Sophia Kim, Andrew Glass, Rowling Zhu

Weston High School – Alexander Zhu, *Ryan Kirmelewicz, Andrew Pettinato, Elisha Davidoff, Ryan Chao

Winchester High School – Educator – Caitlin Engels – Students – *Neave Bunting, Mairin Norton, Maggie Shevland, Leo Wang, Natalie Taylor

The Winsor School – Educators – Sara Macaulay, Erin Calamari-Kirwan and Mia Tinkjian – Students – Keira Finn, (2nd Place) Amina Benlail, *Camille Eckert, Aiko Dable, Emma Roffman

  • « Go to Previous Page
  • Page 1
  • Interim pages omitted …
  • Page 3
  • Page 4
  • Page 5
  • Page 6
  • Go to Next Page »

Primary Sidebar

Footer

Cummings Foundation
MA tourism and travel
Mass Cultural Council
Winchester Cultural District
Winchester Cultural Council
The Harry & Fay Burka Foundation
En Ka Society
Winchester Rotary
JGS – Joy of Giving Something Foundation
Griffin Museum of Photography 67 Shore Road, Winchester, Ma 01890
781-729-1158   email us   Map   Purchase Museum Admission   Hours: Tues-Sun Noon-4pm
     
Please read our TERMS and CONDITIONS and PRIVACY POLICY
All Content Copyright © 2025 The Griffin Museum of Photography · Powered by WordPress · Site: Meg Birnbaum & smallfish-design
MENU logo
  • Visit
    • Hours
    • Admission
    • Directions
    • Handicap Accessability
    • FAQs
  • Exhibitions
    • Exhibitions | Current, Upcoming, Archives
    • Calls for Entry
  • Events
    • In Person
    • Virtual
    • Receptions
    • Travel
    • PHOTOBOOK FOCUS
    • Focus Awards
  • Education
    • Programs
    • Professional Development Series
    • Photography Atelier
    • Education Policies
    • NEPR 2025
    • Member Portfolio Reviews
    • Arthur Griffin Photo Archive
    • Griffin State of Mind
  • Join & Give
    • Membership
      • Become a Member
      • Membership Portal
      • Log In
    • Donate
      • Give Now
      • Griffin Futures Fund
      • Leave a Legacy
      • John Chervinsky Emerging Photographer Scholarship
  • About
    • Meet Our Staff
    • Griffin Museum Board of Directors
    • About the Griffin
    • Get in Touch
  • Rent Us
  • Shop
    • Online Store
    • Admission
    • Membership
  • Blog

Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP