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Winchester

Vision(ary)

Posted on May 3, 2025

Vision(ary) 2025
6th Annual Summer Public Art Exhibition

Adam Friedberg • Adair Freeman Rutledge • Aiko Wakao Austin • Andrea Alkalay • Anna Davidson • Betty Young Kim • Camille Nivollet • Carolina Baldomá • Dana Stirling • Donna Bassin • Isabella Kahn • Jennifer Georgescu • Jordan Tovin • Joshua Holz • JP Terlizzi • Hillerbrand+Magsamen • Kevin Hoth • Kristen Joy Emack • Marco Castelli • Mari Saxon • Marky Kauffmann • Michael Dorohovich • Lisa Tang Liu + James Tabor (Alchemy of the Unknowns) • Ngoc-Tran Vu • Ric Pontes • Seokwoo Song • Shawna Gibbs • Shaoyi Zhang • Stephan Jahanshahi • Sungchul Lee • Susan Lirakis • Vicky Stromee • Zuya Yang

Vision(ary) is the Griffin Museum of Photography’s 6th Annual summer public art exhibition dedicated to the art of visual storytelling. This public art installation features over 20 individual exhibitions with distinct photographic styles. Additional banners hung on light standards and sidewalk art installations can be found throughout Winchester’s downtown.

The Town of Winchester plays host to this summer exhibition, with installations throughout Winchester Town Center. Photographers from around New England and across the country are highlighted in a unique format. The exhibition concept and Photo Cube structures are designed by our long time partner, Photoville.

The Griffin Museum is happy to partner with Photoville and the Winchester Cultural District again this year to bring this installation to life.

A downloadable map of the exhibition is here.

We want to thank our partners in bringing this exhibition to the town of Winchester.

Vision(ary) is presented by the Griffin Museum of Photography, with our production partner Photoville. We are grateful for the support of our community partners, Winchester Cultural District, Winchester Cultural Council and the Mass Cultural Council. Thank you to the Town of Winchester, Winchester Chamber of Commerce andThe Winchester Department of Public Works. The exhibition is generously supported by The EnKa Society, Winchester Savings Bank, Digital Silver Imaging and we are pleased to work with The Winchester News as our press partner.


FEATURED PROJECTS

Adam Friedberg: Trees of New York

Adam Friedberg is a New York City-based architectural, environmental, and portrait photographer, primarily working in large-format, black-and-white, and color traditional materials. His work has been featured in The New York Times Magazine, Vanity Fair, Metropolis, Wallpaper, Scientific American, The New Yorker, The Wall Street Journal Magazine, Dwell, and Vogue.

  • ©Adam Friedberg
  • ©Adam Friedberg

Adair Freeman Rutledge: The Royals

Adair Freeman Rutledge is a photographic artist whose work questions enduring traditions and underscores tensions between cultural practices and modern realities. Through a curious and feminist lens, she examines how American customs influence expectations for our youth, shape gender roles, and impact racial stereotypes. Adair is the recipient of awards including the Seattle Art Museum’s Betty Bowen Award (finalist) and the 2024 Do Good Fund Fellowship. She currently teaches at Cornish College of the Arts and PCNW in Seattle, WA.

  • ©Adair Freeman Rutledge
  • ©Adair Freeman Rutledge
  • ©Adair Freeman Rutledge

Aiko Wakao Austin: What We Inherit

Aiko Wakao Austin is a Japanese photographer in New York. Born in Tokyo, she spent her childhood in Italy and studied at Brown University. She began working in Japan as a journalist, and later in finance.

She moved to New York in 2016 and began photographing full-time. Reflecting her multicultural upbringing, her projects explore the concept of identity and culture. Her work has been selected for the Julia Margaret Cameron Award in 2023 and 2024.

  • ©Aiko Wakao Austin
  • ©Aiko Wakao Austin
  • ©Aiko Wakao Austin

Andrea Alkalay: Unearth

Argentine visual artist and Industrial Designer, trained in art photography with a focus on experimental processes. In 2024, exhibitions include Bienal Sur, Recoleta and CCK Cultural Centers, the Museum of San Juan, and The Larreta Museum. Internationally, their work has been featured at Hafez Gallery in Riyadh, the RAK Art Festival in the UAE, the Kranj Festival and Park Pecno Gallery in Slovenia (2023/24), and the DongGang Museum of Photography.

Recipient of a 2022 grant from the Saudi Ministry of Culture and winner of The Kingdom Photography Award. Other accolades include 1st place in the Latin American Professional Award (2021 WPO), finalist at the Head On Photo Festival, and winner of the Light Festival Portfolio Award in Argentina.

Publications include Aesthetica Magazine, Lenscratch, Fresh Eyes, and PHMuseum.

  • ©Andrea Alkalay
  • ©Andrea Alkalay
  • ©Andrea Alkalay

Anna Mia Davidson: American Muslim

Anna Mia Davidson is an award-winning photographic artist whose work focuses on environmental and social justice issues. In her childhood home darkroom, she learned to master the fine art of photography from her photographer father. Her early years were surrounded by the powerful photographic medium that she adopted as her tool for social change.

She believes in the power of images to influence, inspire, and impact the way we see the world. Her work is informed by the issues of our times. As a Jewish female artist, she feels a strong sense of moral responsibility to shed light on humanity and build bridges cross-culturally.

She fosters project allies within communities she photographs, deepening the perspective within her work, helping change the narrative, and increasing representation for communities often left out of the artistic foreground.

She has two published books: Cuba Black And White (Steidl) and Human Nature: Sustainable Farming in the Pacific Northwest (Minor Matters). She has exhibited work worldwide at Mucem Museum, Marseille, France; Leica Gallery, LA; Howard Greenberg Gallery, NYC; and has exhibited public art installations in New York, Seattle, England, and Thailand.

Commissioned works include projects for Aperture, USA Television Network, and FotoDocument. She has received awards including two International Photography (IPA) awards and the British Journal of Photography Portrait of Humanity People’s Choice Award.

Her work is part of the Zoelner Art Center and City of Seattle’s permanent collections. She was selected and served as the 2016 Arts Envoy under the Obama Administration.

  • ©Anna Mia Davidson

Betty Kim: Film Scrolls

Betty Kim is a lens-based artist who uses self-portraiture, archival materials, pop culture, and both fiction and non-fiction sources to create her work. She earned her B.A. in Government from the University of Texas at Austin, her M.A. in Security Policy Studies from George Washington University, and her M.F.A. in Visual Arts from the University of Chicago.

  • ©Betty Kim
  • ©Betty Kim
  • ©Betty Kim

Camille Nivollet: A Time Without School

Independent photographer, Camille Nivollet graduated from the Art School of Bourges in 2016, and four years later, she completed a documentary photography program at EMI-CFD under the guidance of Julien Daniel and Guillaume Herbaut.

Following this training, she co-founded the collective Hors Format in 2020. Alongside her social reportage work for the press (Bayard, Liberation, Le Monde, etc.), Camille developed a specific interest in long-term projects on social issues and alternative lifestyles, following the tradition of author-driven documentary.

  • ©Camille Nivollet
  • ©Camille Nivollet
  • ©Camille Nivollet

Carolina Baldomá:

Carolina Baldomá is an artist specialized in photography who lives and produces her work immersed in her natural environment, in the Argentinian Pampas. She explores the relationship between nature and humans through the concepts of coexistence and synchronicity between them.

Her projects are centered on the alchemical experimentation of various photographic mediums, revisiting the history of photography in an empirical way.

In 2023, she was preselected for the Fresh contest by Klompching Gallery in New York and was a finalist for the Lens School Scholarship in Madrid. She received mentions in international competitions such as Emerging Talents Awards 2024 and 2023, Critics Choice 2024, 2023, and 2022, and Portrait Awards 2023 by Lensculture.

She has held various solo exhibitions in Argentina and Uruguay and has participated in group shows in New York, Paris, Athens, Berlin, Vermont, and Melbourne. Her projects have been published in photobooks and in various specialized photography publications.

She is currently pursuing a Master’s degree in Curatorial Studies of Contemporary Art in Buenos Aires, Argentina.

  • ©Carolina Baldomá
  • ©Carolina Baldomá
  • ©Carolina Baldomá

Dana Stirling: Why Am I Sad

Dana Stirling is a fine art photographer and Co-Founder & Editor of Float Photo Magazine. Based in Queens, NY, she holds an MFA from SVA (2016) and a BA from Hadassah College (2013).

Her work has been exhibited internationally at Candela Books + Gallery, Panopticon Gallery, and Saatchi Gallery, among others. Featured in publications like Hyperallergic, LensCulture, and Buzzfeed, Dana’s work explores memory, identity, and personal narratives.

  • ©Dana Stirling
  • ©Dana Stirling
  • ©Dana Stirling

Donna Bassin: Portraits of a Precarious Planet

  • ©Donna Bassin
  • ©Donna Bassin
  • ©Donna Bassin

Isabella Kahn: 32 Years Later

Isabella Kahn is a lens-based artist born in China and living in Philadelphia, PA. Isabella has shown her work nationally and internationally, in cities including Philadelphia, New York, Boston, and London.

Select group exhibitions include Momentary Visions at The Print Center and Alternatives 2025: Image as Record at Ohio University. Her work can be found in the permanent collection of the International Center of Photography.

  • ©Isabella Kahn
  • ©Isabella Kahn

Jennifer Georgescu: I Know All The Songs by Heart

Jennifer Georgescu is a US-born visual artist living in Basel, Switzerland. Her self-reflective projects focus on the power of language, relationships, mythologies, and control. She is a three-time finalist for Critical Mass, Photolucida, a recipient of the John Chervinsky Scholarship awarded through the Griffin Museum of Photography, and a two-time William Male Foundation Grant recipient. Georgescu’s work has been exhibited in the Athens Photo Festival, Blue Sky Gallery, Startup Art Fair LA, The Oceanside Museum of Art, the Fort Wayne Museum of Art, and the Center for Fine Art Photography. Recent publications include FRAMES Magazine, Humble Arts Foundation, Lenscratch, ArtDoc Magazine, Float Magazine, Too Tired, and the Missouri Review.

  • ©Jennifer Georgescu
  • ©Jennifer Georgescu
  • ©Jennifer Georgescu

Jordan Tovin: More Than Just Frybread

Jordan Tovin is a documentary photojournalist (b. 2004, Atlanta, GA) pursuing a BFA in photojournalism at the Corcoran School of Art and Design in Washington, D.C.

His work focuses on everyday experiences that reveal the dynamic and nuanced intersection of history, community, and culture through long-term visual narratives.

Tovin publishes these projects with the goal of making them accessible and affordable while also giving them the space and depth they deserve.

  • ©Jordan Tovin
  • ©Jordan Tovin
  • ©Jordan Tovin

Joshua Holz: Poetic Shock

Joshua Holz is a photographer filmmaker from New York. As a director, his films have received nominations at Oscars and Canadian Screen Awards qualifying film festivals.

Developing a love of faces from filmmaking, he continued an analog film practice in 2024 with a twin-lens reflex 120 camera.

Seeing the world through a waist-level viewfinder radicalized his visual process, photographing family, pets, and memories to re-concept the idea of ‘home’.

  • ©Joshua Holz
  • ©Joshua Holz

JP Terlizzi: The Keeper’s Oath

JP Terlizzi is a New York City metro-based photographer whose contemporary practice explores themes of memory, relationship, and identity. His images are rooted in the personal and heavily influenced by the notion of home, legacy, and family.

He is curious about how the past relates to and intersects with the present and how the present enlivens the past, shaping one’s identity.

  • ©JP Telrizzi
  • ©JP Telrizzi
  • ©JP Telrizzi

Kevin Hoth: The Fifth Channel

Kevin Hoth is an artist, father, and educator based in Boulder, Colorado. He has taught university courses in photography, digital media and graphic design at numerous universities for over twenty years and has taught at the University of Colorado Boulder since 2011. Hoth’s work has been exhibited nationally and internationally at The Houston Center for Photography, The Boulder Museum of Contemporary Art, The Center for Fine Art Photography, The Institute of Photographic Studies of Catalonia in Barcelona, Colorado Photographic Arts Center, The Photographic Center Northwest, The Center for Creative Photography, and The Rhode Island Center for Photography. Recent awards include Top 200 Critical Mass 2019, Center For Fine Art Photography Center Forward 2024, and top ten finalist for the 2018 Clarence John Laughlin Award. Hoth received his Masters of Fine Art in Photography at the University of Washington, Seattle with a focus in Video Installation. He lives on the outskirts of Boulder, Colorado and regularly gets woken up by coyote howls, owl hoots and horse whinnies.

Kevin is represented by Walker Fine Art in Denver, Colorado.

  • ©Kevin Hoth
  • ©Kevin Hoth
  • ©Kevin Hoth

Kristen Joy Emack: Book of Saints

Kristen Joy Emack is a 2022 Guggenheim Fellow, a MacDowell Fellow, a Saint Botolph Fellow, and a Massachusetts Cultural Arts Fellow. Her work has been shown nationally and internationally, in galleries and photo festivals, and has been published in magazines including Vogue Italia, National Geographic, OATH, and The Horn Book.

She has lectured at multiple universities including Harvard, Hofstra, Curry, and Boston University. Her work is in private collections and institutions in the US, Europe, and Africa. Her first photo book, Cousins, was published in 2023 by LARTIERE.

  • ©Kristen Joy Emack
  • ©Kristen Joy Emack
  • ©Kristen Joy Emack

Marco Castelli: A Micro Odyssey

Marco Castelli (b. 1991) lives and works in Bologna, Italy. Both his personal and documentary research move through a deep interest in human environment and life, looking for different approaches to visual art, digital communication, and creative storytelling.

His works have been awarded, published, and displayed internationally.

  • ©Marco Castelli
  • ©Marco Castelli
  • ©Marco Castelli

Mari Saxon: Untold Fairytale

Mari Saxon is a conceptual photographer, focusing on human diversity. Work explores unconventional beauty through conceptual and surreal portraits. Born in Moscow, now residing in Boston, US. Architect by education. She is a finalist of international contests including Critical Mass award (USA), International Photography Award by Lucie Foundation (USA), Hamdan International Photography Award (UAE), URBAN Photo Awards (Italy), Fine Art Photography Awards (UK), Hamburg Portfolio Review (DE), Belfast Photo Festival (UK), Phodar Biennial (Bulgaria).

  • ©Mari Saxon
  • ©Mari Saxon
  • ©Mari Saxon

Marky Kauffmann:  The Celestial Project

Marky Kauffmann is a graduate of Boston University and the New England School of Photography.  She has been working as a fine art photographer, educator, and curator for more than thirty years.  She is the recipient of numerous awards, including two Massachusetts Cultural Council Artist Fellowship Finalist grants.  Most recently, she won First Place in Soho Photo Gallery’s National Alternative Processes Competition, and was a finalist in the 7th Edition Julia Margaret Cameron Worldwide Gala Awards in three categories, including fine art, portraiture, and landscapes photography.  Last summer, Kauffmann garnered an Honorable Mention in the Danforth Museum’s Art Annual Competition, juried by curator Jessica Roscio, and was part of Photolucida’s Critical Mass Top 200.

  • ©Marky Kauffmann
  • ©Marky Kauffmann
  • ©Marky Kauffmann

Michael Dorohovich: Unique Families of the Roma Community of Keldelari

Michael Dorohovich is a portrait and documentary photographer, born in 1978 in Transcarpathia, Ukraine, in the small town of Uzhgorod.

Winner of the MONOVISIONS Black & White Photography Awards 2023 (single) award. He holds a master’s degree in photography from the Kyiv University of Culture and is a teacher of audiovisual art at the Uzhgorod Academy of Culture and Arts.

Winner and prize-winner of many prestigious world awards in the field of photography. His works have received international recognition and have been exhibited in museums and galleries in Japan, India, North America, and many European countries.

  • ©Michael Dorohovich
  • ©Michael Dorohovich
  • ©Michael Dorohovich

Lisa Tang Liu + James Tabor (Alchemy of the Unknowns)

Lisa Tang Liu is an interdisciplinary visual artist working in photography, collage, and painting. As a naturalized U.S. citizen raised in a working-class immigrant family, she ponders the tension between belonging and alienation, as well as the meaning of being “American”. Her conceptual work examines our interconnectedness with each other and all living things.  Lisa earned a BA from Wellesley College and studied at the New England School of Photography.  Lisa’s work has been shown in Massachusetts, Vermont, Virginia, New York, Arizona, Texas, and California, and is held in several private collections.  She lives with her husband Ken and their two daughters in Massachusetts.

Born on the banks of the mighty Salt River in the Sonoran desert, James David Tabor has lived as a spoken word artist, welder, bronze smith and photographer. Through his photography, he observes the extraordinary in the ordinary around him. He has been exhibiting his work in Arizona, Massachusetts, Vermont, Virginia, Texas, and California. David resides in Phoenix, Arizona with his wife Sue and their dog Stout.

  • ©Lisa Tang Liu + James Tabor
  • ©Lisa Tang Liu + James Tabor

Ric Pontes

More information soon.

Tran Vu-Ngoc: Journey

Ngoc-Tran Vu (she/her) is a 1.5-generation Vietnamese-American multimedia artist and organizer whose socially engaged practice bridges visual storytelling and community empowerment. Working across painting, sculpture, and installation, she explores themes of diaspora, memory, and social justice. Based in Boston’s Dorchester community, Tran collaborates with local and national organizations to create public art that fosters intergenerational dialogue and healing.

  • ©Tran Vu-Ngoc
  • ©Tran Vu-Ngoc
  • ©Tran Vu-Ngoc

Seokwoo Song: <Wandering, Wondering>

Seokwoo Song graduated from B.F.A in Department of Photography and Media, Daegu Arts University and graduated master’s degree M.F.A in Department of Photographic Design, Hongik University Graduate School of Industrial Arts. He is graduated master’s degree M.F.A in Department of Fine Arts, School of Visual Arts, Korea National University of Arts.

Main solo exhibitions include 《The Fourth Wall》, 《Floating Motions》 and he took part in a number of group exhibitions including Daegu Photo Biennale, KYOTOGRAPHIE, Singapore International Photography Festival, and The National Museum of Finland, Museum Centre Ploshchad Mira, Cheonan Museum of Art, DongGang Museum of Photography, Donuimun Museum, ArtSpace3, WESS and others.

Main awards include receiving KYOTOGRAPHIE KG+ SELECT (2023), CRITICAL MASS TOP50 (2022), selected as an excellent portfolio in the 6th Busan International Photo Festival Portfolio Review (2022), Winner of the 18th Photography Criticism Awards (2021) and others. His works are housed in Photographic Center Northwest, Museum Centre Ploshchad Mira, DECK Contemporary Art Photography Centre, and others. He has been selected as an artist-in-residence at National Museum of Modern and Contemporary Art (MMCA) Residency Goyang in 2025.

  • ©Seokwoo Song
  • ©Seokwoo Song
  • ©Seokwoo Song

Shawna Gibbs: My Summer With Optimus Prime

Shawna Gibbs is a contemporary photographer and conceptual artist based in New Hampshire. She is well known for documenting the lives of her family and friends, including the well-received series, Movie Night and My Summer with Optimus Prime.

Her work has been published in several publications including Communication Arts Photography Annual, PDN Photo Annual, and American Photography. She has had her work exhibited nationally and internationally at more than fifty venues, including the Institute for Contemporary Art/Boston, Boston Biennial, Los Angeles Center of Photography, Northeastern Illinois University, Currier Museum of Art, Minneapolis Photo Center, CICA Museum (Seoul), and Cape Cod Museum.

Gibbs’ work can also be seen on several prominent websites including Der Greif, Fraction Magazine, Lenscratch, and All About Photo.

  • ©Shawna Gibbs
  • ©Shawna Gibbs
  • ©Shawna Gibbs

Shaoyi Zhang: Passing Merchants

Shaoyi Zhang, an award-winning portrait photographer, captures human experiences with a focus on underrepresented communities. Using photography to address social and economic issues, he blends strobe and ambient light to create striking, thought-provoking images. His work documents challenges, raises awareness, and inspires change, aiming to foster a deeper understanding of his subjects and their stories.

  • ©Shaoyi Yang
  • ©Shaoyi Yang
  • ©Shaoyi Yang

Stephan Jahanshahi: Nation of Desire

Stephan Reza Jahanshahi-Ghajar is an Iranian American photographer based in Los Angeles. A graduate of the MFA Photo, Video and Related Media program at SVA, he uses photography to examine how community, environment, and narrative shape experience and identity.

Stephan’s practice has explored the poetics of climate change above the Arctic Circle, the bonding experience of sport as a means of transcending divisions of race, class, and orientation in North America, and the experiences of the Iranian diaspora.

  • ©Stephan Jahanshahi
  • ©Stephan Jahanshahi
  • ©Stephan Jahanshahi

Sungchul Lee

Sungchul Lee has worked for seven years as a photojournalist and two years as a military photographer. He uses photography, installation, and performance to unravel the trauma he experienced as a photojournalist.

  • ©Sungchul Lee
  • ©Sungchul Lee
  • ©Sungchul Lee

Susan Lirakis

I began making photographs when I was six years old, after receiving a camera as a baptism gift from my godparents. Though the particular camera that I hold in my hands has changed over the years, it has rarely left them.

I make photographs in an attempt to make sense of the world, and to create. For me, it is a sacred act—a process of discovery and expression.

  • ©Susan Lirakis
  • ©Susan Lirakis
  • ©Susan Lirakis

Vicky Stromee

More information soon.

Zuya Yang: Mimicking Nature

Zuya Yang is a lens-based artist based in Brooklyn, New York. Her practice observes the impacts of human actions through connection with the natural and cultural landscape. Using photography and multi-media installation, Yang captures and uses aesthetics as a clue to tackle the invisible and fleeting nuances of everyday life that show the system’s abnormalities. She holds a BFA in Photography from the Rhode Island School of Design.

  • ©Zuya Yang
  • ©Zuya Yang
  • ©Zuya Yang

Hillerbrand+Magsamen

Hillerbrand+Magsamen are a collaborative artist duo creating video, photography, and installation works that blend humor, tension, and domestic life. Their experimental practice explores the boundaries of family and culture, with work shown internationally and supported by grants, residencies, and institutions including the Ann Arbor Film Festival and Grand Rapids Art Museum.

  • ©Hillerbrand+Magsamen
  • ©Hillerbrand+Magsamen
  • ©Hillerbrand+Magsamen

Our Town 2025

Posted on May 2, 2025

The Griffin is celebrating the beauty of Winchester in Summer of 2025.

As part of our summer public art project, Vision(ary), Our Town will be located on the grounds of the Winchester Town Common. We are excited to see the vision of the Winchester community including hobbyists using a phone camera as well as photographers both amateur and professional of any age taking us on a visual journey, documenting the people, places, and moments that define our town.

From the local businesses and street corners, along the Riverwalk and bike pathway every part of the town holds a story waiting to be told. Through candid portraits, scenic landscapes, and snapshots of everyday life, the Our Town project aims to create a vibrant tapestry of images that reflect the diverse spirit of our town.

The initiative not only celebrates the beauty of our surroundings but also fosters a deeper connection among neighbors. In our third year presenting this collection of images we are building a collective memory, preserving the unique character of our town for generations to come.

We invited the residents of Winchester to discover the extraordinary moments within the ordinary spaces we call home.

Thank you to all of our participating artists – Jenna Brown, Justin Cole, Hilda Wong Doo, David Feigenbaum, Trish Gannon, Joyce Maxwell, Georgia McGuire, Mario Moreira and Christina Rose

Combining landscapes, still-lifes, portraiture, and more, Our Town invites you to witness individual moments woven into a broader community narrative of Winchester.

Our Town is made possible by the generous support of our sponsors: The Griffin Exhibitions Committee, Griffin Directors Circle Patrons and The Winchester Cultural District. We are also grateful for the support of the En Ka Society, Winchester Savings Bank, Winchester Rotary and Winchester Cultural Council.

  • MCC-CD-logo-Winchester

  • Winchester Cultural Council Logo

    Winchester Cultural Council

  • winchester rotary

Jill Enfield | Glasshouse of New Americans

Posted on May 2, 2025

The Griffin Museum is pleased to present on our Griffin Rotary Terrace Jill Enfield’s powerful installation, Glasshouse of New Americans.

“…this ever-evolving diversity challenges the idea of a single dominant vision of the American identity, encouraging Americans to embrace inclusion and pluralism.” – Ellis Island Museum.

Titled “The New Americans,” this physical display explores heritage, genealogy, and homeland.

Artist Jill Enfield remarks on her project – My personal connection to immigration, with my paternal relatives fleeing Frankfurt, Germany, in 1939, inspired a project honoring immigrants’ integral role in society and acknowledging the challenges they continue to face to this day. Combining 19th century wet collodion ambrotypes with digital scanning and 21st -century printing, I sought to merge traditional and digital photographic practices. The distressed exterior window frames forming the glasshouse were sourced from abandoned side roads, flea markets, and construction sights, symbolizing the precarious nature of immigration that still exists today.

The wet collodion process references the technique used to document immigrants passing through Ellis Island in the 1800’s. By blending historical and contemporary elements, I aimed to created portraits reflecting both the historic technique and the present-day reality of immigration.

Photography, reliant on the interplay of time and light, becomes a narrative journey during the prolonged exposures required by the wet collodion process. The resulting stillness allows the viewer to step into the photographer’s and the subjects’ shared experience, capturing the far-reaching heritage and stories encoded in each subject’s eyes. Once assembled, the glasshouse becomes an interactive experience. Visitors can walk around and through it, casting shadows that add a dynamic element to the portraits. The glasshouse serves as a metaphor for the diversity that makes up our country – each panel contributing to its strength. If you removed one panel, the house would fall.

The phrase “Those in glass houses should not throw stones” gains poignant meaning as viewers gaze into the eyes of the New Americans, realizing that we are all immigrants. This understanding of heritage and history is crucial for fostering a more empathetic and compassionate future.

31st Annual Juried Members Exhibition

Posted on May 1, 2025

We are thrilled to announce the artists of the 31st Annual Juried Members Exhibition.

After selecting 65 images from almost 1500, from over 300 artists submitted, we are pleased to announce the members who will be featured on the walls of the Griffin Museum this summer.

Stephen Albair, Julia Arstorp, Robert David Atkinson, Robin Bailey, Diana Bloomfield, Sally Chapman, Diana Cheren Nygren, Julia Cluett, Donna Cooper, Donna Dangott, Sandi Daniel, Adrienne Defendi, Becky Field, Preston Gannaway, Steve Goldband & Ellen Konar, Donna Gordon, Joe Greene, Jackie Heitchue, Judi Iranyi, Susan Isaacson, Marky Kauffmann, Susan Keiser, Lali Khalid, Karen Klinedinst, Brian Kosoff, Alison Lake, Jeff Larason, Phil Lewenthal, Susan Lirakis, Landry Major, Fruma Markowitz, Cheryl Medow, Carolyn Monastra, Judith Montminy, C.E. Morse, Jim Nickelson, Charlotte Niel, David Oxton, Allison Plass, Robin Radin, Mary Reeve, Astrid Reischwitz, Nancy Roberts, Lee Rogers, Gail Samuelson, Gordon Saperia, Jeff Sass, Mari Saxon, Jeff Schewe, Li Shen, Anastasia Sierra, Frank Siteman, Stephanie Slate, Cynthia Smith, Janet Smith, Vanessa R. Thompson, Vaune Trachtman, Leanne S. Trivett, Leslie Twitchell, Terri Unger, Alan Wagner, Anne Walker, Suzanne Theodora White, Thomas Winter, Torrance York, Michael Young and Yelena Zhavoronkova

Announcements about award winners will be made in July. Join is for the opening reception on July 11th from 6 to 8pm. Our juror will be in attendance.

Thank you to Ann Jastrab from Center for Photographic Art, Carmel for a beautiful exhibition.

Ann M. Jastrab is the Executive Director at the Center for Photographic Art (CPA) in Carmel, California. CPA strives to advance photography through education, exhibition and publication. These regional traditions — including mastery of craft, the concept of mentorship, and dedication to the photographic arts — evolved out of CPA’s predecessor, the renowned Friends of Photography established in 1967. While respecting these West Coast traditions, CPA is also at the vanguard of the future of photographic imagery. Before coming onboard at CPA, Ann worked as the gallery director at RayKo Photo Center and the gallery manager at Scott Nichols Gallery, both in San Francisco.

Alina Saranti | Far From

Posted on May 1, 2025

The Griffin is pleased to present the work of Alina Saranti as part of our celebration of our member artists. Ms. Saranti was included in our 30th Annual Juried Members exhibition, winning the Directors Prize.

In my project “Far From” I want to make visible what landscape photography can look like for a female photographer with child rearing responsibilities.  I combine landscape photographs of the American West with embroidery to challenge the masculinity of traditional landscape photography and the myth of the West. Landscape photography was traditionally dominated by male photographers as it was deemed unsafe and impractical for women who were constrained to the domestic sphere, close to their housekeeping and child rearing duties. The myths of the American West, its rugged, open, wild landscape have also been closely associated with macho masculinity, the idea of the independent, tough man, ready to draw on his weapon, to conquer and defend the land. Landscape photography also contributed to the history of conquest of the West with its role in surveying and controlling.

Embroidery, on the other hand, has been traditionally labelled as women’s work. It has been seen as something that women can do within the safety of the home, producing artifacts to decorate its interior, keeping them out of harm’s way and out of trouble, compatible with their domestic duties and especially child rearing as it can be put aside and resumed at will. Landscape photography was deemed too far, too dangerous, too incompatible with being a woman.

Things have changed and landscape photography is open to female photographers now. Or is it? I made the black and white landscape photographs used in this project at the fringes of family trips. I embroidered them in the safety of my home, between school drops offs and pickups, kids’ illnesses, and school holidays, often with children in the same room, the work repeatedly interrupted and resumed. I am drawing on the history of embroidery as both a symbol of female submission and a weapon of resistance for women, and overlaying that to the masculinity of landscape photography and the American West. Stitching usually has to do with mending or embellishing; my marks are the feminine overlaying the masculine, they are imposing on it, cracking it open, splitting it apart, growing into it.

About Alina Saranti –

Alina Saranti is a Greek photographic artist currently living in Los Angeles, having also lived in the UK and Turkey. Her work begins autobiographically and explores the synergies and tensions between text and image, the physical alteration of the photographic print, as well as themes of motherhood, place, our inner and outer landscapes, the personal and political.

After a ten-year career in journalism in Athens and London, writing mainly about international politics, she has shifted her focus to telling stories through photographic projects. Saranti received a BA in Philosophy, Politics and Economics from St Edmund Hall, University of Oxford, an MSc in International Relations from London School of Economics, and an MA in Photojournalism and Documentary Photography from London College of Communication, University of the Arts London (Distinction).

Saranti has won Director’s Prize at the Griffin Museum’s Annual Juried Members Exhibition, Honorable Mention at the Julia Margaret Cameron Award and at the Los Angeles Center of Photography’s Annual Members Exhibition. She has exhibited in galleries and museums in Athens, Barcelona, Boston, Calgary and New York. Her work has been featured in numerous publications including The Boston Globe, Opt West, Aesthetica Magazine, Source, Black River Magazine, Global Zoo Zine, and the Imagined Landscape Journal.

Francisco Gonzalez Camacho | Reverting

Posted on May 1, 2025

We are pleased to present the solo exhibition of Griffin artist member Francisco Gonzalez Camacho. Selected for an exhibition prize during our 30th Annual Juried Members Exhibition by Director Crista Dix, Camacho’s works are visual, emotional moments, finding calm among the landscape. We are pleased to showcase his series of works during our celebration of our creative community this summer.

Reverting –

Reverting reflects upon the profound material connection between the landscape and image-making, exploring environmental issues and the objectification of nature in Iceland.

Developed in Reykjavík with the SIM artist-in-residence program, this project merges photography and printmaking through material experimentation, seeking alternative ways to engage with the landscape.

Issues like gentrification, waste, and environmental degradation, largely driven by tourism, challenge the idealized image of Iceland’s natural beauty. During my stay, I photographed highly visited natural locations, which I reinterpreted in combination with the creation of my own handmade recycled paper from waste.

This exploration mirrors the transformative process of manifesting something from the void —a form of alchemy of waste— with the delicate equilibrium of our environment, and the perpetual cycle it follows.

About Francisco Gonzalez Camacho –

Francisco Gonzalez Camacho (b. 1990) is a Spanish visual artist based in Finland.

Gonzalez Camacho’s work presents a process-based approach interweaving photography and graphic printing methods. His practice is a result of intuitive exploration centered around themes such as materiality, immigration and the connectedness between landscape and self.

Tony Loreti | Illuminating The Archive

Posted on April 30, 2025

As a photographer I have had a lifelong desire to record the daily life around me. This has principally been in Boston and Cambridge. Like the Boston painter Allan Rohan Crite, I have thought of myself as an artist-reporter, motivated to clearly detail what life looked like in this place at this particular time. I have been drawn to the everyday, to ordinary people going about their lives. To me there is wonder in small things . 

I’ve often wished that photography had existed in distant times – say, in colonial Boston or medieval Europe or ancient Greece – to have a record of everyday life in those eras. Looking at the archive of Arthur Griffin was a real pleasure because it spoke to this interest of mine in the recorded past – even if only decades before my own life. In fact, what made researching his work particularly interesting to me was that the city he captured was at once both so similar and so different from the city I have photographed. (Almost every photograph I chose from the Griffin archive was made in Boston). I found that we often photographed people doing the same things, such as looking at books for sale on a sidewalk, hovering over a car engine, waiting on benches in a train station. And often our subjects were photographed in the same location – North Station, the L Street Bathhouse, the Bunker Hill Memorial – even, at times, framed from almost the exact same spot, decades apart. This caused me to reflect on the evolution of a city; what continues, carries on over the years, and what changes, what is new. There are physical and social aspects of Boston in Griffin’s pictures that are remarkably the same as in mine. But there are also differences – in what has changed in the built environment, in the mix of people who make up the city, and in the city’s changing culture. To continue observing and to continue challenging yourself to make a well-framed image of an expressive human moment in this evolving world – like Arthur Griffin did so successfully – is forever satisfying.

About Tony Loreti

Tony Loreti is a Boston-based photographer and photography educator. Born in Beverly, MA, he earned a Bachelor of Science degree in Filmmaking from Boston University and a Master of Fine Arts degree in Photography from the Massachusetts College of Art and Design.

Tony recently retired after teaching photography for twenty-five years at the Cambridge School of Weston. His personal photography has been selected for many juried exhibitions and is in both private and public collections.  A significant portfolio of his street photography work has been purchased for the collection of the Print Department of the Boston Public Library, and the Cambridge Public Library has also acquired a large number of prints.

Tony continues to work with film and traditional printing in his personal photography. He is deeply committed to the older form of the medium, particularly because of its tangible nature and the look and feel of gelatin silver prints.

Photosynthesis XX

Posted on March 12, 2025

Photosynthesis XX is a collaboration between Burlington High School and Winchester High School facilitated by the Griffin Museum of Photography.

Join us on April 3, 5:30 – 7:30pm for an Artist Reception to celebrate these talented students’ works and meet their instructors and supporters.

This 5-month program connects students with each other and with professional photographers, artists, and curators. Using photography as a visual language, students increase their vocabulary to communicate about themselves and the world around them. Interacting with fellow students from different programs, backgrounds, and schools, the students create a capsule of who they are in this moment, learning from each other to create a united exhibition showcasing all they have learned during the program.

Winchester High School

Isabella Bogovich | Mason Lieberman
Ainsley Porter | Maddie Shonkoff | Bowdie Simpson

© Bowden Simpson
© Bowden Simpson
© Maddie Shonkof
© Maddie Shonkof
© Mason Lieberman
© Mason Lieberman
© Isabella Bogovich
© Isabella Bogovich
© Ainsley Porter
© Ainsley Porter

Burlington High School

Sean Cox | Mackenzie Goldsmith | Taylor Papagno | Emanick Carrasquillo | Olivia Floyd | Maddie Spreadbury | Jillian Noke | Nora McDowell | Naya Ulysse | Grayson Reidy | Alessia Pedruzzi | Emersyn Kirchner

© Naya Ulysse
© Maddie Spreadbury
© Grayson Reidy
© Alessia Pedruzzi
© Taylor Papagno
© Jillian Noke
© Nora McDowell
© Emersyn Kirchner
© Mackenzie Goldsmith
© Olivia Floyd
© Sean Cox
© Carrasquillo Emanick

New Horizons: Korean Contemporary Photography

Posted on February 23, 2025

The New Horizons: Korean Contemporary Photography exhibition will introduce the creative and diverse works of established Korean photographers to American audiences.

Curated by Joanne Junga Yang, this exhibition in our Main Gallery showcases the captivating works of seven contemporary Korean photographers: Ok Hyun Ahn, Seongyoun Koo, Anna Lim, Soosik Lim, Hyundoo Park, Jiyeon Sung and Sun Hi Zo, Their diverse portfolios delve into the intricate tapestry of human emotions, exploring themes of longing, loss, and the nuanced ways in which individuals navigate their cultural identities.

Read more from Joanne Junga Yang‘s curatorial statement here.

Korean photography has developed through a dynamic balance between documentation and artistic expression, serving as both a means of recording reality and a tool for creative interpretation. While traditional documentary photography has captured social and historical transformations, contemporary photographers explore new possibilities by expanding the boundaries of the medium. Through this evolution, Korean photography has developed a distinct visual language that reflects the ongoing changes in society and culture.

<New Horizons: Korean Contemporary Photography> introduces seven photographers who reinterpret reality through their images, responding to the world around them and creating new narratives. This exhibition highlights how Korean contemporary photography engages with global artistic trends while maintaining its unique perspective. These artists, who have witnessed the transition from analog to digital photography, continue to experiment with the medium’s potential. Their works go beyond simple representation, using photography to question, redefine, and expand how we perceive the world.

Ok Hyun Ahn

Ok Hyun Ahn lives and works in Seoul. She earned her MFA in Photography, Video, and Related Media, at the School of Visual Arts in New York. She was awarded the Artist in the Marketplace (AIM) Fellowship at the Bronx Museum, New York (2012), and has had residencies in the International Studio & Curatorial Program (ISCP), New York (2010), and the Ssamzie Studio Program, Seoul (2007). Her numerous solo exhibitions include Dictee x Love Poem, Daejeon Museum of Art (2023), Love, Tears, Seduction, Lydmar Hotel, Stockholm (2015), and Homo Sentimentalis, SHOW ROOM, NYC (2013). Her work was presented at 12th Gwangju Biennale, 2018 and others. Her work has been collected by the Seoul Museum of Art, the Museum of Contemporary Art Busan, the Daejeon Museum of Art, and the Photographic Center Northwest, Seattle.

Working primarily in photography and video, she not only explores the complex aspects of human emotions but also exposes the banal layers underneath consciousness to be absurd. 


Jiyeon Sung

Jiyeon Sung is a contemporary photographer known for her staged photography, which reinterprets everyday scenes in a minimalist way using mise-en-scène elements inspired by theater sets. By placing simple yet symbolic objects and figures, her work visualizes the inner world of modern individuals and explores existential questions. The moments she captures are not frozen in death but suspended in continuous time.

After studying French literature in Korea, she earned a Master’s degree in Photography and Contemporary Art from the University of Paris VIII. In 2006, she received the Promising Artist Award from the Korean Cultural Center in France, and in 2016, she was awarded the 14th Daum Artist Award by the Parkgeonhi Foundation in Korea. Her works are included in the collections of the National Museum of Modern and Contemporary Art – Art Bank, Seoul Museum of Art, Busan Museum of Art, Hanmi Museum of Photography, GoEun Museum of Photography, Société Générale Bank in France, and FRAC Haute-Normandie, among others.


Seongyoun Koo

Seongyoun Koo is a South Korean photographer who challenges conventional perceptions of objects through her still-life photography. By placing unexpected materials in unconventional settings or creating compositions that mimic natural forms, she playfully subverts the inherent meanings and values we attach to everyday things. Her major series include Butterflies (2000), Sand (2004), Flower Pots (2005), Popcorn (2007), Candy (2009–), and Sugar (2015–).

Her work explores how simple contextual shifts can radically alter an object’s meaning. In her Flowers and Butterflies series, she demonstrates how a beautiful butterfly, when placed on a bowl of rice instead of a flower, suddenly becomes an inedible insect. This playful yet critical approach continues in Flower Pots, where she stages scenes of ornamental plants invading human spaces, offering a satirical commentary on humanity’s tendency to view nature as something to control and conquer. Koo later transitioned to constructing artificial landscapes by hand, blurring the line between reality and representation. In Popcorn, she uses popped kernels to recreate delicate plum blossoms, emphasizing their fleeting beauty. In Candy, she meticulously crafts peony flowers—symbols of wishes and prosperity—out of colorful sweets, merging themes of desire and impermanence. In Sugar, she molds decorative objects from sugar, allowing them to melt over time, reflecting on the ephemerality of existence and the fragility of value. Her work often plays with material illusion, where ephemeral substances—whether sugar, candy, or popcorn—are transformed into something visually substantial yet fundamentally transient. The melting sugar sculptures, in particular, resonate as a poetic meditation on time, memory, and the impermanence of human constructs.

Seongyoun Koo lives and works in Seoul, South Korea. She holds a B.A. in Indian Philosophy from Dongguk University (1994) and a B.F.A. in Photography from Seoul Institute of the Arts (1997).


Anna Lim

Anna Lim was born and live in Seoul. She graduated MA from California State University, Fullerton in 1996 and received PhD in Art Photography from from Hongik University in Korea in 2019.

She has won the award the 11th ILWOO Photography Award, Seoul (2020), the Arles Photo Portfolio Review Award (2019), Korean Artist Project Artists (2017), SOORIM Photography Cultural Award (2014), Raising Female Artist Award (2013), Sovereign Art Foundation Asia 30 Artists (2012), Public Art 4070 Project Artist of the Year (2012), New York Gallery Korea Young Artist of the Year (1999). Furthermore, she has held 20 individual exhibitions and more than 50 group exhibitions at home and abroad and has been working steadily so far. In the recent series of works, Anxiety; Weight transferred to images (2022), Anxiety ON/OFF (2020), Anxiety rehearsal (2018), Frozen Hero (2017), Reconstruction of Climax (2011), she visualizes a meta-fictional narrative self-reflective perspective on mass media that distributes images of war weapons and other people’s pain as spectacles, and the viewer who consumes them.

She is currently a professor in the Department of Photography and Media at Sangmyung University in Korea.


Soosik Lim

Soosik Lim graduated from Chung-ang University’s Department of Photography and the graduate school of the same university. He expresses various objects that symbolize universal desire using photography through series of works such as Chaekgado (which combined photos of bookshelves with the way in which to create Korean traditional paintings), Picturenary, Mountain, and Room.K. Lim has participated in over 100 group exhibitions and 20 solo exhibitions in many countries, including the U.K., Spain, and Brazil. His works are housed at several museums, such as the Art Bank at Korea’s National Museum of Modern and Contemporary Art and Germany’s Reiner Kunze Museum.



Hyundoo Park

Hyundoo Park studied photography at Chung-Ang University’s College of Arts in the early 2000s and later earned an M.F.A. in Photography and Related Media from the School of Visual Arts in New York. Since then, he has been working on his ongoing series, Goodbye Stranger.

He has received the 8th Park Geon-hi Foundation Next Artist Award and the 1st Surim Cultural Foundation Surim Photography Award. He was also selected for major artist residencies, including the National Museum of Modern and Contemporary Art (MMCA) Goyang Residency, the Seoul Museum of Art (SeMA) Nanji Residency, and the SeMA Exhibition Support Program. Through his work, Park explores the theme of existential alienation in modern society from various perspectives.

In addition to his artistic practice, he has taught photography at Korea National University of Arts, Chung-Ang University, and Hongik University, educating both university students and the general public.


Sun Hi Zo

Sun Hi Zo (b. 1971) explores loss, memory, and transformation through photography.

Her works, including Daisy; Cosmos Mea (2022) and Frozen Gaze (2020~), examine the boundaries of time, impermanence, and presence. Her Planet (2024~) series investigates material and temporal continuity, presenting decay as a continuous cycle of dissolution and renewal. Recently, she has been working on a desert-based project exploring invisibility and traces. Based in Seoul, she works globally and studied at Yonsei and Hongik University.

She is currently a professor at Kyungil University.


This exhibition is made possible by the generous financial support of the Griffin Directors Circle, Griffin Exhibition Committee and Advisory Council. Additional support from the Consulate General of the Republic of Korea and the Korean Cultural Society of Boston.

André Ramos-Woodard | Cummings Fellow

Posted on January 27, 2025

Black Snafu

Anti-Blackness seems inescapably mixed into whatever context I place it into; literature, science, government, health, art… look into any “field” and see for yourself. My people have had to cry, scream, and fight for respect for centuries, and we still have not gained what we deserve. To move past the damage this has done to our society, we can’t simply deny our history—we must recognize it. We must acknowledge the many ways in which this country has perpetuated a racial hierarchy since these lands were first colonized and stripped from indigenous peoples, and Black people were stolen from their native land and brought to America.
In BLACK SNAFU (Situation Niggas: All Fucked Up), I appropriate various depictions of Black people that I find throughout the history of cartooning and juxtapose them with photographs that celebrate and line up more authentically with my Black experience. The photographs I create vary in subject matter; I seek to include celebratory portraits, didactic still lives, and representational documentations of places rich in their relation to Black community, allowing me to fight back against the history of the racist caricature that I reclaim in my work. By combining these ambivalent visual languages, I intend to expose to viewers America’s deplorable connection to anti-Black tropes through pop culture while simultaneously celebrating the reality of what it means to be Black.

About André –

Raised in the Southern states of Tennessee and Texas, André Ramos-Woodard (he/ they) is a photo-based artist who uses their work to emphasize the experiences of marginalized communities while accenting the repercussions of contemporary and historical discrimination.
His art conveys ideas of communal and personal identity, influenced by their direct experience with life as a queer African American. Focusing on Black liberation, queer justice, and the reality of mental health, he aspires for his art to help bring power to the people.
Selected for Foam Museum’s Foam TALENT Award in 2024 and a two-time top-50 Finalist for Photolucida’s Critical Mass (in 2020 and 2023), Ramos-Woodard has shown their work at various institutions across the United States a beyond, including the Foam Museum–The Netherlands, Amsterdam, the Museum of Fine Arts Houston–Houston, Texas, Leon Gallery–Denver, Colorado, and FILTER Photo–Chicago, Illinois. He received his BFA from Lamar University in Beaumont, Texas, and his MFA at The University of New Mexico in Albuquerque, New Mexico.

We are grateful to the Cummings Foundation for their support of the arts and the Griffin Museum. The Cummings Residency program highlights artists of diverse backgrounds and using their specific skill set, work to create a photographically based exhibition as a result of their connection to the Griffin Museum, Winchester and surrounding areas, while engaging in critical dialogues about art and culture with both the youth and adult community they inhabit. Using photography as a bridge to building relationships, the Cummings Fellow creates a series of images opening up the pathways to multicultural understanding and acceptance. The museum and its partners are creating a literacy program centered around imagery, using photography as the tool, working with professional artists to talk about their communities, cultures and new and shared origin stories.

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP