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Griffin Gallery

Joshua White, A Photographic Survey of The American Yard

Posted on May 11, 2015

Joshua White’s photographs are a typological study of the plants, animals, and insects that he come across in his daily life and travels. He captures the images with his iPhone. He says that the phone tool seems fitting, serving as a way to bridge his distracted life and his love of science and nature.

White’s series, A Photographic Survey of the American Yard, is featured in the Griffin Gallery at the Griffin Museum of Photography June 11th through June 29th, 2015. An opening reception will take place on June 11th, 2015 from 7-8:30pm. Joan Fitzsimmons will lead a members’ talk and at 6:15pm before the reception. The talk and reception are free and open to the public.

“I love hearing the cicadas come out in summer, and getting tobacco juice from a grasshopper on my fingers, and catching lightning bugs in a pickle jar,” says White. “The world is full of intricate, remarkable forms,” he says. “We take for granted our place in nature, trading sensitivity to our surroundings for greater productivity and progress.”

Joshua White is an assistant professor in the Studio Art Program at Appalachian State University. He received his BFA from Northern Kentucky University, and an MFA in Photography from Arizona State University. His work explores scientific themes in a poetic way, using sculpture, photography, and mixed media to investigate memory, mortality, ecology, and sustainability. His images have been shown in national venues such as the San Diego Museum of Natural History’s Ordover Gallery and The Huntsville Museum of Art. Recently his work has been featured widely online in publications such as Scientific American, Wired Magazine, Mother Nature Network, and Gizmodo, among others. He lives in works near Boone, NC with his family.

Jeremy Underwood Human Debris

Posted on April 5, 2015

Jeremy Underwood’s photographs are a commentary on what humans leave in the natural landscape. The work aims to challenge viewers to “reflect upon our consumer culture, the relationship we have with our environment and the pervasion of pollution.”

Underwood’s series, Human Debris, is featured in the Griffin Gallery at the Griffin Museum of Photography April 9th through June 5th, 2015. An opening reception will take place on April 9th, 2015 from 7-8:30pm. Jerry Takigawa will lead an artist talk and gallery tour of the Main Gallery exhibition False Food at 6:00pm before the reception. The talk and reception are free and open to the public. The Griffin Museum will be free to all visitors on April 22nd, 2015 in celebration of Earth Day.

“The project spotlights the environmental condition of Houston’s waterways through the building of site-specific sculptures assembled out of harvested debris collected from the beach,” says Underwood, “Each found material lends itself to a new creation, encompassing the former life of the debris into each sculpture. These objects are simply artifacts to support the work, photographed in interaction with the landscape, then left to be discovered.”

By creating photographs of his sculptures, he invites the community to interact with this project on multiple levels. The pieces he creates continue on as public art within the environment that the debris was found; the conversation about consumer culture and waste then continues in the context of a gallery space. According to Underwood,“ My work embodies our complicated relationship with the environment and the contemporary landscape, focusing on the tension between nature and culture shaping these physical spaces.”

Jeremy received his MFA from the University of Houston and BS from the University of Central Missouri in addition to study at the University of Central Lancashire in England. Underwood has been published in Photo District News and named an emerging talent by Lens Culture magazine. He has received a number of grants and fellowships from such institutions as the Society for Photographic Education, the University of Houston and the Cynthia Woods Mitchell Center for the Arts. Recent exhibitions include the Houston Center for Photography, Fotofest and the Philadelphia Photo Arts Center and has been awarded residency at Yaddo. His recent research project entails collaboration with the Colorado Art Ranch, Aldo Leopold Wilderness Research Institute, and the US Fish and Wildlife, exploring wilderness stewardship along Massachusetts’s marine and coastal region.

Photography Atelier 21

Posted on March 5, 2015

Photography Atelier 21 will present an exhibit of student artwork from March 5 through March 29, 2015 at the Griffin Museum of Photography, 67 Shore Road, Winchester, Massachusetts, 01890. Photography Atelier is a course for intermediate and advanced photographers offered by the Griffin Museum of Photography and taught by Meg Birnbaum and course assistant, Amy Rindskopf.

On Thursday, March 5, the public is invited to view the artwork and meet the artists at a reception from 6:00 to 8:00 p.m.

Photography Atelier 21 members include:
Emily Belz: Memory Lines, photographic sequences connecting space, time and memory; Richard Cohen: Ambiguity of Cityspace, restructured images of urban windows shot in downtown Boston; Jennifer Coplon: Discovering Blackstone Square, a Boston South End park; Vicki Diez-Canseco: Shape Shift: A Part of the Whole; Estelle Disch: Phototransformations; David Feigenbaum: The Shadow Knows; Nancy Fulton: Woodland Light; Trelawney Goodell: A Celebration of Norway; Law Hamilton: Atlantic Waves: Grace and Movement; James Hunt: Spirituality and a Sense of Place: The Quabbin Wilderness; Lee Kilpatrick: A Case of You, a portrait of his sister’s last years before her death; Bonnie McCormick: Too Much Rum, pinhole multiple exposure images of the Caribbean; Vicki McKenna: A Sheaf of Stories, a selection of portraits from Italy; Judith Monteferrante: Glass: Realism to Abstraction; Skip Montello: Reflections of a Quarry Wall; Amy Rindskopf: Edible Geometry, a celebration of the growing season; Andrea Rosenthal: Fleeting Glimpses; Tiziana Rozzo: The Childhood of a Family; Dianne Schaefer: The Light You Cannot See, explorations in infrared photography; Elliot Schildkrout: Lost Memories, the abandoned Lincoln Amusement Park of Dartmouth, Mass; Ellen Slotnick, Quondam; Christy Stadelmaier: Arches; Joe Staska: Unsleeping, images from sleepless nights and 36-hour days; Maria Verrier: A True Self; Carol Van Loon: Barns, a journey back to the landscape of her youth after the death of her mother; Nadine Wallack: Shadows and Silhouettes: Nothing is Explained; Catherine Wilcox-Titus: Returned to Life, a series of still-life photographs.

About the class:
Photography Atelier, in its twentieth year, is a unique portfolio-making course for emerging to advanced photographers. In addition to guidance and support in the creation of a body of work, the class prepares artists to market, exhibit and present their work to industry professionals.

Each participant in the Atelier presents a final project in the form of a print portfolio, a photographic book or album, a slide show, or a mixed media presentation. In every Atelier students hang a gallery exhibition and produce work for their own pages on the Atelier website. To see the photography of present and past Atelier students and teachers, please visit:www.photographyatelier.org. Spring 2015 Instructor Meg Birnbaum, will be happy to discuss the Photography Atelier at the reception on March 5th with anyone interested in joining the class.

Kerry Mansfield, Expired

Posted on December 29, 2014

Kerry Mansfield photographs expired library books that “have traveled through many hands, and across county lines until they have reached their final resting place” as a discard and withdrawn from circulation.

Mansfield’s series, Expired, is featured in the Griffin Gallery at the Griffin Museum January 8 through March 1, 2015. An opening reception with the artists takes place on January 10, 7-8:30 p.m. Magdalena Solé has a gallery talk and tour of Mississippi Delta at 4:00 PM. Brandon Thibodeaux has a gallery talk and tour of When Morning Comes at 5 PM. Bryan David Griffith has a members’ talk on his exhibition The Last Bookstores at 6:15 PM. The talks are FREE.

“The first rite of passage upon learning how to write one’s name was to inscribe it on a library check-out card promising the book’s safe journey and return,” says Mansfield. “I remember reading the list of names that had come before me and cradling the feeling that I was a part of this book’s history and it’s shared, communal experience,” she says.
“[The books in Expired] show the evidence of everyone that has touched them, because they were well read, and often well loved,” says Mansfield. “They were not left on shelves, untouched. Now they have a new life, as portraits of the unique shared experience found only in a library book,” she says.

Kerry Mansfield lives in San Francisco, CA. She graduated from UC Berkeley with a degree in photography. She also studied architecture at California College of the Arts. Mansfield has had exhibitions throughout the United States, Europe, and South America. Her work has garnered several national and international awards including the Lens Culture Single Image Award, First Place IPA in the Fine Art Professional Self-Portrait Category, the Worldwide Photography Gala First Place Storyteller Award and a spot on the Shortlist in the Professional Documentary Portrait category for the 2012 World Photography Organization (WPO) Awards. “Expired “was featured on the New York Times Lens Blog in 2013. The Filter Photo Festival in Chicago awarded this exhibition, at the Griffin Museum.

PHOTOGRAPHING PEOPLE Photographs from the Harvey Stein workshop

Posted on December 11, 2014

This exhibition is a direct result of a workshop for the Griffin Museum led by photographer and educator Harvey Stein. The 3-day workshop took place in June 2014 on the streets of Boston. It focused on providing each student knowledge of and experience in photographing people in a variety of ways, including on the street, indoor locations, and in the subject’s environment. The workshop also focused on creating inventive portraits that are personally based and meaningful. Stein juried the images for this exhibition from photographs submitted by workshop participants.

The Griffin Museum will be offering Harvey Stein’s 3-day Photographing People workshop again in June 2015. Watch for details on our website.

Exhibitors include: Meredith Abenaim, Anne Brooks, Marion Cohen, Cynthia Cole, Anna Gemelli, Cathy Higby, Yair Melamed, Barbara Trachtenberg, Minglun Wang and Maria Zugartechea.

Meg Birnbaum, Sisters of the Commonwealth

Posted on September 26, 2014

Meg Birnbaum is a fine art photographer who over the course of three years has followed and photographed the Boston Sisters of Perpetual Indulgence. There are 3000 plus Sisters worldwide with eighteen Sisters, Novices, Postulants and Aspirants in the Boston house on Commonwealth Avenue.

Birnbaum’s series, Sisters of the Commonwealth, is featured in the Griffin Gallery at the Griffin Museum October 14 through December 4, 2014. An opening reception with the artist is October 18, 7-8:30 p.m. Birnbaum will do a gallery talk prior to the opening on October 18th at 6:15 PM

“The Sisters immediately welcomed me and appointed me their photo historian,” says Meg Birnbaum. “I watch as they artfully manifest into “avatars” of social activism with the seemingly simple goal of inspiring acceptance, compassion and the desire to shift intolerant perspectives while raising money, predominately for causes within the LGBT community,” Birnbaum says. “Photographs, and the human stories behind them can be tools for supporting social change. I hope that by sharing my photographs of the Sisters with the public, that I am contributing to and echoing their desire to build a better world.”

“The Sisters of Perpetual Indulgence were formed in San Francisco in 1979 as street theatre in a backlash to bigotry and eventually the Sisters became a support system for the AID’s crisis,” says Paula Tognarelli, executive director of the Griffin Museum of Photography. “Birnbaum’s intimate portraits of the Boston Sisters reveal the giving spirit of the order. They also give voice to their mission that is We love you. We adore you. We respect you. We protect you. We serve you. We are your sisters.”

Meg Birnbaum has had numerous solo exhibitions internationally and her work is held in major museum collections. She teaches in the Photography Atelier at the Griffin Museum and resides in Somerville, Massachusetts. She has recently been “sainted” by the Sisters of Perpetual Indulgence and is called Saint Meg-A-Pixel.

Photography Atelier 20

Posted on September 6, 2014

Photography Atelier 20 will present an exhibit of student artwork from September 11 through October 5, 2014 at the Griffin Museum of Photography, 67 Shore Road, Winchester, Massachusetts 01890. Photography Atelier is a course for intermediate and advanced photographers offered by the Griffin Museum of Photography and taught by Karen Davis and course assistant, Meg Birnbuam.

On Thursday, September 11, the public is invited to view the artwork and meet the artists at a reception from 6:30 to 8:30 p.m.

Photography Atelier 20 members include:
Lora Brody, Bill Davison, Mary Eaton, Miren Etcheverry, Ellen Feldman, Cassandra Goldwater, Ed Grossman, Sunny Gupta, Claudia Gustafson, Ileana Hernandez, David Hiley, Tira Khan, Carol Krauss, Helena Long, Tricia O’Neill, Vivian Pratt, Astrid Reischwitz, Andrea Rosenthal, Glenn Ruga, Joyce Saler, Stephen Shapiro, Pip Shepley, Ellen Slotnick, Joe Turner , Maria Verrier, Cindy Weisbert

About the class:
Photography Atelier, in its twentieth year, is a unique portfolio-making course for emerging to advanced photographers. In addition to guidance and support in the creation of a body of work, the class prepares artists to market, exhibit and present their work to industry professionals.

Each participant in the Atelier presents a final project in the form of a print portfolio, a photographic book or album, a slide show, or a mixed media presentation. In every Atelier students hang a gallery exhibition and produce work for their own pages on the Atelier website. To see the photography of present and past Atelier students and teachers, please visit: www.photographyatelier.org. Fall, 2014 Instructor Meg Birnbaum, will be happy to discuss the Photography Atelier at the reception on September 11 with anyone interested in joining the class.

HER in Founder’s Gallery

Posted on July 15, 2014

Marjorie Salvaterra is a fine art photographer who according to Aline Smithson of Lenscratch “examines the journey of a woman as wife, mother, and person of the world.” Her images reveal “a fine line between sanity and insanity,” according to Virginia Heckart, Associate Curator of Photography at The Getty Center.

Salvaterra’s series, Her, is featured in the Griffin Gallery at the Griffin Museum July 10 through August 31, 2014. An opening reception with the artist is July 10, 7-8:30 p.m.

Ms. Salvaterra says that she takes inspiration from her own life in her photographs. “I try hard to do the best I can in all the roles of my life,” she says. “Sometimes on a certain day or a certain time of day, I am less than successful. My greatest achievement is as wife and mother of two.” She makes her home in Los Angeles, California.

“Marjorie remains for me a compelling new photographer,” says Kathleen Clark of the Eyeist. “She is capable of both poignancy and a buoyant sense of the absurd.”

A gallery talk by Aline Smithson will take place at 5:30 p.m. on July 10, 2014, prior to the opening reception for all exhibits. Members are free. Nonmembers $7. The reception is free to all.

HER

Posted on July 8, 2014

Marjorie Salvaterra is a fine art photographer who according to Aline Smithson of Lenscratch “examines the journey of a woman as wife, mother, and person of the world.” Her images reveal “a fine line between sanity and insanity,” according to Virginia Heckart, Associate Curator of Photography at The Getty Center.

Salvaterra’s series, Her, is featured in the Griffin Gallery at the Griffin Museum July 10 through August 31, 2014. An opening reception with the artist is July 10, 7-8:30 p.m.

Ms. Salvaterra says that she takes inspiration from her own life in her photographs. “I try hard to do the best I can in all the roles of my life,” she says. “Sometimes on a certain day or a certain time of day, I am less than successful. My greatest achievement is as wife and mother of two.” She makes her home in Los Angeles, California.

“Marjorie remains for me a compelling new photographer,” says Kathleen Clark of the Eyeist. “She is capable of both poignancy and a buoyant sense of the absurd.”

A gallery talk by Aline Smithson will take place at 5:30 p.m. on July 10, 2014, prior to the opening reception for all exhibits. Members are free. Nonmembers $7. The reception is free to all.

Paul Adams, Eden Had No Need of Fairy Tales

Posted on June 9, 2014

Paul Adams is an educator and photographer living in Utah. The subject matter of his photographs in exhibition is fashioned from fairy tales led adrift to form alternative narratives.

Adam’s series, Eden Had No Need of Fairy Tales, is featured in the Griffin Gallery at the Griffin Museum June 12 through June 29, 2014. An opening reception is June 18, 2014 at 7-8:30 p.m.

“For this project I returned to imaginative storytelling,” says Paul Adams. “Re-envisioned in contemporary settings, my protagonists [from fairy tales] grapple with the loss of innocence, search for identity, attempt to shape their destinies, and encounter the unexpected,” he says. “My heroes and heroines must work their way through perplexing conditions, disappointment, and compromise to uncover sublime moments of liberation, autonomy, and redemption.”

“In his photography, Adams creates ironic situations with characters that triumph through ingenuity,” says Paula Tognarelli, executive director of the Griffin Museum of Photography. “The playfulness of each photograph appeals to the child within all of us.”

Paul Adams was awarded a solo exhibition from the Griffin Museum last year from submissions to the 19th Juried Exhibition.

Adams received an MFA in Photography from Utah State University and has taught photography at Utah State University, the Florida Keys, and Brigham Young University. He lived in Europe as a Fulbright scholar and taught photography in Northern England. Mr. Adams has had his work displayed both nationally and internationally and his photographs are included in several permanent collections including the Nora Eccles Museum of Fine Art, Chattahoochee Valley Art Museum, The Chicago Institute of Art, and Brigham Young University Art Museum. Mr. Adams has been a professor of photography at BYU since 2002. Recently his work was chosen for recognition in the 155th Royal Photographic Society’s International Print Exhibition and he received honors from the 2013 International Kontinent Awards, Emerging Focus Photo L.A. International Art Exhibition, and the New York Center For Photographic Arts International Juried Exhibition.

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP