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The Griffin Museum@WinCAM

Zoomorphics

Posted on August 4, 2020

Artist Statement
I start by painting on my own body, to transform myself into a new creature: a blue-ringed octopus, an owl, or a monarch butterfly. Then, alone in my studio, I set my camera on the tripod and pose. Although it’s make-believe, it doesn’t feel like I’m pretending. The emotions of this new creature well up inside me. I let my body move in unexpected ways. I am expansive, and I do not constrain myself.

In my life outside the art studio, it is harder to be playful with my appearance. As a woman, I am acutely aware of which facial expressions are acceptable. I am aware of the meanings of different hairstyles. I know what a woman’s clothes say about her. (And I can never quite make mine say something true about me. Getting dressed always feels like pretending.)

I live near the woods and treasure my morning walks there. Among the plants and animals, I am not self-conscious. I am at ease just as I am, part of an interconnected web of life that transcends any social construct. Perhaps that is why I turn to the natural world for inspiration in my work. The creatures that I become are hybrids, both human and non-human. They are beyond gender, and when I inhabit them, I am free. -SM

Bio
Shelby Meyerhoff is a multidisciplinary artist based in Winchester, Massachusetts. She works with a variety of media, including photography, painting, sculpture, and body art, often combining multiple techniques to create her images. Meyerhoff lives near the Middlesex Fells, a 3,400-acre nature preserve north of Boston, and draws much of her inspiration from the plants, animals, and fungi found in her local area. Before becoming a fine artist, Meyerhoff worked in nonprofit communications, promoting environmental initiatives.

She has studied visual arts at the Griffin Museum of Photography, the New England School of Photography, and MassArt.

Meyerhoff’s work has been exhibited at venues across the country, including the Griffin Museum of Photography (MA), the Mosesian Center for the Arts (MA), the Hartsfield-Jackson Atlanta International Airport (GA), and the LH Horton Jr. Gallery at San Joaquin Delta College (CA). Her Zoomorphics series has also been featured in UU World, the national magazine of the Unitarian Universalist Association.

View Shelby’s Website.

The Land Beyond the Forest

Posted on March 14, 2020

Statement
The Land Beyond the Forest is an ongoing series depicting a fading way of life in rural Transylvania. This mountainous and remote region of Eastern Europe is steeped in history and lore. The rugged Carpathian Mountains kept invaders at bay and kept the remote villages isolated from the passage of time.

I am drawn time and again to this region and these people because it reminds me of a way of life that I experienced at my grandparent’s village in Hungary every summer. As a child, I was oblivious to the hardships that people faced and experienced only kindness and warmth. With my camera I work to recapture this feeling of storybook wonder and show domestic tableaux and rural people as I remember them.

For this exhibition I am focusing on the last generation of women who live this traditional rural life. My hope is to show the magic and poetry of the women who inhabit the “The Land Beyond the Forest.”

Bio
Katalina Simon is a British/Hungarian photographer whose work centers on the passage of time and cultural memory. Her interest in photography began when, as a child, she was told that taking pictures was not allowed in many public spaces in communist Hungary and she observed how precious photographs were to her family separated by the Iron Curtain.

Simon’s photography emphasizes her strong connection with history and the mood of the environments she photographs. Her image making is only part of a larger goal of experiencing a place, learning about a new culture or community.

Katalina holds a BA in Russian from the University of Bristol in England and is a graduate of the Professional Photography Program at the New York Institute of Photography. She is an exhibited member of the Griffin Museum of Photography in Winchester, MA, PhotoPlace Gallery in Middlebury, Vermont and Fountain Street Gallery in Boston, MA.

CV

Education

BA, Russian, University of Bristol, Bristol, England 1991

Photography Education

Professional Photography Certificate, New York Institute of Photography, NY, 2017
Photography Atelier, Griffin Museum of Photography, Winchester MA, 2017
Photography Atelier, Griffin Museum of Photography, Winchester MA –2019
MassArt Post Baccalaureate in Photography 2019-2020

Exhibitions

2018

Industrial Grace – Atelier 27, Griffin Museum of Photography, Winchester, MA (March ‘18)

Maria – Environmental Portraits, PhotoPlace Gallery, Middlebury, VT – Juror, Elizabeth Avedon (Sept ‘18)

Ana’s Kitchen – Travel: Places and Faces, PhotoPlace Gallery, Middlebury, VT – Juror, Krista Rossow (Nov ‘18)

2019

Rugaciuni – Sanctuary, PhotoPlace Gallery, Middlebury, VT – Juror, Laura Valenti

The Land Beyond the Forest, (3 person show) Fountain Street Gallery, Boston MA (April ’19)

The Land Beyond the Forest – Atelier 30, Griffin Museum of Photography, Winchester, MA (Sept ’19)

Waiting – Blue, Cambridge Art Association, Cambridge MA – juror, Sarah Montross (Dec 2019)

2020

Time with Bunica – The Poetry of the Ordinary, Middlebury, VT – Juror Sarah Sudhoff

The Land Beyond the Forest (solo show) Griffin Museum of Photography, Winchester MA (April-July)

The Land Beyond the Forest (solo show) Cambridge Public Library, Cambridge MA (April)

Capture the Moment (group show) Budapest, Hungary (Sept 2020)

2021

The Land Beyond the Forest (solo show) Acton Public Library, Acton MA (Jan)

Professional History

1992-1996 PR Manager Hill & Knowlton, Budapest, Hungary

1997-2002 Manager of International Media Relations for IBM Software, New York, NY

View Katalina Simon’s website.

Artist talk on August 20, 2020 at 7 PM

Katalina Simon is a British/Hungarian photographer whose work centers on the passage of time and cultural memory. Her interest in photography began when, as a child, she was told that taking pictures was not allowed in many public spaces in communist Hungary and she observed how precious photographs were to her family separated by the Iron Curtain.

We are thrilled to present an online conversation with Katalina about her exhibition, Land Beyond the Forest,  hanging at our Griffin @ WinCam satellite gallery.

woman at the door of the kitchen

© Katalina Simon, “Ana’s Kitchen“

Join us online in the Griffin Zoom Room on  August 20th, 2020 at 7pm Eastern Time for a overview of her work, her creativity and what is next for her pho

Rick Wright: The Vessels of Late Petroleum Age

Posted on October 31, 2019

Rick Wright practices photography as a malleable and sculptural medium. This Philadelphia photographer  inhabits the persona of a c. 4300 CE archaeologist: a scientist stumbling onto a cache of preserved vessels crafted out of an unknown synthetic material. This Dada series of catalogued “artifacts” explores how a future society might interpret contemporary plastic containers. The project is driven by Wright’s creative lens work; the objects taking on new form, expression, and meaning. There are 27 digital photographs in his whole collection—printed with tri-tone pigment ink on Hahnemühle Bamboo paper at 12” x 18”.

Wright states, “Over the course of a full year, I ventured out into my Philadelphia neighborhood on recycling night. The purpose of my stroll was to dig through the blue bins piled high with plastic containers. The street lamps provided the perfect overhead lighting – akin to that original laundry room bulb – by which to preview the “personality” of each vessel. Wright goes on to say, “Photography suffers the unfortunate condition of looking like reality and it is the first thing to transcend as a photographer.” 

He trained first as an oil painter at Princeton and Columbia Universities (BA and MFA), then later morphed into a photographer with studies at ICP in NY with Nan Goldin, Susan Meiselas, Dorit Cypis, and Danny Lyon. Wright is a Philadelphia-based photographer working as a fine artist, an architectural photographer, and an instructor.

The Vessels of the Late Petroleum Age were featured on the cover of LensWork #144 magazine (Sept.-Oct. 2019); along with a 16-page spread. The work has also appeared online in Float Magazine and garnered a Fleisher Faculty Fellowship Award. Wright is currently working on a book of the series with a professional writer.

Several of his photographs reside in permanent collections: Houston Museum of Fine Art, Philadelphia Museum of Art, The Creon Collection, Johnson & Johnson Collection, and The University of Pennsylvania. Wright keeps his studio in Philadelphia (past 13 years) and teaches photography at Fleisher Art Memorial, Peter’s Valley School of Art & Craft, and The Halide Project.

“Photography is 93% of my life,” says Wright. “The other 7% is occupied by typewriter repair, short story writing, and life model sketching. I chose photography over painting for its speed, joy, and unexpected bends of reality.”

View Rick Wright’s website.

Listen to the Optic’s Interview

Purchase Rick Wright’s Catalog

photo of a vessel catalog

 

American Mosaic

Posted on September 30, 2019

Statement

My American Mosaic series honors America’s rich multicultural heritage through diverse portraits. The ‘melting pot’ metaphor is being replaced by new metaphors like ‘mosaic’ which suggest an integration that blends yet preserves each culture’s unique qualities rather than promoting one homogenous culture. The photographs illustrate the beauty of a heterogeneous society and celebrate both the similarities and differences between its people. I have attended many multicultural celebrations and festivals to find the individuals in this series, all of whom are proudly wearing their own traditional dress. I believe America is a young country that can benefit from the wisdom of myriad cultures and ancient traditions passed down through the generations. In an age of increasing intolerance, my series encourages cross cultural understanding, intercultural dialogue and harmony.

Bio

After many years in New York City working as a professional documentary and portrait photographer for newspapers and magazines, Melissa now lives in Denver, Colorado where she continues to pursue her artistic passions as a fine art photographer. Her current projects explore heritage, identity, and multiculturalism. Melissa’s photographs have been exhibited in numerous museums and galleries in the United States and around the world including two recent exhibitions in China and the Barcelona Foto Biennale in Spain.

CV
Solo and Small Group Shows:

American Mosaic, Colorado State Capitol Building, Denver, CO, May 2019

American Mosaic, Griffin Museum of Photography, Winchester, MA September – January, 2019

Group Shows:

She, A Smith Gallery, Juror Joyce Tenneson, Johnson City, TX, 2019

The Big Picture, Street Art, Curator Mark Sink, Denver, CO, 2019

13th Yixian Photography Festival, Xidi Ancient Village, Curator Guo Jing, Yixian, Anhui, China 2018

2nd Lang Jingshan Cup China New Pictorial Photography Biennale, Huai’an International Photography Museum, Curator Guo Jing, Huai’an, Jiangsu, China 2018

–Barcelona Foto Biennale, Space Nau Bostik, Curator Julio Hirsch-Hardy, Barcelona, Spain 2018

–American Splendour, ILON Gallery, Jurors Jon Feinstein, David Rosenberg, Hannah Frieser, Loni Efron, and Ruben Natal-San Miguel, New York, NY 2018

–Annual Members’ Show, Colorado Photographic Arts Center, Juror Paula Tognarelli, Denver, CO 2018

-Celebrating Women (Honorable Mention), Photoplace Gallery, Juror Joyce Tenneson, Middlebury, VT  2018

-Lens 2018 (Best in Show Award), Perspective Gallery, Juror Paula Tognarelli, Evanston, IL 2018

-1st Annual Members Exhibition, The Center for Fine Art Photography, Juror Brian Paul Clamp, Fort Collins, CO 2018

-Identity, The Curated Fridge, Gallery Kayafas, Flashpoint Festival, Juror Brian Paul Clamp, Boston, MA 2017

-Intimate Portrait, The SE Center for Photography, Juror Joyce Tenneson, Greenville, SC 2017

-3rd Annual Group Show, Davis Orton Gallery, Juror Paula Tognarelli, Hudson, NY, 2017

-Intimate Portrait, Photoplace Gallery, Juror Joyce Tenneson, Middlebury, VT 2017

-Art of Resistance/ Art of Resilience, Feral Factory/The Crash, Jurors Tracy Weil, Louise Martorano, Martha Weidmann, Denver, CO 2017

-Radical Heterogeneity in the City, Feral Factory/The Crash, Denver, CO 2017

-Shutter Relief: Social Awareness Through the Lens, Dona Laurita Gallery, Louisville, CO 2017

-Peace Through the Lens…An American Story,(Best of Show) Chicano Humanities & Arts Council, Denver, CO 2017

-Representing the West: A New Frontier, Juror Don Stinson, Sangre De Cristo Arts Center, Pueblo, CO, 2017

-The Big Picture, Street Art, Juror Mark Sink, Denver, CO 2017

-America, Light Leaked, Juror Roger May, Online Exhibition, 2016

-2nd Annual Group Show,Davis Orton Gallery, Juror Paula Tognarelli, Hudson, NY, 2016

-Point of View: Contemporary Photography, Site: Brooklyn, Juror Mitra Abbaspour, Brooklyn, NY, 2016

-Real American (Honorable Mention),117 Gallery, Juror Peter Baker, Ann Arbor, MI, 2016

-Louisville National Juried Photography Show (First Place), Louisville Center for the Arts, Juror Dona Laurita, Louisville, CO 2016

-RAW, Los Angeles Center for Digital Art (LACDA), Curator Rex Bruce, Los Angeles, CA 2016

-Portraits, Center for Fine Art Photography, Juror Martha Schneider, Fort Collins, CO, 2016

-Art Through the Lens, Yeiser Art Center, Juror Sarah Sudhoff, Paducah, KY, 2015

-Travelers 5 (Best of Show), TBell Photographic Gallery, Juror Susan Froyd, Denver, CO 2015

-Denver Collage Club,Robert Anderson Gallery, Denver, CO 2015

-Truth and Perception, ACAD Gallery, Denver, CO 2015

-Focus, Spark Gallery, Juror Mark Sink, Denver, CO 2015

-The Big Picture, Street Art, Juror Mark Sink, Denver, CO 2015

-Electron Salon,Los Angeles Center for Digital Art, Curator Rex Bruce, Los Angeles, CA 2014

-Member’s Juried Group Show, Colorado Photographic Arts Center, Juror Mark Sink, Denver, CO 2014

-Wondrous Indeed,Center for Fine Art Photography, Juror Phillip Toledano, Fort Collins, CO 2014

-The Story of the Creative,See Me Exhibition Space, Long Island City, NY 2013

-The Big Picture,Street Art, Juror Mark Sink, Denver, CO 2013

-Wow,Core New Art Gallery, Denver, CO 2013

-From Analog to Digital,Los Angeles Center for Digital Art, Curator Rex Bruce, Los Angeles, CA 2011

-Scapes, Brooklyn Artist Gym, Brooklyn, NY 2011

-Look See: Photographs on Reflections, Brooklyn Artist Gym, Brooklyn, NY 2009

-American Society of Media Photographers Juried Show,Center for Fine Art Photography, Ft. Collins, CO 2008

-Roles, Rites, & Rituals: Customs, Relationships, and Body Image, Pen and Brush, NY, NY 2007

Blogs and Photography Websites:

My photography has been seen on Lenscratch, aCurator, and Photo District News blogs.

Honors and Awards:

Photolucida Critical Mass Top 200 Finalist 2018

11th Pollux Awards: Portrait category, Winner 2018

11th Pollux Awards: People category, Honorable mention 2018

11th Pollux Awards: Culture and Daily Life category, Finalist 2018

Le Prix de la Photographie de Paris ( PX3 ), Portraiture / Culture, Honorable Mention 2018

Tokyo International Foto Awards (TIFA), Fine Art-Portrait category, Honorable Mention 2017

One of the 100 Photographers selected for Review Santa Fe at CENTER, 2017

Work Experience:
My photography clients have included: The New York Times, The Financial Times, NY Daily News, Brooklyn Botanical Gardens, Columbia University, Treasury and Risk Magazine, Robb Report Magazine, Showboats International Magazine, The New Times, among others.

Website

Patio Life

Posted on May 29, 2019

Bio
James M. Collins has over 25 years of industry experience working as an award-winning graphic designer and commercial photographer working with clients large and small—from international corporations to local small businesses across a wide index of markets in the design and production of their corporate communications. His work has appeared for clients on billboards, brochures, catalogs, magazines, tradeshows, websites and packaging. He specializes in product photography and environmental portraits.

Statement
There is a mean-looking wasp sitting on the arm of a teak chair on the patio in the back yard. Every day the wasp visits. Why does it keep landing on the chair?

I want answers.

I live in a densely populated town in Greater Boston that is five and a half square miles with 42,000 residents and an abundance of tiny, often unseen critters lurking in its yards—yards measured in square feet, not acres.

With a couple of chairs and a few flowers, a small suburban oasis was created on the patio.

But those wasps, and these tiny spiders that seem to jump into thin air? What else is living around me?

I need answers.

The camera provides an up-close peek at my fellow patio dwellers whose respective behaviors pique my curiosity and intrigue me.

All subjects seen were photographed outdoors in my backyard or front porch; none were harmed.

Whether planting a single flower or large garden—you won’t have to travel far to find interesting neighbors if you look close enough.

If you plant it, they will come. -JC

 

CV
EXHIBITIONS

 2019

Patio Life. Solo Exhibit.
Massachusetts Audubon Society – Boston Nature Center.
Boston, MA.
April-June 2019.

Primary Colors. 2019 International Juried Exhibit.
New York Center for Photographic Art.
Manhattan, NY
Damselfly and Green Bee.
April 2019.

2018

Winter Solstice. Mantis.
Griffin Museum of Photography, Winchester, MA.
December 6 – December 31, 2018.

Patio Life. Solo Exhibit.
Hopkinton Center for the Arts, Hopkinton, MA.
October 5 – November 15, 2018.

24th Annual Juried Members Exhibit.Praying Mantis.
Griffin Museum of Photography, Winchester, MA.
July 19 – September 2, 2018.

Photography Atelier 27– Patio Life. Group Exhibit.
Griffin Museum of Photography, Winchester, MA.
March 8 – April 1, 2018.

2017

The 2017 Photographic Conversations Exhibition. Lenscratch. Night Reflections.
http://lenscratch.com/2017/09/the-2017-photographic-conversations-exhibition/

COLLECTIONS
Works held in private collections in the United States.

BOOKS
Collins, James. Patio Life. Arlington: Sutherland Hills Publishing. 2019.

AWARDS
2019Yellow, Colors of Humanity. Bee fly. Noteworthy.
2019Primary Colors. New York Center for Photographic Arts. Red Mandevilla and Damselfly. Jurors Selection.
2019Primary Colors. New York Center for Photographic Arts. Blue Salvia and Green Bee. Jurors Selection.
2012 Adventurers in Location, Explorers Corner, Winner
2011 Clarion Award, Most Improved Magazine, External Publications, Lasell LeavesMagazine
2001 Summit Award Gold, Self Promotion Calendar, Small Things from Tall Ships

SPEAKING
2019 Mass Audubon Macro Photography Workshop
2018 Hopkinton Center for the Arts Guest Lecture
2013 CASE District I Speaker

Website

Interview with Jamie Collins

Winchester Star’s Article on Patio Life

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP