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Griffin State of Mind | Home Views – Kathleen Tunnell Handel

Posted on November 5, 2021

We are excited to bring you the Griffin State of Mind featuring Kathleen Tunnell Handel. Her work is featured in our current exhibition Home Views on the walls through December 5th, 2021. Kathleen will be part of an online panel discussion on November 10th at 7pm Eastern. We wanted to know more about Kathleen and her work, so we asked her a few questions. Here is what she had to say.

Tell us how you first connected to the Griffin Museum.

home views - tunnell handel

© Kathleen Tunnell Handel

I initially connected with the Griffin through meeting and having one of my first portfolio reviews at PhotoNola 2018 with Paula Tognarelli, the Griffin’s esteemed Executive Director and Curator. Her positive, encouraging comments and immediate connection with my work, as an emerging photographer, gave me a wonderful sense of my own possibilities in a way that I continue to build on to this day.

 

How do you involve photography in your everyday life? Can you tell us about any images or artists that have caught your attention recently?

Photography IS my everyday life! Since I’m writing this response on Indigenous Peoples Day, I will mention the photographer who goes by the name of Ryan Vizzions and his impactful work made during his time at Standing Rock.

Please tell us a little about your project, Where the Heart Is: Portraits from Vernacular American Trailer and Mobile Home Parks, and how it was conceived.

wood pile

© Kathleen Tunnell Handel

 My ongoing project Where the Heart Is: Portraits from Vernacular American Trailer and Mobile Home Parks wasn’t so much conceived as it has continued to evolve. My curiosity has basically led me in new directions in response to experiences photographing in mobile home communities beginning in 2017. Many conversations with residents about their lives, communities, and concerns, along with my being captivated by the feelings of community and the personality on display outside of many homes, inspired my going beyond photographing to deeply researching and reaching out to residents, advocates, and scholars to collaborate with.

Has there been a Griffin Museum exhibition that has particularly engaged or moved you?

In general, I feel that the excellent quality of curation and online programming has been incredibly inspiring and supportive of a diverse range of people and is truly commendable.

What is your favorite place to escape to?

stairs pots

© Kathleen Tunnell Handel

Are we dreaming of pre and post-Covid escape or whatever we currently feel comfortable with? Escape to me implies a distance from everyday responsibilities, so I’d have to say either Utah or Kenya, and maybe be unable to leave Croatia out!

What is a book, song or visual obsession you have at the moment?

Given my intense focus on preparing for my first solo exhibition at the Griffin, I’d have to say my obsession is with trying to make perfect the self-published catalog of Where the Heart is with all twenty-seven of my exhibited images, a foreword by Paula Tognarelli, and my essay that dives deep into the project and includes quotes from some of the recorded oral histories that I’ve begun incorporating into the project. 

If you could be in a room with anyone to have a conversation, who would it be and what would you talk about?

snow trailer park

© Kathleen Tunnell Handel

I’m fairly practical, so I’d say the new Governor of New York State – Kathy Hochul, and I’d focus on trying to amplify the voices of those working on the affordable housing crisis and tidal wave of evictions underway in our state that are universal across the country. Without housing stability, it’s almost impossible to lead a healthy, productive life and current regulations often leave out mobile and manufactured housing as a hybrid of land-lease ownership.

 

To see more of Kathleen Tunnell Handel‘s work visit her website. See her on Instagram @kathleen_tunnellhandel

Filed Under: Exhibitions, Griffin State of Mind, Uncategorized

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP