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Griffin State of Mind | Lou Jones

Posted on July 24, 2020

photographer lou jones

Portrait of Lou Jones

Photographer and long time board member Lou Jones has a bright energy that emulates well from his personal work and more importantly was evident in his responses to our Griffin State of Mind interview.
 
Recently we asked Jones about how his journey started with the Griffin and we wanted to get to know a bit more about what his latest inspirations are. Here is what we learned.

 

Describe how you first connected with the Griffin. How long have you been part of the Griffin team and describe your role.

tuta bridge by lou jones

tuta bridge by Lou Jones

I think I visited the Griffin Museum once when Arthur Griffin was still alive. I wanted to meet him having seen his byline on so many photographs during my early career. Subsequently I was recruited by the previous executive director to join the board of directors.
 

How do you involve photography in your everyday? Can you describe one photograph that recently caught your eye?

I make my living taking pictures. I have maintained a studio in Boston for many years. A very long-time colleague sent me a photograph of myself taking pictures in the 1980s & it rattled me.

What is your favorite place to escape to in nature…mountains? beach? woods? and why?

pan africa logo

Pan Africa Project © Lou Jones

I have been traveling to Africa continuously for the last several years & found it draws me back because of its almost infinite variety in things that are completely alien to me & my world here. The continent provides almost continuous new opportunities & completely new narratives that cannot be imagined from our western imaginations. It is a cornucopia. 
 
See Lou Jones’ body of work from Africa on his website www.panAFRICAproject.org. 
 

What is one book, song, or other visual obsession you have at the moment?

Since the pandemic started I have been working on photographing how people have been dealing with the new paradigm, how it affects their lives positively or negatively, how they have adapted to the new complexities, imaginative ways to continue & what our environment “looks” like with all the restrictions.
 
mirror covid

Mirror COVID by Lou Jones

lifeguards

Lifeguards COVID by Lou Jones

 
 
 
 
 
 
 
 
 

What has been the most eye opening part of our time of physical distancing?   

The fact that the whole world can come to a voluntary standstill. I am mystified by what segments can/cannot operate inside the pandemic. 
 

If you could be in a room with anyone to have a one on one conversation about anything, who would that person be and what would you talk about?

 
jb headshot

James Baldwin

Maybe James Baldwin. He was so ahead of his time in being creative, gay & an African American. He was the darling of the “intelligentia” until he became strident about race relations. His analysis is becoming more & more pertinent & relevant today & he was ignored towards the end of his life.

I would like to talk about being an artist being so ahead of the debate & how do you maintain your resolve under such pressure. I chased him down the street in Paris once but never caught up with him.

Filed Under: About the Griffin, Blog, Griffin State of Mind Tagged With: board of directors, photographer, griffin state of mind, documentary photography

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP