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Judith Black | Griffin State of Mind

Posted on February 15, 2023

With Family Album coming to a close at the end of February, we wanted to interview Judith Black for Griffin State of Mind.

Tell us a little about your background.
I have always loved making pictures… drawing cartoon characters, painting, taking some photos with my Brownie camera from an early age. Fast forward, in 1979 I started a masters degree program at the Creative Photography Lab at MIT founded by Minor White. I was 34 years old, recently divorced with four small children. Finding role models became an important part of my research. I was looking to see how women who were both photographers and mothers managed to balance nurturing their family and their need to have a career.

Family Group (Mother’s day) May 12, 1985

What compelled you to document your family originally?
Realizing I would not be able to spend much time away from work and home, I used the camera to record the physical and emotional changes we have all made over the years. Families are complicated…. something I hope my photos demonstrate. The photographs are a way for me to remember both the pleasures and pains of being part of and raising a family.

How has your approach to photography evolved since beginning the project?
It has been pretty consistent, actually, for the work I choose to exhibit which has always been black and white. At first, I used several kinds of film cameras. I was given the Polaroid Type 55 film, I fell in love with it. It that gave me a 4×5 negative and little print in 60 seconds. Once Polaroid and the Type 55 were gone, it was time to do something a bit different. I found that as digital cameras got better and better, I started to make more use of color. Who knows what I will do with that archive.

Laura and Self (Before Arthur’s memorial service), December 30, 1994

Tell a little about your recent exhibition, “Family Album”, and how it was conceived.
Barbara Hitchcock, formerly Director of the Polaroid International Collection, is the curator of the exhibit which pairs my work with Bjorn Sterri’s photographs of his family and his self. Barbara brought a non-chronological order to the photographs, choosing to look for visual ideas that brought small groups of photos together to spark a dialogue. It was wonderful to work with her choices!

Malcolm, June 20, 2002

Has there been a Griffin Museum exhibition that has particularly engaged or moved you?
I really enjoyed seeing the Lou Jones exhibit a couple of years ago. He is wonderful supporter of photography, a prolific photographer with so many bodies of work and a generous mentor.

ABOUT JUDITH BLACK

Judith Black received her Master of Science in Visual Studies from the Massachusetts Institute of Technology in 1981 and was a recipient of a Guggenheim Fellowship in 1986. She taught in the Art Department at Wellesley College for 25 years. Black’s work has been collected and exhibited in museums, from the Museum of Modern Art, New York to museums, institutions and galleries across the globe.

Filed Under: Griffin State of Mind, Uncategorized Tagged With: Photography, black and white, Artist Talk, Griffin Exhibitions

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP