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Lisa Ryan | Griffin State of Mind

Posted on August 15, 2023

Lisa Ryan’s Becoming Light is up at WinCam in Winchester. Her works show transformation from stillness to motion, from dark to light, from body to energy. Light painting has a performance element to it; in that respect it is like dance.

Tell us a little about your background.

My family was always interested in the arts.  One grandfather collected art for what is now the Glypotek Museum in Copenhagen.  Another was the painter John Graham.  I grew up surrounded by wonderful art and took drawing and painting lessons from an early age.

When I got to Pratt Institute of Art in NYC, I started out as a painting major but became fascinated by photography.  I wanted to work directly with light and in color.

Now, many years later, as a night photographer and light painter, I have come full circle: I paint and draw with light, captured by the camera.

Do you have an end goal in mind when you begin creating a photo?

I work in series of images.  The process of light painting and drawing is repetition and trial and error.  One image leads to the next as I refine or develop the idea.  Sometimes projects lie dormant, then come to life again.  Projects I have worked on include Light Gardens (light drawings), and Fire People (double exposures of fire and people).  The Becoming Light (light drawings of the human figure) series began in 2016, and I have worked on it on and off since then.  

What feeling do you wish to convey with each piece?

In Becoming Light I would like the viewers to imagine themselves dancing, transforming into light/energy.  I would like them to feel a sense of freedom: Imagination is the only limit.

What inspires you to keep making? 

Making photographs is both sustaining and fun for me.  It’s an important part of how I live in the world.  I can’t imagine life without it.  

ABOUT LISA RYAN

Lisa Ryan is a night photographer and light painter.  The influence of her fine arts education can be seen in her use of light to draw and paint. Working with various light tools she incorporates gestures and movement. In addition to lighting landscapes at night, she creates scenes, including clothing the figure and creating night gardens from light.

Ryan’s photographs have been exhibited in shows presented by the Griffin Museum of Photography, Winchester MA, the Center for Photographic Art, Carmel CA and in many juried exhibits throughout the US.  She has curated group exhibits of night photography at the Front Street Gallery, Scituate MA and at the Art Complex Museum, Duxbury MA.

Her images have been featured in print and digital publications including NASA’s APOD, “RechargeTheArts”, a juried group exhibition on Instagram, Fraction Magazine, and The Literate Image.

Ryan has been co-organizer of the Greater Boston Night Photographers Meetup since 2014.

Filed Under: WinCam, Griffin State of Mind Tagged With: Photography, color, Photographers on Photography

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP