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2025 New England Portfolio Reviews

Since 2009 the Griffin Museum has created a gathering space bringing reviewers and photographers together from New England and beyond for two days of discussion, networking, and gaining fresh perspective on one’s work.

NEPR serves photographers who are just embarking on their careers, and more established photographers, all hoping to reach new audiences and gain fresh perspective on their work.

The online format allows for an expansion of participants in volume and in location including reviewers such as gallerists, book publishers, museum professionals, critics, educators and advisors from all over the world who provide guidance and potential opportunities to grow artist practices.

Keynote Speaker

The September 25th Keynote Speaker is Annu Palakunnathu Matthew, is a Professor of Art at the University of Rhode Island. She  was also the Director of the Center for the Humanities from 2014-2019 and the 2015-17  Silvia Chandley Professor in Peace Studies and Non-violence. Her photo-based work draws on old photographs to re-examine historical narratives in the US  and South Asia. Though trained as a photographer, her work increasingly uses the ever expanding digital toolbox and has moved into installations. The result is a blend of still and  moving imagery that shifts the viewer’s perspective to question established and  marginalized histories. 

Meet This Year’s Reviewers

More reviewers are being confirmed, and this list is subject to change.

Museum Professionals, Curators and Non Profit Spaces

C. Meier, Exhibitions Director, Blue Sky, Oregon Center for the Photographic Arts
Erica Garber, Vice President of Development and Public Programs, CatchLight
David DeMelim, Managing Director, RI Center for Photographic Arts
Jon Feinstein, Co-founder, Humble Arts Foundation; Lead curator, VSCO
Jennifer Friess, Associate Curator of Photography and Associate Director of Curatorial Affairs, University of Michigan Museum of Art
Michael Pannier, Founder and Director, SE Center for Photography
Sandra Stevenson, Managing Editor of Visuals and Immersive Experience, Education Week
Steven Evans, Executive Director, FotoFest
Viviette Hunt, Gallery Director and Independant Curator, Richard Levy Gallery
Wiktoria Michalkiewicz, Founder, Talent Agent, REZO Agency
Andrew Mroczek, Director of Exhibitions, Lesley University College of Art and Design

Gallerists

Catherine Couturier, Owner and Director, Catherine Couturier Gallery
Paris Chong, Gallery Director, Leica Gallery
Whitney Cole, Co-Director, Candela Books + Gallery
Laura Noble, Director, LA Noble Gallery

Independent Consultants

Alexa Dilworth, Independent editor, writer, and curator
Alyssa Ortega Coppelman, Independent Photo Editor and Photobook Consultant
Elizabeth Avedon, Independent Curator and Photo Consultant
Mary Virginia Swanson, Author, Educator and Artist Advisor
Johan Trujillo Arguelles, Independent Cultural Strategist, Researcher, Curator and Educator
Jessica Burko, Independent Curator

Curators

Carol McCusker, Curator of Photography, Harn Museum of Art
Gary Van Zante, Curator of Architecture and Design, MIT Museum
Mia Dalglish, Co-Curator, Pictura Gallery
Shana Lopes, Assistant Curator of Photography, SFMoMA
Steven Duede, Independent Curator at Aspect Initiative

Publishing 

Alexa Becker, Photography Coach, Publishing Consultant and Freelance Representative at Kehrer Verlag
Bree Lamb, Co-Managing Editor, Fraction Magazine
Cathy Cone, Creative Director, Cone Editions
Lia Latty, Founder, Black Is Magazine
Maarten Schilt, Schilt Publishing & Gallery
Mary Bisbee-Beek, Independent Book Publicist, READ/SEE
Michael Kirchoff, Editor in Chief, Analog Forever Magazine
Nick Larsen, Managing Editor, Radius Books
Dana Stirling, Co-founder and Editor, Float Magazine
Stephen Frailey, Founder and Editor, Dear Dave, magazine


Registration Information

Each participant will have four (4) 25 minute reviews in either a morning session (9.00am to 12pm) or the two afternoon sessions 12pm – 3pm or 3pm – 6pm (Eastern Time Zone)
If you miss the open registration there will be a waiting list. You will be contacted if a slot opens up.

Portfolio Review Prep Workshop – If you are looking to tune up your portfolio, we have a weekend workshop with Executive Director Crista Dix happening September 6/7 more details and registration here.

Session Times – (Eastern Time Zone)

Morning Session:  |  9.00 am  to 12pm    
Afternoon Session: |  12pm – 3pm
Late Afternoon Session: |  3pm – 6pm


REGISTRATION IS NOW OPEN – We look forward to seeing you online with us in September.

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Here’s how to create your Griffin Member Profile

Welcome we are excited to have you and your creativity seen by so many.

1: Log into your membership account
2: To  create a profile you must be logged in and be a supporter or above otherwise you will not see the add a profile button.
3: You can find the Griffin Salon on the Members Drop down in our Main Navigation on the home page or by starting here – https://griffinmuseum.org/griffin-salon/
4: A button that says Create Your Member Profile appears
5: If you are logged in and have already created a profile you also won’t see the add a profile button ( the button launches the form) but you will see an edit and delete icon next to your name and only yours.


6. Fill in your Artist Statement, Bio and upload up to 10 images.
NOTE Sharing your contact information is in your hands. You can select to make your phone and email public or keep it private. 

Once you have updated your information, it sends a ping to museum staff to approve the images and text, and your page will then be listed on the public website. The museum reserves the right to refuse content that is offensive, harmful, or divisive. Images that include graphic, explicit, or politically divisive content will not be approved. Please ensure all submitted images and text are appropriate for a public audience.

Member Directory

Form for adding and editing members to the member directory

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    Floor Plan

    Amy Rindskopf's Terra Novus

    At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

    This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

    Artistic Purpose/Intent

    Artistic Purpose/Intent

    Tricia Gahagan

     

    Photography has been paramount in my personal path of healing from disease and

    connecting with consciousness. The intention of my work is to overcome the limits of the

    mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

    sight. They are intended to be sat with meditatively, eventually revealing greater truths

    about the world and about one’s self.

     

    John Chervinsky’s photography is a testament to pensive work without simple answers;

    it connects by encouraging discovery and altering perspectives. I see this scholarship

    as a potential to continue his legacy and evolve the boundaries of how photography can

    explore the human condition.

     

    Growing my artistic skill and voice as an emerging photographer is critical, I see this as

    a rare opportunity to strengthen my foundation and transition towards an established

    and influential future. I am thirsty to engage viewers and provide a transformative

    experience through my work. I have been honing my current project and building a plan

    for its complete execution. The incredible Griffin community of mentors and the

    generous funds would be instrumental for its development. I deeply recognize the

    hallmark moment this could be for the introduction of the work. Thank you for providing

    this incredible opportunity for budding visions and artists that know they have something

    greater to share with the world.

    Fran Forman RSVP

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