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New England Portfolio Review | March 11 – 13, 2022

Posted on November 10, 2021

We are thrilled to start of 2022 with the New England Portfolio Reviews in March of 2022!

Since 2009 The New England Portfolio Reviews (NEPR) have been co-produced by the Griffin Museum of Photography, Winchester, MA and the Photographic Resource Center (PRC), Cambridge,  Massachusetts with the mission of bringing reviewers and photographers from New England and beyond for two days of discussion, networking, and gaining fresh perspective on one’s work. This NEPR is an online event to be held on March 11-13, 2022 with a keynote lecture by Meghann Riepenhoff – March 11th at 7pm. 

NEPR serves photographers who are just embarking on their careers and more established photographers hoping to reach new audiences. The online format allows for an expansion of participants in volume and in location including reviewers such gallerists, book publishers, museum professionals, critics, educators and advisors from all over the world who provide guidance and potential opportunities to grow artist practices.

Of the 90+ participating photographers, ten are emerging photographers that will receive full scholarships. We believe that providing professional opportunities to emerging photographers is key to keeping the industry strong and active.

Here is a list of current reviewers – more are being added, and all are subject to change.

Camilo Alvarez, Samson Projects, Boston, MA
Ernsto Bazan, Bazan Photos Publishing, Vera Cruz, Mexico
Emily Belz, Photographer and Educator
Makeda Best, Menschel Curator of Photography at the Harvard Art Museums
Nancy Burns, Stoddard Associate Curator of Prints, Drawings and Photographs, Worcester, MA
David Carol & Ashly Stohl, Peanut Press, LA & NY
Alyssa Coppelman, Photo Editor & Consultant, Austin, TX
Carrie Cushman, Edith Dale Monson Director/Curator of the Joseloff and Silpe Galleries, University of Hartford, Hartford, CT
Karen Davis, Gallerist, Davis Orton Gallery
David DeMelim, Managing Director, RI Center for Photographic Arts
Mark Alice Durant, Saint Lucy Books, Baltimore, MD
Michael Foley, Foley Gallery, New York
Donna Garcia, Executive Director, Atlanta Photography Group, Atlanta Georgia
Bill Gaskins, Director of Photography + Media & Society MFA, MICA, Baltimore, MD
Hamidah Glasgow, Executive Director, Center for Fine Art photography Fort Collins, CO
Lonnie Graham, Executive Director, PhotoAlliance, San Francisco
Karen Haas, Lane Curator of Photographs, Museum of Fine Arts Boston
Karen Harvey, Shutterhub, London, UK
Tailyr Irvine, Indigenous Photograph, Documentary Photographer
Ann Jastrab, Executive Director, Center for Photographic Art, Carmel, CA
Frances Jakubek, Director of Exhibitions, Bruce Silverstein Gallery, NY
Caleb Cain Marcus,  Roving Exhibitions Editor, Damiani Publishing, NY, NY
Melanie McWhorter, Independent Photography Consultant
Bree Lamb, Fraction Magazine, Albuquerque, NM
Arlette Kayafas, Gallery Kayafas, Boston, MA
Anne Kelly, Photo-Eye, Santa Fe, NM
Michael Kirchoff, Analog Forever Magazine, Los Angeles, CA
Paul Kopeikin, Kopeikin Gallery, Los Angeles, CA
Kirsten Rian, Independent Curator, Oregon
J. Sybylla Smith, Independent Consultant, Boston MA
Aline Smithson, Founder, Lenscratch, Los Angeles, CA
Susan Spiritus, Susan Spiritus Gallery, Irvine, CA
Elin Spring, What Will You Remember, Boston, MA
Dana Stirling & Yoav Friedlander, Float Magazine
Mary Virginia Swanson, Educator, Author and Entrepreneur in the field of photography, and a respected advisor to artists and arts organizations.
Lauren Szumita, Independent Curator, Fitchburg Art Museum, Fitchburg, MA
Barbara Tannenbaum, Chair of Prints, Drawings, and Photographs and Curator of Photography, Cleveland Art Museum
Lisa Volpe, Associate Curator Photography, Museum of Fine Arts Houston
Joanne Junga Yang, Artistic Director, Korea International Photo Festival,  Seoul, Korea

Reviewer biographies and areas of interest will be online soon.

The cost of 4 portfolio reviews is $200. The event is SOLD OUT, and we are accepting waiting list registration.  Registration is now open for the waiting list only. The possibility for additional reviews is available on a day to day basis during the reviews.  All attendees will be alerted to those openings.

We will provide an artist index for download of all of the participants of the portfolio review that we will make available to participating artists, our reviewers and the public. The Artist Index for 2020 is available online.

New England portfolio review

Schedule:

Friday, March 11, 2022:
7:00 – 8:00 pm – Keynote Lecture with Meghann Riepenhoff

Saturday, March 12, 2022: NEPR Reviews
9:00 am – Noon
Noon – 3 pm
3 pm – 6 pm

Sunday, March 13, 2022: NEPR Reviews
9:00 am – Noon
Noon – 3 pm
3 pm – 6 pm

 

We would like to thank Joni & Mark Lohr and Larry Smukler for their sponsorship of our Scholarship Award Participants.

This year’s review is generously sponsored by Stanhope Framers and Digital Silver Imaging (DSI)

               

Filed Under: Uncategorized, Portfolio Reviews, New England Portfolio Reviews Tagged With: artist conversations, NEPR, New England Portfolio Review, portfolio reviews

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP