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Griffin News

Rick Wright | Vessels of the Late Petroleum Age

Posted on April 7, 2020

#99 Vessels of the Late Petroleum Age

In light of our quarantined exhibitions, we want to make sure you don’t miss out on the great works on the walls of the Griffin, and our satellite exhibitions across the Greater Boston area. Our satellite space at WinCam, The Winchester Community Access & Media Channel features the clever work of Rick Wright. His series… [Read More]

Filed Under: WinCam Tagged With: black and white, Exhibition, Photography, Portfolio, Rick Wright

Jim Lustenader | City Streets

Posted on April 6, 2020

At the Races

The streets of Boston are empty, with COVID-19 Stay at Home orders, but the interwebs remain a space for creativity and connection between us all. In an effort to showcase the exhibitions that we all cannot visit in person, we are bringing them to you online. Today’s view is the city streets as viewed through… [Read More]

Filed Under: Griffin @ SOWA Tagged With: black and white, Boston, Exhibition, London, New York, Paris, street photography

Not Waving But Drowning | Michelle Rogers Pritzl

Posted on April 2, 2020

The Shore Was Far Behind

In the time of Corona, our exhibitions at the museum are quarantined along with the rest of us. One of the programs the Griffin has is the John Chervinsky Scholarship, which includes a monetary award to produce a body of work, along with an exhibition at the museum. While Corona had other plans about us… [Read More]

Filed Under: Griffin Gallery, John Chervinsky Scholarship Award

Atelier 31 | Meet the Artist – Jeanne Widmer

Posted on April 1, 2020

five and ten cent store

Now more than ever, we are witnessing a surge in documentary photography. So much of our life changes so quickly, that without the visual document of transformation, we fail to notice what is happening around us. We are left to wonder when that change occurred and ask ourselves, what did we miss? Jeanne Widmer noticed… [Read More]

Filed Under: Atelier, Portfolio Reviews

Atelier 31 | Meet the Artist Naohiro Maeda

Posted on March 31, 2020

cyanotype with origami squares photograph

Unique images, hand crafted, sculptural objects are the focus of Naohiro Maeda‘s series Origami-grams. These soft cyanotypes hold organic and structured shapes and textures, playing with light and shadow. Maeda’s idea that these are memory keepers posited an interesting theory. How do we transfer our own notion onto an abstract pattern, like a rorschach test…. [Read More]

Filed Under: Atelier, Portfolio Reviews

Atelier 31 | Meet the Artist – Anne Piessens

Posted on March 30, 2020

plum island

Artists are compelled to create. Painters, sculptors, mixed media artists and photographers all reach to express their vision with their hands and tools. Photography is unique, functioning as noun and verb in taking (creating) a photograph and producing an object, the photographic print. Anne Piessens uses the photographic print as a base to enhance her creative… [Read More]

Filed Under: Atelier, Portfolio Reviews

Atelier 31 | Meet the Artist – Kathleen DeCarlo-Plano

Posted on March 29, 2020

person walking behind sculpture - photograph

Architecture is an amazing combination of science and art. Balancing feats of concrete, steel and glass, brick and mortar, asphalt and cobbles, structures rise up around us. So many take for granted the structures that keep us safe, working, moving and shelter us from coming storms. Kathleen DeCarlo-Plano took to the streets to mix architecture,… [Read More]

Filed Under: Atelier, Portfolio Reviews

Atelier 31 | Meet the Artist – Tony Schwartz

Posted on March 28, 2020

men eating in restaurant chinatown boston photograph

Many major cities have an area where the Chinese communities congregate and live. Chinatowns are legendary in major cities like San Francisco, New York, Seattle, Los Angeles and Chicago. Photographer Tony Schwartz chose to focus his lens on Boston’s Chinatown, connecting with locals who gave him access and insight into the local culture and community…. [Read More]

Filed Under: Atelier, Portfolio Reviews

Atelier 31 | Meet the Artist – Cynthia Johnston

Posted on March 27, 2020

State Highway Saviour

Visually defining a vast country like the United States is complicated. Region to region, state to state, town to town. Every area has its quirks, and no two places are the same. Photographer Cynthia Johnston and her series “Somewhere in the Middle” explores the idea of the road less traveled, following along the backroads of America…. [Read More]

Filed Under: Atelier, Blog

Atelier 31 | Meet the Artist – Darrell Roak

Posted on March 26, 2020

Laural Falls photograph

Darrell Roak’s series, Noble Waterfalls, is a reflection and meditation on the forces of nature, power of water and grace and beauty found in the dark stillness of the forest. Finding solace in the depths of the forest, Roak’s connection to the power of water and rock, carving new paths, is captured in these long… [Read More]

Filed Under: Atelier, Portfolio Reviews

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MENU
  • Visit
    • Hours
    • Admission
    • Directions
    • Handicap Accessability
    • Function Rentals
    • FAQs
  • Exhibitions
    • Griffin Museum Galleries
    • Griffin Museum Satellite Galleries
    • Griffin Museum Virtual Galleries
    • Exhibition Archive
  • Events
    • Online Programs
    • Receptions
    • Focus Awards
  • Learn
    • Education
    • Photography Atelier
    • Education Policies
    • Arthur Griffin Photo Archive
    • Griffin State of Mind
  • Join & Give
    • Become a Member
    • Donate
    • Leave a Legacy
    • Bring Photography to Life! 2020-2021 Annual Appeal Fund
    • When are the member portfolio reviews scheduled?
    • John Chervinsky Emerging Photographer Scholarship
  • Shop
  • Buy Tickets
    • Admission
    • Membership
  • Get Involved
    • Staff
    • Griffin Museum Board of Directors
    • About the Griffin
    • Members in Focus
    • Get in Touch

Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

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