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Photography Atelier

Photography Atelier is a portfolio and project building course for emerging to advanced photographers. Two sections will be taught by Jennifer McClure and Emily Belz in the September 2025 to May 2026 session.

Registration for 25 / 26 Session is open on our Education Page.

  • woman on the edge

This portfolio and project building course will inspire students to take new approaches to their photography practice and help guide students in finding concepts and approaches they would like to develop into a longer-term project.  Supportive dialog between the instructor and student is the basis of honing the work.

We are excited to meet the needs of the next generation of photographic artists with this 9-month intensive program offered once a year, and culminating in an exhibition at the Griffin Museum at the end of the class.

  • girl with wing
  • La Familia Market

The course includes all of the steps to bring a series of photographic work to readiness for a gallery exhibition. This includes writing for photography, sequencing work for presentation, printing and framing options. Each student will also have one private meeting with the instructor.

Any method or medium of image making is welcome although digital photography is recommended for the first half of the class when work is assigned each week. The Photography Atelier has a separate website that displays all of the Atelier’s final efforts.

You may see all the atelier classes and artists here.

The Atelier is held once a year from September to May.

“The Atelier at the Griffin Museum may well be the perfect class for any emerging or serious photographer. I have taken it three times and find it nothing short of inspiring. You’ll have teachers (Meg Birnbaum) who know what they’re talking about, assignments that will push you to take your work further, and the support of fellow photographers who share your passion. Perhaps most importantly, you’ll become part of the robust and welcoming community of photographers that the Griffin gathers and nurtures throughout New England.”
Edward Boches

For more information about the Atelier program, contact Yana Nosenko at programs@griffinmuseum.org

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Griffin Museum of Photography 67 Shore Road, Winchester, Ma 01890
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  • Visit
    • Hours
    • Admission
    • Directions
    • Handicap Accessability
    • FAQs
  • Exhibitions
    • Exhibitions | Current, Upcoming, Archives
    • Calls for Entry
  • Events
    • In Person
    • Virtual
    • Receptions
    • Travel
    • PHOTOBOOK FOCUS
    • Focus Awards
  • Education
    • Programs
    • Professional Development Series
    • Photography Atelier
    • Education Policies
    • NEPR 2025
    • Member Portfolio Reviews
    • Arthur Griffin Photo Archive
    • Griffin State of Mind
  • Join & Give
    • Membership
      • Become a Member
      • Membership Portal
      • Log In
    • Donate
      • Give Now
      • Griffin Futures Fund
      • Leave a Legacy
      • John Chervinsky Emerging Photographer Scholarship
  • About
    • Meet Our Staff
    • Griffin Museum Board of Directors
    • About the Griffin
    • Get in Touch
  • Rent Us
  • Shop
    • Online Store
    • Admission
    • Membership
  • Blog

Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP