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Posted on February 1, 2020

10th Annual Self-Published Photobook Exhibition
30 Various Photographers
March 5 – May 3, 2020

The reception Sunday, March 15, 2020 4-6 PM has been cancelled.

book on insects
“Patio Life” by James Collins
book on treasures
“Treasures” by Bootsy Holler

10th Annual Self-Published Photobook Exhibition is an annual competition open to photographers in the United States and abroad who have self-published a photobook. This competition is offered by Davis Orton Gallery in Hudson NY for the tenth year. The competition results were exhibited at Davis Orton Gallery and 30 photobooks are now traveling to the Griffin Museum of Photography. Karen Davis, co-director of the Davis Orton Gallery in Hudson, NY and Paula Tognarelli, executive director and curator of the Griffin Museum of Photography were the jurors for the 10th Annual Self-Published Photobook Exhibition.

10th Annual Self-Published Photobook Exhibition  will be featured in the Atelier Gallery at the Griffin Museum March 5 – March 27, 2020. An opening reception with the artists takes place on March 15, 4 – 6 p.m.

For the 10th Annual Self-Published Photobook Exhibition, jurors Karen Davis and Paula Tognarelli chose 30 Photobooks to be exhibited at the Griffin Museum. The photobook authors are:

Steve Anderson…..Faces.  Surrealism.   book 3
Mike Callaghan…..circling and finding
James Collins…..Patio Life
Pamela Connolly…..Cabriole
Melissa Eder…..The Beauty of Bodega Flowers
Mark Erickson…..Other Streets:  Scenes from a Life in Vietnam not Lived
Joe Greene…..Don’t Shoot
Bootsy Holler…..Treasures:  Objects I’ve known all my life
Roslyn Julia…..Imperfect
Oliver Klink…..Cultures In Transition: Spirit – Heart – Soul
Kent Krugh…..Speciation: Still a Camera
Dan McCormack…..Photograms
Julie Mihaly…..The Attic, One Year  Five Miles
Kate Miller-Wilson…..Look Me in the Lens:  Photographs to Reach Across the Spectrum
Tetsuro Miyazaki….. Hāfu2Hāfu – a Worldwide Photography Project about Mixed Japanese Identity
Linda Morrow…..Caught In The Looking Glass
Fern L Nesson…..Signet of Eternity
Nancy Oliveri…..Flora and Fauna, Scorched Earth
Robert Pacheco…..Downtown L.A. Who Needs It ? Street Story Of A Fading Era – Early 1970’s
Nick Pedersen…..ULTIMA
Mark Peterman…..These Years Gone Bye
Thomas Pickarski…..Snow, Sand, Ice
John Puffer…..Album of a Photographer
Judy Robinson-Cox…..Finding Lilliput
Tony Schwatz…..Stories of the Batwa Pygmies of  Buhoma, Uganda
Lisa Seidenberg…..Dark Pools: Historic Swimming Pools of Berlin
Ellen Slotnick…..Apparition
Ellen Wallenstein…..NYC Diptychs – Art: Sanctioned or Found
Thomas Whitworth…..Constructed Scenarios
Sharon Wickham…..Cuba Skin

View Davis Orton Gallery website

View online catalog

View Prospectus for the 11th Annual Self-Published Photobook Exhibition

There are growing options available for self-publishing a book such as on-demand (blurb, lulu, viovio, iphoto, etc.); small run offset or web printing/publishing firms, binderies. For the competition if photobooks submitted had been hand-made/bound, they had to be available in multiples of at least 25. Entrants could submit up to three different titles that are self-published photography books of any size, format, or style: hard cover, soft cover, case-wraps, landscape, portrait, square, color, black and white. Submissions were judged on the basis of: cover design, strength of the photography, subject matter of the book, page layouts, editing and sequencing and emotional impact of the overall book. All Submissions had to be original works of authorship created by the photographer who submitted the book.

“A photobook relies on the image to form visual sentences,” says Paula Tognarelli, executive director and curator of the Griffin Museum of Photography. “A photobook that is produced well can transport us in time and place just as any book produced with the written word.”

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP