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Posted on December 6, 2022

13th Annual Photobook Exhibition
Various
January 12 – February 26, 2023

The Griffin Museum is pleased to partner with Davis Orton Gallery to showcase the 13th Annual Photobook Exhibition, featuring the works of 27 talented book artists.

EXHIBITING ARTISTS AND PHOTOBOOKS
Leah Abrahams…Do You See What I See?
Steve Anderson…Surruralism Retrospective Part Two
Nancy Baron…Riders on the 10
Peter Baumgartner…Foliage
Robin Boger…Summer: A Season in Farlow Park
Shannon Davis…Controlled Burn
Jane Ebaugh & John Verner…Care Through Touch
Beth Galton…Covid Diary
Joe Greene…Ashtray
Lynn Harrison…At Peace in Nature
Jane Hopkins…Cemetery Reflections
Judi Iranyi…Arg-e-Bam
Doug Johnson…Places Faces
Laura June Kirsch…Romantic Lowlife Fantasies
Sal Taylor Kydd & Dawn Surratt…A Passing Song
Julia Kuskin…Phone Book
Flynn Larsen…Cosmic Dance
Tony Loreti…Garden in the Fens
Margaret McCarthy…Sentient
Linda Morrow…Learning to Swim
Laila Nahar…Color of Life: Old Delhi  

Dale Niles…What Lies Within
Ann Rosen…Ascending Towards Normalcy
Elliot Schildkrout…Standing in the Mirror
Jon-Marc Seimon…#kaddish
Robindeep Singh…Anywhere but Nowhere & Saddapind

David Sokosh…Things That Look Like the Moon (but are not the moon)

Thomas Whitworth…More Constructed Scenarios
Sharon Wickham…Seeing Paint with Joan

To see a full prospectus about the exhibition with extended book information and links to the artist website see the Online Catalog on the Davis Orton website.

About Karen Davis and Davis Orton Gallery

The Davis Orton Gallery, established in August, 2009, is located on historic Warren Street in Hudson, NY – an architecturally rich street famous for its antique shops, galleries and restaurants.

The Davis Orton Gallery exhibits photography, mixed media and trade and artist-published photobooks. The goal of the gallery is to present a wide range of contemporary artists – from emerging to mid-career to established.

Karen is a teacher, gallerist and photographer. For over 15 years she taught Photography Atelier, a portfolio development course and Marketing for Fine Art Photographers in the Boston area at Radcliffe Institute, Lesley University and, most recently at the Griffin Museum of Photography.

Karen is co-owner and curator of the Davis Orton Gallery. She has been an invited reviewer of portfolios at the Griffin/CAA Portfolio Reviews, Photolucida in Portland OR, FotoFest in Houston TX and Critical Mass (online/Photolucida) and Magenta Foundation’s Fence project.

Her photographs are in the collections of the Center for Photography at Woodstock (CPW) at the Samuel Dorsky Museum of Art, the Lishui Museum of Photography (China) and the Houghton Rare Books Library, Harvard University and can be seen at the Massachusetts Museum of Contemporary Art (MASS MoCA).

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Floor Plan

Amy Rindskopf's Terra Novus

At the market, I pick each one up, pulled in by the shapes as they sit together, waiting. I feel its heft in my hand, enjoy the textures of the skin or peel, and begin to look closer and closer. The patterns on each individual surface marks them as distinct. I push further still, discovering territory unseen by the casual observer, a new land. I am like a satellite orbiting a distant planet, taking the first-ever images of this newly envisioned place.

This project started as an homage to Edward Weston’s Pepper No. 30 (I am, ironically, allergic to peppers). As I looked for my subject matter at the market, I found that I wasn’t drawn to just one single fruit or vegetable. There were so many choices, appealing to both hand and eye. I decided to print in black and white to help make the images visually more about the shapes, and not about guessing which fruit is smoothest, which vegetable is greenest.

Artistic Purpose/Intent

Artistic Purpose/Intent

Tricia Gahagan

 

Photography has been paramount in my personal path of healing from disease and

connecting with consciousness. The intention of my work is to overcome the limits of the

mind and engage the spirit. Like a Zen koan, my images are paradoxes hidden in plain

sight. They are intended to be sat with meditatively, eventually revealing greater truths

about the world and about one’s self.

 

John Chervinsky’s photography is a testament to pensive work without simple answers;

it connects by encouraging discovery and altering perspectives. I see this scholarship

as a potential to continue his legacy and evolve the boundaries of how photography can

explore the human condition.

 

Growing my artistic skill and voice as an emerging photographer is critical, I see this as

a rare opportunity to strengthen my foundation and transition towards an established

and influential future. I am thirsty to engage viewers and provide a transformative

experience through my work. I have been honing my current project and building a plan

for its complete execution. The incredible Griffin community of mentors and the

generous funds would be instrumental for its development. I deeply recognize the

hallmark moment this could be for the introduction of the work. Thank you for providing

this incredible opportunity for budding visions and artists that know they have something

greater to share with the world.

Fran Forman RSVP